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<v Riley Bowman>This is the Concealed Carry Podcast, Season 13, Episode 6.

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<v Riley Bowman>And welcome to Concealed Carry

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<v Riley Bowman>Podcast, part of the ConcealedCarry.com network, brought to you by HK.

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<v Riley Bowman>Today is February 4th, 2026, as of the recording of this episode.

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<v John Gilstrap>I am your host,

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<v Riley Bowman>Riley Bowman. I'm pleased to be here with you, and I've got another special

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<v Riley Bowman>episode for you today. I'm thrilled to bring to you.

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<v Riley Bowman>I've actually got another interview that I recorded at SHOT Show 2026

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<v John Gilstrap>Just a couple weeks ago.

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<v Riley Bowman>This one is with a multiple-time New York Times bestselling author, John Gilstrap.

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<v Riley Bowman>And in this episode, we get into talking about some of his latest books,

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<v Riley Bowman>including his newest release, which is not quite out yet, but will be like next

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<v Riley Bowman>month, I think, March, 2026, a book called Scorched Earth.

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<v Riley Bowman>And I'm actually holding right here in my hands. He was very kind,

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<v Riley Bowman>very generous and gifted to me and Jacob a pre-release copy of Scorched Earth.

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<v Riley Bowman>I nicely autographed it for us. Very, very kind.

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<v Riley Bowman>And I started reading this this week And

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<v Riley Bowman>it's fantastic Like all of his books Super action-packed

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<v Riley Bowman>Fast-paced reading If you enjoy thrillers

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<v Riley Bowman>like this Then this is the book for you And

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<v Riley Bowman>this is the reason why we interviewed John too He is

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<v Riley Bowman>a gun guy And he understands guns He knows how to talk about guns He knows how

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<v Riley Bowman>to write about guns And put those elements into his books In a believable manner

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<v Riley Bowman>Which we really appreciate And he's a friend to the industry and we should be

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<v Riley Bowman>supporting people in the industry like this fantastic author, John Gilstrap.

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<v Riley Bowman>I do got a couple of sponsor messages and we'll talk a little bit more about

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<v Riley Bowman>this episode in a moment.

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<v Riley Bowman>Today's episode was recorded in the HK booth

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<v John Gilstrap>At SHOT Show.

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<v Riley Bowman>Thank you so much, HK, for your support of us and the podcast and making everything

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<v Riley Bowman>we do possible, especially the podcast and this episode.

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<v Riley Bowman>Sat right there in the front center of the booth, right on the SHOT Show floor

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<v Riley Bowman>in front of everybody and recorded this interview with John. Had a great time.

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<v Riley Bowman>He was a wonderful guest on the podcast, and it was made possible thanks to HK.

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<v Riley Bowman>John's a huge fan of HK guns and features them quite extensively in his books.

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<v Riley Bowman>So it was an appropriate setting for this interview, and we just had a great time together.

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<v Riley Bowman>Guys, please support HK. Consider going to their website, hk-usa.com,

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<v Riley Bowman>to learn more about their products and why you want to use them.

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<v Riley Bowman>I mean, their pistols are amazing.

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<v Riley Bowman>They're the best in the industry, and, I mean, they work.

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<v Riley Bowman>They're super reliable. They're heavily tested, well-engineered.

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<v Riley Bowman>These are guns for serious users that really care about their products working

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<v Riley Bowman>in life-or-death situations.

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<v Riley Bowman>HK is also at the Great American Outdoor Show. As you are listening to this,

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<v Riley Bowman>I think that show will probably have been kicked off and started.

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<v Riley Bowman>It runs February 7th to the 15th in Harrisburg, Pennsylvania.

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<v Riley Bowman>And HK, their booth is booth number 488. So if you're able to go to the Great

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<v Riley Bowman>American Outdoor Show, if you're anywhere near the Harrisburg area or you plan

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<v Riley Bowman>on traveling there, please stop by booth 488 and say hello to

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<v John Gilstrap>The lovely folks

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<v Riley Bowman>At HK. You could stop in and say hello to Angela.

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<v John Gilstrap>She's always at their shows and she's wonderful. And just, hey,

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<v John Gilstrap>say that Riley and Jacob and the

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<v John Gilstrap>Concealed Carry folks sent you guys over there to stop by and say hello.

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<v Riley Bowman>We'd really appreciate that. HK-USA.com, again, their website.

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<v Riley Bowman>Today's episode also sponsored by...

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<v John Gilstrap>Concealedcarry.com

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<v Riley Bowman>Forward slash shop. I'm going to just give you the short link to go straight to

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<v John Gilstrap>The store at concealedcarry.com.

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<v Riley Bowman>When's the last time you visited the store? If it's been a while,

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<v Riley Bowman>then there's a bunch of new stuff there that you maybe haven't seen before.

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<v Riley Bowman>We have worked hard in recent weeks and months to update the store and add a bunch of new products.

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<v John Gilstrap>We've got stuff that,

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<v Riley Bowman>I mean, we're really fleshing out now our optics lineup. If you're looking for a pistol optic

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<v John Gilstrap>Or something like that,

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<v Riley Bowman>We've got more options now than ever before. All across the board.

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<v Riley Bowman>We got stuff from Trijicon, from Holosun, from a new player, Ocite.

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<v Riley Bowman>They're making waves in the industry now and a bunch of others.

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<v Riley Bowman>Also lights. We got a bunch of options now for lights.

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<v Riley Bowman>We've got some handheld lights. We also got a bunch of weapon mounted lights

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<v Riley Bowman>if that's something you're interested in.

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<v Riley Bowman>So guys, please head on over to concealedcarry.com forward slash shop.

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<v Riley Bowman>That'll take you straight to the main shop page of the website and we i mentioned

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<v Riley Bowman>this last last episode but we've updated the search tool on the site right at the top if

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<v John Gilstrap>You have a product you'd like to search for

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<v Riley Bowman>Uh you can do that even easier than ever before you can actually filter to products

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<v Riley Bowman>and you know i can just type in right now i'll do it right now with you so let's

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<v Riley Bowman>just say i'm looking for a weapon light and let's see what we come up with all

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<v Riley Bowman>right all right all right Yeah,

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<v John Gilstrap>We've got a TLR1,

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<v Riley Bowman>We've got a TLR7X,

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<v John Gilstrap>We've got a Holosun PIDHC,

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<v Riley Bowman>Some new Surefire options, a Surefire XC3 Lite.

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<v Riley Bowman>Okay, really, really cool new product. We were actually looking at those at

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<v Riley Bowman>SHOT Show just a while back there. And so tons of options here,

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<v John Gilstrap>All available on our site that

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<v Riley Bowman>You can purchase

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<v John Gilstrap>Right away. Guys, your purchase of products at concealedcarry.com

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<v Riley Bowman>Supports us and obviously makes this whole thing possible,

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<v John Gilstrap>Guys.

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<v Riley Bowman>So appreciate your support of us and of the podcast. And thank you for stopping

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<v Riley Bowman>by the concealedcarry.com store.

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<v Riley Bowman>Also an honorary sponsor, of course, is John Gilstrap himself.

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<v Riley Bowman>The episode wouldn't be possible without him. And you can go to his website,

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<v Riley Bowman>johngilstrap.com, G-A-O-H-N-G-I-L-S-T-R-A-P.com.

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<v John Gilstrap>And you'll want to

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<v Riley Bowman>Pre-order or get on his list for getting a new copy of his latest book, Scorched Earth.

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<v Riley Bowman>So as I mentioned in the beginning episode,

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<v John Gilstrap>He's a fantastic author.

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<v Riley Bowman>He's been very successful for a couple of decades now. he has sold rights to

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<v John Gilstrap>Several of his books for

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<v Riley Bowman>Movies and TV shows and his books are just super fun and exciting and fast paced reads.

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<v Riley Bowman>You will really enjoy them if you're into the action thriller genre and especially coming from a guy

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<v John Gilstrap>Who's a friend of the Second

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<v Riley Bowman>Amendment and loves gun stuff and loves HK Pistols he's your friend.

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<v Riley Bowman>You're going to want to read his books if you're not familiar already pick up

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<v Riley Bowman>his latest Scorched Earth or start at the beginning and go back and read all of his books.

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<v Riley Bowman>They're fantastic. I'm relatively new-wer to them.

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<v Riley Bowman>As I mentioned in the episode and the interview, I just got started listening

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<v Riley Bowman>on an audio book to my first John Gilstrap novel just a little bit less than

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<v Riley Bowman>a month ago and have been really enjoying listening to those.

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<v Riley Bowman>And I'm enjoying right now reading this copy of Scorched Earth.

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<v Riley Bowman>Anyway, I'm going to play back the interview now. Thanks for being here, guys.

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<v John Gilstrap>Enjoy the show, and I'll catch you on the flip side. Hey, everybody.

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<v John Gilstrap>It's Riley, and we're here at SHOT Show 2026 in the Heckler & Koch booth.

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<v John Gilstrap>And I'm pleased to bring to you – well, we could say introduced to you,

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<v John Gilstrap>but he's been on the podcast before, actually.

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<v John Gilstrap>I have. And this is Mr. John Gilstrap. How are you doing, sir?

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<v Speaker2>I'm wonderful. I mean, I love the SHOT Show. It's just a great place to be to

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<v Speaker2>hang out and meet new people.

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<v John Gilstrap>100%. Yeah. Yeah, no, I agree with you there. It's one of my favorite parts of it.

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<v John Gilstrap>It's just, you know, this is where my friends are at. You probably have many

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<v John Gilstrap>friends of yourself that you've met over the years.

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<v John Gilstrap>It's an annual opportunity to reconnect with those friendships.

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<v Speaker2>Right, and everybody, this is such a happy place. Yeah. You know,

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<v Speaker2>it's just everybody's having a good time. Oh, yeah. And everybody's tired. Everybody's feet hurt.

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<v John Gilstrap>Yeah, but what's not to love about, you know, guns, guns, guns.

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<v Speaker2>That's right.

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<v John Gilstrap>And, you know, good food in the evenings, hopefully. and yeah, it's a good time.

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<v John Gilstrap>You were on the podcast. Jacob interviewed you for that one that time.

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<v John Gilstrap>And so now it's my turn. All right. And I'm looking forward to that.

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<v John Gilstrap>He is the, you know, the consumer of all the John Gilstrap books.

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<v John Gilstrap>I am a relative newcomer. So I actually just started listening to my first one.

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<v John Gilstrap>And I had this, you know, kind of,

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<v John Gilstrap>crisis of like, well, do I start at number one or do I start with one that's

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<v John Gilstrap>more recent so we could talk about something that's more recent, right?

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<v John Gilstrap>That's maybe hitting the bookshelves or is on the bookshelves right now and

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<v John Gilstrap>of course we'll talk a little bit about the new one that you've got sitting

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<v John Gilstrap>here on the table right in front of us.

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<v John Gilstrap>So I just started listening to Zero Sum.

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<v Speaker2>Okay. I think that's the last book.

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<v John Gilstrap>Yeah, the most recent Jonathan Grave book, if I'm Correct.

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<v John Gilstrap>I thought about starting with the Irene Rivers one that was just published as well fairly recently.

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<v Speaker2>Right. That's Burren Bridges. That just came out. But it's kind of an offshoot from the grave books.

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<v John Gilstrap>Yeah, right, right. And I was like, well, I could start with that one.

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<v John Gilstrap>But let's do this zero-sum one because obviously that's the character that you've

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<v John Gilstrap>written all these books primarily about.

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<v John Gilstrap>And so it's been a really, really good listen. I'm only about halfway or so

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<v John Gilstrap>through. I was really trying to complete it before we got here,

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<v John Gilstrap>before I could talk to you.

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<v John Gilstrap>That's actually been a rule of mine with the podcast is if I'm going to talk

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<v John Gilstrap>to an author, I try to make sure I read at least one of their books.

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<v John Gilstrap>And unfortunately, I just didn't have the time to get it done in time.

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<v John Gilstrap>But I'm really enjoying what I'm hearing so far.

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<v John Gilstrap>It's thrilling. I mean, you write thrillers. I do.

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<v Speaker2>I do. And the stakes are always high. Right. And in this case,

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<v Speaker2>it's funny. I get this, obviously, I don't have an impact on national policy, right?

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<v Speaker2>Right. But this is where Jonathan is taking what he calls the pillow fight on

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<v Speaker2>drugs to be a war on drugs.

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<v Speaker2>Yes. And he's taking it right to the cartels.

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<v Speaker2>And for me, I live in West Virginia, and West Virginia is like the home of the opiate problem.

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<v Speaker2>And anything I can do to bring harm to the cartels, I'm all over.

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<v John Gilstrap>Yeah. Yeah. Well, it's a problem that's affecting a lot of different pockets

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<v John Gilstrap>in the country. I remember, I actually grew up in Idaho.

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<v John Gilstrap>And just off of I-15 that runs north out of Utah and goes right up through part of Idaho there.

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<v John Gilstrap>And my uncle, who just retired the last year or so ago from being a sheriff

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<v John Gilstrap>for quite a number of years, and a well-loved sheriff, and he did a lot of good

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<v John Gilstrap>things and worked really hard to make his community safer.

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<v John Gilstrap>And this is a relatively rural part of Idaho where he was sheriff of.

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<v John Gilstrap>But I-15 was a conduit for drug trafficking right up through there and up into Montana.

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<v John Gilstrap>And I remember him sharing some things with me about that and just kind of like,

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<v John Gilstrap>you know, it's eye-opening.

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<v John Gilstrap>You're like, I had no idea, especially like growing up in that region,

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<v John Gilstrap>how much drugs was moving up and down that interstate.

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<v John Gilstrap>He's like, oh, yeah, you know, we bus people out.

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<v John Gilstrap>Dang near every day kind of thing.

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<v Speaker2>And the ingenuity of the drug transporters, of where they put it,

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<v Speaker2>how they hide it, it's really, it's impressive. I mean, in that negative sort of way.

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<v John Gilstrap>They're really good at what they do.

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<v Speaker2>Well, they're good at what they do, and it's an industry. You know,

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<v Speaker2>I think, I don't think we, most people don't think of drug trade as a multi-billion

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<v Speaker2>dollar operation, but that's really what it is. and they run it accordingly.

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<v Speaker2>And so it's, I don't want to turn this into a political thing,

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<v Speaker2>but we need to make a decision. We're going to be happy with this or we're not.

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<v Speaker2>And I'm personally glad to see that we're taking real action against it.

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<v Speaker2>But again, Jonathan, he takes decisive, you're not at the end yet,

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<v Speaker2>but he takes decisive action.

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<v John Gilstrap>I'm already seeing that. And Jacob's actually spoken quite a bit about your

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<v John Gilstrap>books. Yes, decisive action sounds like maybe even almost an understatement.

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<v John Gilstrap>But speaking of politics, and I know you didn't want to get too political,

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<v John Gilstrap>and that's totally fine because I don't necessarily care for that either.

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<v John Gilstrap>However, early on in the book, Zero Sum, there's a reference to a particular

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<v John Gilstrap>state senator out of West Virginia.

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<v John Gilstrap>And the description in the book says,

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<v John Gilstrap>Kind of reminded me of somebody that's actually, well, until recently,

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<v John Gilstrap>a senator from West Virginia.

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<v John Gilstrap>I don't know if I read into that correctly or not, but I love that kind of stuff.

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<v Riley Bowman>When you're reading a book and you're like, it kind of sounds like they're talking

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<v Riley Bowman>About this or that or this person or that person.

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<v Riley Bowman>I have a standard answer on this, and that is I don't write politics

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<v Speaker2>And you can draw from what I write what you wish.

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<v Speaker2>But I do have fun with some of that. What I find interesting is when I get a

00:13:09.675 --> 00:13:13.815
<v Speaker2>lot of fan mail, like good fans, the vast majority is, you know, like your book.

00:13:13.995 --> 00:13:19.595
<v Speaker2>But every now and then you get the screamer who is, I've been accused of being

00:13:19.595 --> 00:13:25.895
<v Speaker2>a wild-eyed liberal and a wild-eyed conservative and a gun hater and in the

00:13:25.895 --> 00:13:29.655
<v Speaker2>pocket of the gun lobby. Right. All from the same book.

00:13:30.015 --> 00:13:34.575
<v Speaker2>Yeah. So people bring to it what they bring to life, I guess.

00:13:34.775 --> 00:13:34.915
<v John Gilstrap>Yes, yeah.

00:13:35.155 --> 00:13:38.655
<v Riley Bowman>I mean, their own personal biases. Yes. And the good news is it meant they read

00:13:38.655 --> 00:13:42.435
<v Riley Bowman>the book. They bought the book and they read the book and had a passionate response, right?

00:13:42.555 --> 00:13:45.275
<v Speaker2>So that's what entertainment is about.

00:13:45.415 --> 00:13:50.195
<v John Gilstrap>Right, right. That sounds like some of our interactions on social media comments

00:13:50.195 --> 00:13:54.355
<v John Gilstrap>on our channels where it's like you get some critical comments on something

00:13:54.355 --> 00:13:58.735
<v John Gilstrap>and it's like, well, thank you for the interaction, for feeding the algorithm.

00:13:59.115 --> 00:14:04.455
<v John Gilstrap>You know, it's like anyway. So, yeah, they bought the book, in other words. They read the book.

00:14:06.258 --> 00:14:11.058
<v John Gilstrap>So, I'm just curious. I wanted to get to know you a little bit more personally.

00:14:11.298 --> 00:14:16.258
<v John Gilstrap>Like, what got you started in writing in the first place? Where did I start from?

00:14:16.278 --> 00:14:19.538
<v Speaker2>I have always been a writer. My earliest memories, literally,

00:14:19.858 --> 00:14:23.038
<v Speaker2>when you pick up a pen, third, fourth grade, whenever that is,

00:14:23.198 --> 00:14:25.198
<v Speaker2>I've always written stories.

00:14:26.298 --> 00:14:31.218
<v Speaker2>And a lot of them were, you know, reproductions of what I saw on television

00:14:31.218 --> 00:14:36.218
<v Speaker2>or whatever. But the act of actually telling a story on the page has always been a passion.

00:14:36.438 --> 00:14:38.518
<v Speaker2>I never dreamed I'd make a living out of it.

00:14:39.458 --> 00:14:49.038
<v Speaker2>So my background, my professional background is I was a firefighter and paramedic, firefighter and EMT.

00:14:49.518 --> 00:14:56.158
<v Speaker2>And I also was a safety engineer where I worked in an explosives manufacturing plant.

00:14:56.738 --> 00:15:02.818
<v Speaker2>So and then I was writing in the spare time. so I didn't realize that what I

00:15:02.818 --> 00:15:06.338
<v Speaker2>was I was actually doing on the job training to be a thriller right now right

00:15:06.338 --> 00:15:08.758
<v Speaker2>I was going to say all the elements are there it.

00:15:08.758 --> 00:15:13.038
<v John Gilstrap>Sounds like you like things blowing up in books and so that that

00:15:13.832 --> 00:15:15.872
<v John Gilstrap>That suits you well, I guess I could say.

00:15:15.912 --> 00:15:20.772
<v Speaker2>Don't take this the wrong way. But I was in charge when I was working at the explosive plant.

00:15:20.852 --> 00:15:24.192
<v Speaker2>One of my duties was to get rid of old explosives.

00:15:24.372 --> 00:15:29.732
<v Speaker2>And the rules are written as such. The only way to get rid of it is to burn it or blow it up.

00:15:31.072 --> 00:15:35.992
<v Speaker2>That's a good day. It's just a good day. I'm not hurting anybody,

00:15:36.172 --> 00:15:37.052
<v Speaker2>right? It's out in the field.

00:15:37.672 --> 00:15:41.732
<v Speaker2>There's one time I started a big fire accidentally. I didn't really know what

00:15:41.732 --> 00:15:44.452
<v Speaker2>was in the pits. And I learned when it went high order.

00:15:45.752 --> 00:15:48.372
<v Speaker2>I don't know if you've heard. The only time this has happened to me,

00:15:48.532 --> 00:15:52.312
<v Speaker2>and I hesitate to tell a story at a place like SHOT Show where people have really

00:15:52.312 --> 00:15:54.772
<v Speaker2>been in a crappy situation.

00:15:55.532 --> 00:15:59.452
<v Speaker2>These burn pits are probably 100 yards from me. And there's a bunker where I

00:15:59.452 --> 00:16:02.652
<v Speaker2>could have stood, but it's got spiders and nasty stuff.

00:16:02.812 --> 00:16:05.672
<v Speaker2>So I had this remote detonator.

00:16:05.932 --> 00:16:10.112
<v Speaker2>And I was standing out there, and I'm firing a hole, push the button.

00:16:10.112 --> 00:16:12.992
<v Speaker2>And what's supposed to happen is you get this big fire, you know, big fireball.

00:16:13.672 --> 00:16:17.532
<v Speaker2>This thing was, it went up and a huge flash. And I don't know if you've ever

00:16:17.532 --> 00:16:19.312
<v Speaker2>seen a pressure wave coming at you.

00:16:21.172 --> 00:16:24.552
<v Speaker2>It's startling. You get a chance to say, oh, and that's it.

00:16:24.692 --> 00:16:25.232
<v John Gilstrap>Yeah, right.

00:16:27.252 --> 00:16:30.412
<v Speaker2>And then as a safety guy, my job is to put out the fires I just started.

00:16:30.672 --> 00:16:30.752
<v John Gilstrap>So.

00:16:33.132 --> 00:16:35.732
<v John Gilstrap>Well, that sounds exciting. I like,

00:16:36.364 --> 00:16:40.144
<v John Gilstrap>I might like blowing things up a little too much myself because I'm not going

00:16:40.144 --> 00:16:41.484
<v John Gilstrap>to admit to any felonies here.

00:16:41.664 --> 00:16:45.464
<v John Gilstrap>But when I was younger, probably statute of limitations would be passed now.

00:16:45.564 --> 00:16:48.164
<v John Gilstrap>But when I was a teenager, let's just say some stuff got blown up.

00:16:49.204 --> 00:16:50.744
<v Speaker2>How high did your bucket go?

00:16:51.744 --> 00:16:55.204
<v John Gilstrap>Yes. Yeah, I'm lucky to have some of those fingers and toes.

00:16:55.504 --> 00:16:59.744
<v John Gilstrap>And, you know, so, you know, yeah. Anyway, so good times.

00:17:00.724 --> 00:17:03.904
<v John Gilstrap>So you got started. You've been writing all your life, you basically said there.

00:17:04.464 --> 00:17:09.224
<v John Gilstrap>When did you write your first novel, like full-length novel?

00:17:09.524 --> 00:17:13.624
<v Speaker2>The first published novel came out when I was, well, I wrote it when I was probably

00:17:13.624 --> 00:17:16.504
<v Speaker2>35, 36, came out, and then I sold it.

00:17:16.964 --> 00:17:21.424
<v Speaker2>I wrote my first novel when I was freshman in college.

00:17:21.664 --> 00:17:25.484
<v Speaker2>Wow, very good. And it kind of sucked, but it was, you know,

00:17:25.624 --> 00:17:28.904
<v Speaker2>there were elements of it that were okay, and then there were two more after

00:17:28.904 --> 00:17:33.804
<v Speaker2>that. So a total of three novels I wrote that didn't go, you know,

00:17:33.824 --> 00:17:35.744
<v Speaker2>I didn't even try to sell them because I knew they weren't right.

00:17:35.904 --> 00:17:38.624
<v Speaker2>And then I wrote Nathan's Run, which was my first published novel.

00:17:39.024 --> 00:17:42.484
<v Speaker2>And it just, it hit the jackpot. It was an international bestseller.

00:17:43.244 --> 00:17:45.784
<v Speaker2>And so it kind of launched the new career.

00:17:46.084 --> 00:17:48.964
<v John Gilstrap>So tell me about those early novels that you, like you said,

00:17:49.044 --> 00:17:51.184
<v John Gilstrap>you wrote, but you didn't sell or anything like that.

00:17:52.424 --> 00:17:55.564
<v John Gilstrap>What did you learn from that process of writing those? I mean,

00:17:55.644 --> 00:17:58.604
<v John Gilstrap>you just said that you knew that they weren't quite right. They weren't,

00:17:58.604 --> 00:17:59.964
<v John Gilstrap>I guess, quite ready, let's say.

00:18:00.564 --> 00:18:04.664
<v John Gilstrap>But it sounds like that was kind of a... You must have learned some things from

00:18:04.664 --> 00:18:07.984
<v John Gilstrap>those in order to be so successful with Nathan's run.

00:18:08.244 --> 00:18:08.724
<v Speaker2>Yeah, and...

00:18:09.961 --> 00:18:14.641
<v Speaker2>I'm an avid reader. I mean, I read toothpaste tubes, right? I mean, I just read anything.

00:18:15.381 --> 00:18:20.701
<v Speaker2>And that was the case at the time. And I knew just intuitively what I was writing

00:18:20.701 --> 00:18:25.381
<v Speaker2>wasn't, I was writing thrillers, but they weren't thrilling.

00:18:25.581 --> 00:18:28.741
<v Speaker2>There were elements of it that were flat or the, it just, you know,

00:18:28.821 --> 00:18:30.501
<v Speaker2>the elements of the story didn't work.

00:18:30.681 --> 00:18:34.961
<v Speaker2>And then with Nathan's Ron, it just, it was a, I was able to hit.

00:18:34.961 --> 00:18:39.841
<v Speaker2>I think the big difference was I wrote that book as if I were telling the story

00:18:39.841 --> 00:18:43.521
<v Speaker2>to somebody as opposed to self-consciously writing a book.

00:18:44.881 --> 00:18:50.001
<v Speaker2>And once I got rid of the stiffness and I found my own voice, the story flowed.

00:18:50.081 --> 00:18:53.421
<v Speaker2>But there were stuff in each of those previous three that I've cannibalized

00:18:53.421 --> 00:18:55.601
<v Speaker2>and used in other books. Yeah.

00:18:57.376 --> 00:19:01.056
<v Speaker2>Dialogue interactions and stuff that I thought were really good.

00:19:01.196 --> 00:19:03.956
<v Speaker2>That's the encouraging part of doing this. It's like playing golf.

00:19:04.556 --> 00:19:08.056
<v Speaker2>Even if you're a terrible golfer, you get one good shot that keeps you coming back.

00:19:08.436 --> 00:19:12.236
<v Speaker2>When you're writing a book, if that's what you want to do, there are elements,

00:19:12.696 --> 00:19:15.836
<v Speaker2>there are scenes or whatever that you go, wow, that's good.

00:19:15.936 --> 00:19:18.196
<v Speaker2>It's a shame it's in the middle of a story that doesn't work.

00:19:19.076 --> 00:19:25.016
<v John Gilstrap>Yeah, I like that. What it reminds me of, this is when you started going down

00:19:25.016 --> 00:19:31.876
<v John Gilstrap>that, you know, kind of line of thinking, what it reminded me of is I'm a very avid shooter.

00:19:31.996 --> 00:19:36.136
<v John Gilstrap>I've been shooting a long time now and including at a fairly decent level.

00:19:36.416 --> 00:19:40.496
<v John Gilstrap>And so part of that journey for me has been a lot of trial and error.

00:19:41.136 --> 00:19:46.956
<v John Gilstrap>And I just believe that's how life is, is that we learn and we learn probably the best from failure.

00:19:47.236 --> 00:19:52.196
<v John Gilstrap>Yes. And so I just kind of was seeing this little common thread there.

00:19:52.336 --> 00:19:54.716
<v John Gilstrap>You're like, hey, I wrote this novel. I wrote a couple more.

00:19:54.976 --> 00:19:56.436
<v John Gilstrap>I was a freshman in college.

00:19:57.316 --> 00:20:00.916
<v John Gilstrap>Nothing came really of those. And then I write Nathan's Run and boom.

00:20:01.856 --> 00:20:05.876
<v John Gilstrap>You have to learn from mistakes.

00:20:06.256 --> 00:20:11.696
<v Speaker2>You have to recognize mistakes. Yes. And then you have to embrace them as, yes, I did that.

00:20:11.976 --> 00:20:16.996
<v Speaker2>And then improve. Make that conscious effort to improve.

00:20:16.996 --> 00:20:24.076
<v Speaker2>And that's why nobody can pick up a gun or a golf club or a pen and be a journeyman

00:20:24.076 --> 00:20:28.256
<v Speaker2>level at what they're doing without that learning process. And they have to

00:20:28.256 --> 00:20:29.716
<v Speaker2>be willing to accept the critique.

00:20:31.396 --> 00:20:34.716
<v Speaker2>And again, you talk about shooting. I'm an avid shooter too.

00:20:34.876 --> 00:20:39.356
<v Speaker2>But you become better when somebody really concentrates on what you're doing

00:20:39.356 --> 00:20:40.836
<v Speaker2>wrong. You can see what you did right.

00:20:41.036 --> 00:20:46.056
<v Speaker2>But sometimes you've hit the target and you're doing it the wrong way.

00:20:46.056 --> 00:20:48.516
<v Speaker2>And then it's the little improvements that,

00:20:49.103 --> 00:20:50.283
<v Speaker2>that help a lot.

00:20:50.703 --> 00:20:57.403
<v John Gilstrap>Absolutely. Who in, you know, are there other writers that have been an inspiration to you?

00:20:57.563 --> 00:21:00.043
<v John Gilstrap>Like, who would you look to if that was like, oh, that, you know,

00:21:00.083 --> 00:21:03.883
<v John Gilstrap>when I was a kid or whatever, I read these and these were really influential on me.

00:21:04.483 --> 00:21:08.663
<v Speaker2>Oh, well, growing up, you know, it was Alistair McLean and, you know,

00:21:08.683 --> 00:21:10.023
<v Speaker2>all the adventure kind of stories.

00:21:13.143 --> 00:21:16.043
<v Speaker2>The Day of the Jackal by Frederick Forsyth.

00:21:16.343 --> 00:21:16.523
<v John Gilstrap>Yes.

00:21:16.763 --> 00:21:21.143
<v Speaker2>That was probably, that was the first book I read And it's got some really cool gun stuff in it.

00:21:22.163 --> 00:21:26.783
<v Speaker2>That's the first book I read where I saw how a thriller was structured.

00:21:27.163 --> 00:21:32.563
<v Speaker2>Just for whatever reason, it's like I could see through, I could see the skeleton of the story.

00:21:32.863 --> 00:21:36.743
<v Speaker2>And if you think of the skeleton of the story as structure, and then the skin,

00:21:36.923 --> 00:21:39.503
<v Speaker2>I guess, to carry the analogy, is the plot.

00:21:39.823 --> 00:21:45.603
<v Speaker2>And I just saw how he used space breaks and character changes and chapter breaks.

00:21:46.203 --> 00:21:47.763
<v Speaker2>That was the first book I saw.

00:21:48.883 --> 00:21:51.583
<v Speaker2>Oh oh that's how you do it now that don't

00:21:51.583 --> 00:21:54.703
<v Speaker2>mean i could do it but you still have to have a good story but um

00:21:54.703 --> 00:21:58.143
<v Speaker2>contemporaneously i think stephen hunter oh yes

00:21:58.143 --> 00:22:04.103
<v Speaker2>was actually he's very helpful to me early on um when i you know i i had called

00:22:04.103 --> 00:22:07.943
<v Speaker2>him because he worked at the baltimore sun at the time and a buddy of mine had

00:22:07.943 --> 00:22:13.423
<v Speaker2>him as a client for a financial thing so i called him he's a here's the a film

00:22:13.423 --> 00:22:14.803
<v Speaker2>review at the Baltimore Sun.

00:22:15.043 --> 00:22:18.723
<v Speaker2>And I asked him for his agent's name.

00:22:19.477 --> 00:22:22.777
<v Speaker2>Oh, wow. And he gave it, and she rejected me, but that's fine.

00:22:23.917 --> 00:22:27.257
<v Speaker2>And then I called her back and asked for some advice, and he gave it to him,

00:22:27.277 --> 00:22:29.937
<v Speaker2>and he said, please don't ask me to read your manuscript.

00:22:30.537 --> 00:22:32.337
<v John Gilstrap>I said, I wouldn't do that.

00:22:32.797 --> 00:22:37.757
<v Speaker2>I was going to do that, but I'm not going to do that. And then when I called

00:22:37.757 --> 00:22:41.637
<v Speaker2>him, when Nathan's Run sold, I called him back and sort of celebrated,

00:22:41.777 --> 00:22:46.077
<v Speaker2>and he said, that's never happened before for all the people who called.

00:22:46.077 --> 00:22:49.597
<v Speaker2>So Steve's been a friend for 30 years now.

00:22:50.357 --> 00:22:56.257
<v Speaker2>And so for guys with guns, he goes to a level of detail that I don't go to because,

00:22:56.537 --> 00:22:58.377
<v Speaker2>again, I know my level of ignorance.

00:22:58.537 --> 00:23:05.077
<v Speaker2>So once you get inside the barrel and you start talking about the twists, that's not me.

00:23:05.337 --> 00:23:11.617
<v Speaker2>I don't do that. But in terms of handling and tactics and all of that,

00:23:11.817 --> 00:23:15.457
<v Speaker2>it's, you know, I've trained, I've been so fortunate.

00:23:16.517 --> 00:23:21.217
<v Speaker2>A fellow, I guess I shouldn't name names, but I wrote a non-fiction book,

00:23:21.297 --> 00:23:26.477
<v Speaker2>came out in 2006, called Six Minutes to Freedom, to be a Netflix feature next year.

00:23:27.417 --> 00:23:33.137
<v Speaker2>And it's about the, it's Operation Acid Gambit, which is the rescue of Kurt Mews in Panama.

00:23:34.043 --> 00:23:40.443
<v Speaker2>And I got, through a wild series of events, got extraordinary access to Delta Force.

00:23:41.263 --> 00:23:45.883
<v Speaker2>And the team that did it, President Bush actually, first one,

00:23:46.083 --> 00:23:50.283
<v Speaker2>the 41, intervened and allowed them to talk. The Delta guys don't talk to anybody.

00:23:50.563 --> 00:23:56.023
<v Speaker2>But I got a tour of their compound and a lot, a lot, a lot of help from them.

00:23:57.163 --> 00:24:00.623
<v Speaker2>And that, I don't know if it was a strike of jealousy or whatever.

00:24:00.623 --> 00:24:11.503
<v Speaker2>I met a guy from Dev Group, SEAL Team 6, and he gave me a tour of the Virginia Beach SEAL compound.

00:24:12.103 --> 00:24:15.323
<v Speaker2>And once you get to know these folks and you treat them well,

00:24:15.583 --> 00:24:18.563
<v Speaker2>and I don't mean nothing nefarious there.

00:24:18.623 --> 00:24:21.283
<v Speaker2>We're not talking exchanging money. Just treat them with respect.

00:24:22.263 --> 00:24:28.383
<v Speaker2>And, you know, I would never cross that line of revealing something that I've

00:24:28.383 --> 00:24:30.283
<v Speaker2>been shown either intentionally or accidentally.

00:24:31.123 --> 00:24:34.243
<v Speaker2>Because I wouldn't do that. That's just not me.

00:24:35.523 --> 00:24:42.723
<v Speaker2>So I've been a bad guy at a FDLE SWAT team exercise, which was with simunitions.

00:24:44.723 --> 00:24:48.563
<v Speaker2>Nice. Yeah, put your gun down when the SWAT team comes in. It's the lesson. Right.

00:24:48.903 --> 00:24:49.463
<v John Gilstrap>That stings.

00:24:50.723 --> 00:24:54.163
<v Speaker2>But one thing leads to another, right? And here I am at this podcast.

00:24:54.223 --> 00:24:59.263
<v Speaker2>You meet more people, and when you work, I'm still learning,

00:24:59.403 --> 00:25:00.243
<v Speaker2>right? Everybody's still learning.

00:25:00.403 --> 00:25:03.963
<v Speaker2>And the harder you work to get things right, the more people you meet who are

00:25:03.963 --> 00:25:07.323
<v Speaker2>willing to help you out, which leads to better quality product,

00:25:07.503 --> 00:25:11.163
<v Speaker2>which, you know, it's a constant learning process.

00:25:11.443 --> 00:25:14.103
<v John Gilstrap>Well, I understand that you're kind of, I mean, you've been doing this a long

00:25:14.103 --> 00:25:16.843
<v John Gilstrap>time now. Yeah. You've written, what is it,

00:25:16.923 --> 00:25:18.523
<v Speaker2>18, 19 books? This is 31 books.

00:25:19.063 --> 00:25:20.363
<v John Gilstrap>I'm way off of my count.

00:25:20.483 --> 00:25:22.383
<v Speaker2>Well, it's 17 books in the Jonathan Graves series.

00:25:22.403 --> 00:25:26.383
<v John Gilstrap>Oh, that's what I was thinking. Yeah. Wow. So 31 books total, though. Right.

00:25:26.803 --> 00:25:29.843
<v John Gilstrap>Wow. That's remarkable. Well, I mean, congratulations to you.

00:25:29.963 --> 00:25:31.303
<v John Gilstrap>I mean, that's been amazing.

00:25:32.203 --> 00:25:34.743
<v John Gilstrap>We're going to come back to that. We're going to talk about your upcoming book.

00:25:37.428 --> 00:25:40.428
<v John Gilstrap>What you were just talking about there kind of reminded me of something.

00:25:40.748 --> 00:25:42.108
<v John Gilstrap>I might have lost my train of thought.

00:25:45.428 --> 00:25:48.648
<v John Gilstrap>All right, let's jump to it then. Let's talk about Scorched Earth, shall we?

00:25:49.148 --> 00:25:53.228
<v Speaker2>All right. Scorched Earth is the number 17 in the Jonathan Graves series.

00:25:54.108 --> 00:26:00.088
<v Speaker2>Over the course of the series, the FBI director, a lady named Irene Rivers,

00:26:00.788 --> 00:26:04.668
<v Speaker2>I've painted her as like the last honest person in the federal government.

00:26:04.668 --> 00:26:07.548
<v Speaker2>But she's honest through awkward means.

00:26:07.688 --> 00:26:11.988
<v Speaker2>I mean, she will do, she believes in justice over the law, kind of.

00:26:12.108 --> 00:26:15.228
<v Speaker2>You know, there's a way to do things. And there's things that she cannot do.

00:26:15.748 --> 00:26:18.548
<v Speaker2>So she brings in Jonathan Grave to do it for her. Right.

00:26:18.888 --> 00:26:24.668
<v John Gilstrap>Speaking of which, in Zero Sum, there was a one-liner that you just basically gave it just now.

00:26:24.828 --> 00:26:28.788
<v John Gilstrap>And I think it goes something like this where he's having a conversation with

00:26:28.788 --> 00:26:35.248
<v John Gilstrap>her fairly early on in the book. and he's like, you know, I don't care about the law.

00:26:35.488 --> 00:26:38.788
<v John Gilstrap>I care about justice or something to that effect. Yeah.

00:26:39.528 --> 00:26:43.368
<v Speaker2>And, you know, and not to get too far off track, we all know that.

00:26:43.528 --> 00:26:47.908
<v Speaker2>You know, that there are, in certain states, I live in West Virginia,

00:26:48.068 --> 00:26:51.828
<v Speaker2>right? So it is the best gun law state in the union.

00:26:52.788 --> 00:26:57.748
<v Speaker2>But there are states where if you shoot a burglar in your house, you're the bad guy.

00:26:58.068 --> 00:26:58.848
<v John Gilstrap>Yeah, it could, yeah.

00:26:58.848 --> 00:27:02.028
<v Speaker2>You know, there is no justice. in that. I mean, it's the law,

00:27:02.288 --> 00:27:03.888
<v Speaker2>but there's no justice, right?

00:27:04.268 --> 00:27:10.148
<v Speaker2>So this is the area where Jonathan Grave finds his traction. Yeah. And in this book,

00:27:10.862 --> 00:27:13.982
<v Speaker2>And Irene Rivers, in the book you're reading now, I won't give away the ending,

00:27:14.122 --> 00:27:16.922
<v Speaker2>but I will. Irene Rivers is ousted from office.

00:27:18.462 --> 00:27:20.182
<v John Gilstrap>I can see the writing on the wall, by the way.

00:27:20.322 --> 00:27:21.902
<v Speaker2>Yeah, it's not subtle.

00:27:24.722 --> 00:27:30.942
<v Speaker2>And she has been using, Jonathan is not the only OTR, off-the-record contractor that she's been using.

00:27:31.242 --> 00:27:36.402
<v Speaker2>And there's somebody in government that is going and killing her contractors.

00:27:37.462 --> 00:27:42.462
<v Speaker2>And so that's what Scorched Earth is about. Jonathan is a target of one of these.

00:27:42.742 --> 00:27:45.902
<v Speaker2>And he finds out about more. And then there's an overarching plot.

00:27:47.762 --> 00:27:53.362
<v Speaker2>Senator Bridges, I don't know if I name her state. Yeah, North Carolina.

00:27:55.202 --> 00:28:01.602
<v Speaker2>For reasons that are in the book, she's actually part of, or she's suborning

00:28:01.602 --> 00:28:05.622
<v Speaker2>a terrorist attack that's designed specifically to kill children.

00:28:06.722 --> 00:28:11.802
<v Speaker2>And for reasons. And Jonathan finds out about that, and that's the big race at the end.

00:28:11.902 --> 00:28:15.982
<v Speaker2>So it's always high stakes.

00:28:16.582 --> 00:28:22.602
<v Speaker2>And now, you know, we talk about technical things in books.

00:28:23.162 --> 00:28:29.802
<v Speaker2>The area where I'm most far behind, call me, is in drone technology.

00:28:30.062 --> 00:28:34.862
<v Speaker2>Because that's becoming more and more part of the battle game.

00:28:35.902 --> 00:28:38.402
<v Speaker2>Why go into a place when you can send a thing into the place?

00:28:38.722 --> 00:28:43.362
<v Speaker2>Well, it's because I write thrillers, right? So it's almost like they have to

00:28:43.362 --> 00:28:48.622
<v Speaker2>create a reason sometimes why technology can't do it because people read about,

00:28:49.554 --> 00:28:56.194
<v Speaker2>about characters going and do things manually. So it's not always about getting

00:28:56.194 --> 00:28:57.334
<v Speaker2>technical details right.

00:28:57.534 --> 00:29:00.254
<v Speaker2>It's explaining why this instead of that.

00:29:01.934 --> 00:29:04.014
<v Speaker2>And, again, that's why I come to the SHOT Show.

00:29:05.154 --> 00:29:07.594
<v John Gilstrap>Now, Scorched Earth, I think, comes out in March,

00:29:07.734 --> 00:29:10.514
<v Speaker2>Is it? February 24th. But you can preorder it now.

00:29:10.594 --> 00:29:14.874
<v John Gilstrap>Just before March. Okay, good. Good. So, folks, you should go preorder it.

00:29:14.954 --> 00:29:21.314
<v John Gilstrap>I mean, like I said, I'm just getting into your books, And they're a great read,

00:29:21.394 --> 00:29:23.314
<v John Gilstrap>man. I love good classic thrillers.

00:29:23.454 --> 00:29:26.734
<v John Gilstrap>I've read a bunch over the years. I mean, I grew up reading Tom Clancy.

00:29:27.794 --> 00:29:33.074
<v John Gilstrap>That's just pretty much how I grew up. So it's right in that same vein. It's good stuff.

00:29:33.314 --> 00:29:36.254
<v John Gilstrap>It's fun to see how you're talking about.

00:29:36.354 --> 00:29:40.514
<v John Gilstrap>It's more important to talk about why this versus that as opposed to getting

00:29:40.514 --> 00:29:42.134
<v John Gilstrap>all technical details correct.

00:29:42.574 --> 00:29:46.174
<v John Gilstrap>But at the same time, you do a good job getting technical details correct, I would say.

00:29:46.454 --> 00:29:52.734
<v John Gilstrap>Thank you. And you love featuring a number of actual guns and weapons and tactics.

00:29:52.994 --> 00:29:57.294
<v John Gilstrap>And we're here in the HK booth, and you seem to be an HK fan of sorts.

00:29:57.434 --> 00:30:02.634
<v Speaker2>I am an HK fan. And I was first introduced to HK products when I toured the

00:30:02.634 --> 00:30:04.854
<v Speaker2>SEAL Team compound. Yeah. And that's what they were using.

00:30:05.154 --> 00:30:09.294
<v Speaker2>And that's when I met the MP7. Yeah. Kind of had a little love affair with it.

00:30:09.414 --> 00:30:13.914
<v Speaker2>But I shot the 416 and 417 and MP7 and I don't know what else.

00:30:13.914 --> 00:30:18.974
<v Speaker2>But it was at their range with their lead instructor. And they were very patient and very nice to me.

00:30:19.394 --> 00:30:23.894
<v Speaker2>And because I then knew the details I needed, and it was the first book that

00:30:23.894 --> 00:30:27.154
<v Speaker2>I was writing in the Grave series, it became H&K.

00:30:27.614 --> 00:30:33.854
<v Speaker2>And since then, the folks at H&K have been very nice to me and have always been

00:30:33.854 --> 00:30:37.234
<v Speaker2>generous in helping with your technical details and what have you.

00:30:37.474 --> 00:30:42.214
<v Speaker2>So if you land on a platform that you understand as a writer,

00:30:43.514 --> 00:30:45.134
<v Speaker2>It's very, why would I leave.

00:30:45.314 --> 00:30:45.494
<v John Gilstrap>You know?

00:30:45.574 --> 00:30:50.954
<v Speaker2>Right, right. Plus, they're such good products. I mean, it's the gun that everybody wants, right?

00:30:52.754 --> 00:30:55.554
<v John Gilstrap>They're built exceptionally well, and they work when you need them to.

00:30:55.894 --> 00:31:00.474
<v Speaker2>So Jonathan carries the M27 variant of the 416.

00:31:01.474 --> 00:31:06.374
<v Speaker2>His friend Boxer's is enormous. Carries a 417. Yep.

00:31:08.234 --> 00:31:14.274
<v Speaker2>And it works really well for them, you know? And they switch out.

00:31:14.674 --> 00:31:17.914
<v Speaker2>John and the Carrie's MP7 on his hip, actually holstered.

00:31:17.954 --> 00:31:18.234
<v John Gilstrap>Right.

00:31:18.474 --> 00:31:25.554
<v Speaker2>On his weak side. So it's, yeah. I mean, HK is featured very prominently in the books.

00:31:25.774 --> 00:31:28.534
<v John Gilstrap>Well, I think that's really cool. It's fun to see, you know,

00:31:28.654 --> 00:31:32.294
<v John Gilstrap>for people that are kind of in the know, if you will, gun people,

00:31:32.454 --> 00:31:35.434
<v John Gilstrap>and they read that kind of stuff, they're like, oh, man, this guy knows his stuff.

00:31:35.614 --> 00:31:38.814
<v John Gilstrap>I have a lot more respect for writers that, you know, at least...

00:31:39.454 --> 00:31:45.454
<v John Gilstrap>At least put out effort that they're trying to, you know, explain and incorporate

00:31:45.454 --> 00:31:49.314
<v John Gilstrap>some of those elements into books accurately or reasonably accurately because,

00:31:49.674 --> 00:31:51.954
<v John Gilstrap>you know, over the years, like I said, I've read a lot of things and there's

00:31:51.954 --> 00:31:54.294
<v John Gilstrap>those ones you're just like, it's like you're screaming at the television.

00:31:54.474 --> 00:31:57.094
<v John Gilstrap>You're like, come on, can't you at least know that detail, you know?

00:31:57.274 --> 00:31:59.794
<v John Gilstrap>So, yeah, it's greatly appreciated.

00:32:00.034 --> 00:32:02.814
<v Speaker2>And different people go to different levels. I mean, Tom Clancy,

00:32:03.334 --> 00:32:08.434
<v Speaker2>rest his soul, he often, in my taste, Everybody has their own taste.

00:32:09.154 --> 00:32:14.874
<v Speaker2>Once you get to, like, lands and grooves with Steve's books and the devil of

00:32:14.874 --> 00:32:17.094
<v Speaker2>detail that Clancy would go into,

00:32:17.394 --> 00:32:22.994
<v Speaker2>that's not what I do because those are the paragraphs, even though I'm really

00:32:22.994 --> 00:32:27.874
<v Speaker2>into all of this, those are the paragraphs I tend to skim, right, instead of really read.

00:32:28.014 --> 00:32:33.994
<v Speaker2>But I know, I'm confident that there are tons of people who live for those paragraphs.

00:32:34.274 --> 00:32:36.694
<v Speaker2>Yeah, yeah. In my own books, I have what I call the loadout,

00:32:37.114 --> 00:32:42.114
<v Speaker2>where it's important. I don't know. I don't have real statistics on it.

00:32:42.454 --> 00:32:46.214
<v Speaker2>It's important to probably 10%, 15% of my readers. And the others,

00:32:46.394 --> 00:32:50.954
<v Speaker2>I know that's what they skip because they've got a pistol and a rifle. That's all they need.

00:32:51.094 --> 00:32:52.434
<v John Gilstrap>Right. That's all they care about. Right.

00:32:52.614 --> 00:32:58.234
<v Speaker2>Yeah. But then once you've committed to that platform, then you've got to get

00:32:58.234 --> 00:33:00.194
<v Speaker2>the details right because people are following it.

00:33:00.374 --> 00:33:04.014
<v John Gilstrap>Right. Yep. I remember now what I was going to ask you about earlier.

00:33:04.174 --> 00:33:09.454
<v John Gilstrap>And it was when we were talking about some other authors and maybe some of those

00:33:09.454 --> 00:33:11.374
<v John Gilstrap>that have helped you, like Hunter.

00:33:12.914 --> 00:33:17.854
<v John Gilstrap>And then Jacob had mentioned to me that you do quite a bit of speaking at writing

00:33:17.854 --> 00:33:19.954
<v John Gilstrap>conferences and events and things like that.

00:33:20.094 --> 00:33:25.294
<v John Gilstrap>So you've kind of now also taken on the role of helping mentor other writers as well.

00:33:25.394 --> 00:33:30.574
<v Speaker2>I do. I teach a course at conferences that, frankly, got to be self-aggrandizing.

00:33:30.574 --> 00:33:32.774
<v Speaker2>It's always well received because it's always lighthearted.

00:33:33.214 --> 00:33:37.534
<v Speaker2>And it's called Bangs and Booms 101, technical stuff that writers get wrong.

00:33:37.974 --> 00:33:43.714
<v Speaker2>So I go into, it's not, you know, it's like a 10,000 foot level, but,

00:33:44.711 --> 00:33:47.871
<v Speaker2>And I'm shocked at the number of people that don't know the difference between

00:33:47.871 --> 00:33:48.751
<v Speaker2>the bullet and the cartridge.

00:33:49.011 --> 00:33:49.431
<v John Gilstrap>Right.

00:33:49.711 --> 00:33:53.851
<v Speaker2>And what caliber really means.

00:33:54.031 --> 00:33:54.211
<v John Gilstrap>Yep.

00:33:54.471 --> 00:34:03.371
<v Speaker2>Right? So 7.62 isn't the own. It's not one bullet, right?

00:34:03.551 --> 00:34:06.631
<v Speaker2>There's this whole family of bullets that goes into it. So I teach that,

00:34:06.751 --> 00:34:12.711
<v Speaker2>but then I also teach how the impact of bullets actually works.

00:34:12.731 --> 00:34:13.991
<v Speaker2>You don't get blown through the door.

00:34:14.251 --> 00:34:17.091
<v Speaker2>Yeah. You know, I have a little bit about Newton's third law of motion. Yeah.

00:34:17.631 --> 00:34:22.011
<v Speaker2>And there's a lot of videos of people doing stupid things. But there's also some serious stuff.

00:34:23.631 --> 00:34:28.131
<v Speaker2>And just my idea, what I want to do is help them not embarrass themselves.

00:34:28.731 --> 00:34:30.311
<v Speaker2>You know, and there's a whole genre.

00:34:31.211 --> 00:34:36.731
<v Speaker2>You know, if you're writing an Agatha Christie kind of mystery.

00:34:36.971 --> 00:34:37.351
<v John Gilstrap>Mystery, yeah.

00:34:37.551 --> 00:34:41.471
<v Speaker2>You know, a pistol is fine. A revolver is fine.

00:34:41.691 --> 00:34:46.271
<v Speaker2>Because that's not what people want to get. But when you're writing military-adjacent

00:34:46.271 --> 00:34:49.751
<v Speaker2>thrillers like I do, that's not enough, you know?

00:34:50.251 --> 00:34:54.191
<v Speaker2>And the deeper into detail you get,

00:34:55.226 --> 00:34:59.286
<v Speaker2>The higher risk you are of getting it wrong, which is why you've got to do more research.

00:35:00.086 --> 00:35:03.826
<v John Gilstrap>How much time would you say, on average, you spend in research on a particular,

00:35:04.126 --> 00:35:05.746
<v John Gilstrap>you know, any given novel?

00:35:08.526 --> 00:35:15.666
<v Speaker2>Well, now, the research will go to a particular thing. Like, I need drones.

00:35:16.166 --> 00:35:20.286
<v Speaker2>And there are drones in zero-sum. Boy, are there drones in zero-sum.

00:35:20.286 --> 00:35:22.806
<v John Gilstrap>I mean, the very opening chapter.

00:35:22.806 --> 00:35:25.546
<v Speaker2>I have no idea if that technology exists.

00:35:26.106 --> 00:35:27.366
<v John Gilstrap>It wouldn't surprise me.

00:35:27.446 --> 00:35:32.446
<v Speaker2>It wouldn't surprise me either. So part of it is making stuff up,

00:35:32.446 --> 00:35:34.906
<v Speaker2>too, and making it believable to the reader.

00:35:35.626 --> 00:35:41.366
<v Speaker2>And my theory there is if it doesn't exist, only 100 people in the world know

00:35:41.366 --> 00:35:43.466
<v Speaker2>it doesn't exist, and they're not allowed to tell anybody.

00:35:44.046 --> 00:35:44.566
<v John Gilstrap>Right.

00:35:48.046 --> 00:35:53.166
<v Speaker2>But that's the research I do. is what's available, and then how can I tweak

00:35:53.166 --> 00:35:57.186
<v Speaker2>it in a fictional way to make it work.

00:35:57.526 --> 00:36:01.266
<v John Gilstrap>Right, right. Very good. I imagine, obviously, too, now that you've been doing

00:36:01.266 --> 00:36:06.126
<v John Gilstrap>this long enough as well that you sort of banked a lot of effort and time in

00:36:06.126 --> 00:36:10.186
<v John Gilstrap>the past researching a lot that you can kind of draw upon now.

00:36:10.486 --> 00:36:14.506
<v John Gilstrap>Yeah. Yeah. Do you do much in the way of, like, how important is it for you

00:36:14.506 --> 00:36:16.306
<v John Gilstrap>to research particular locations?

00:36:17.146 --> 00:36:22.806
<v Speaker2>Okay, here's the laziness factor. None of the locations I use are real.

00:36:23.046 --> 00:36:24.066
<v John Gilstrap>Yeah, I get that.

00:36:24.226 --> 00:36:26.026
<v Speaker2>So, I just create...

00:36:27.977 --> 00:36:31.717
<v John Gilstrap>But is there anything that you draw inspiration from? Like you see,

00:36:31.917 --> 00:36:34.457
<v John Gilstrap>whether it's a building or a restaurant or anything.

00:36:34.597 --> 00:36:39.437
<v Speaker2>Oh, all the time. All the time. You walk in and you think that that's a really cool place.

00:36:39.697 --> 00:36:44.117
<v Speaker2>Jonathan Grave lives in a converted firehouse. That firehouse,

00:36:44.137 --> 00:36:47.977
<v Speaker2>in my head, it's in the books. It's in Fisherman's Cove, Virginia,

00:36:48.177 --> 00:36:49.257
<v Speaker2>which doesn't exist. Right.

00:36:50.077 --> 00:36:55.637
<v Speaker2>But the real firehouse is in Lower Manhattan.

00:36:55.877 --> 00:36:56.357
<v John Gilstrap>Oh, okay.

00:36:56.357 --> 00:36:59.697
<v Speaker2>And it's just this gorgeous, go to my website, there's a picture of it.

00:37:00.157 --> 00:37:02.837
<v Speaker2>Just this gorgeous old firehouse. It's not a firehouse anymore.

00:37:03.017 --> 00:37:04.197
<v Speaker2>They've converted it into something else.

00:37:04.397 --> 00:37:06.577
<v Speaker2>Yeah. But, you know, that's where you pass by and you say, okay,

00:37:06.697 --> 00:37:09.957
<v Speaker2>that's a great location. Yeah. But it doesn't have to be there.

00:37:10.237 --> 00:37:11.797
<v Speaker2>Right. I can move it wherever I want. Of course. Right?

00:37:12.037 --> 00:37:12.757
<v John Gilstrap>So that's cool.

00:37:12.977 --> 00:37:18.637
<v Speaker2>There's the compound that you'll read at the end of Zero Sum is actually a hotel

00:37:18.637 --> 00:37:24.497
<v Speaker2>I stayed at when I was visiting Big Bend National Park in Texas.

00:37:24.497 --> 00:37:30.017
<v John Gilstrap>Well, you see, yeah, there was a reference in the book already to something

00:37:30.017 --> 00:37:32.977
<v John Gilstrap>just north of Big Bend. And I was like, okay, interesting.

00:37:33.177 --> 00:37:36.417
<v John Gilstrap>I mean, I get that you're not talking about specific, specific places.

00:37:36.697 --> 00:37:43.137
<v John Gilstrap>But, yeah, I think that's pretty cool. I mean, you talked about touring different

00:37:43.137 --> 00:37:46.917
<v John Gilstrap>military training locations and things in the past.

00:37:46.937 --> 00:37:52.737
<v John Gilstrap>And I imagine that has also inspired much of what you've incorporated in your books, I would think.

00:37:53.517 --> 00:37:57.277
<v Speaker2>Yes. and I think this is something that,

00:37:58.738 --> 00:38:01.998
<v Speaker2>I sense, as shared, certainly in my fire service experience,

00:38:02.138 --> 00:38:06.258
<v Speaker2>those 16 years, there's a sense of family that develops.

00:38:07.398 --> 00:38:13.458
<v Speaker2>What impresses me about military facilities is that the family is larger than

00:38:13.458 --> 00:38:16.438
<v Speaker2>a firehouse or a fire department. And it moves around.

00:38:16.878 --> 00:38:20.718
<v Speaker2>So there are people who, not so much in the special forces community,

00:38:21.038 --> 00:38:28.258
<v Speaker2>although that too, But throughout the military, families are reunited every now and then.

00:38:28.458 --> 00:38:32.198
<v Speaker2>And so they have this great network of support.

00:38:33.238 --> 00:38:40.598
<v Speaker2>And I think that's very important in the tone of what I write.

00:38:40.918 --> 00:38:46.558
<v Speaker2>You know, when I was dealing with the guys from Delta, they're all out now.

00:38:48.158 --> 00:38:54.858
<v Speaker2>But there was that great sense of it really is God, country and family and the flag and,

00:38:56.358 --> 00:39:03.198
<v Speaker2>the stuff that outside of that community, certainly at the time I was writing this in 2004 I guess,

00:39:04.758 --> 00:39:09.878
<v Speaker2>a lot of people would see as corny but I don't think that people realize that

00:39:09.878 --> 00:39:16.398
<v Speaker2>it's it's very real and it's very important and that's who's out there fighting

00:39:16.398 --> 00:39:18.058
<v Speaker2>for what we're trying to accomplish.

00:39:18.698 --> 00:39:24.998
<v Speaker2>And then it becomes the mission, right? So politics aside, much as a.

00:39:26.699 --> 00:39:32.259
<v Speaker2>As a firefighter, a fire was an operation, a thing to take care of.

00:39:32.459 --> 00:39:37.139
<v Speaker2>You try really hard to save people. You try really hard, but it's really about

00:39:37.139 --> 00:39:40.859
<v Speaker2>the operation. You can deal with that stuff as it happens. I don't know if I'm

00:39:40.859 --> 00:39:41.759
<v Speaker2>making sense here or not.

00:39:42.019 --> 00:39:46.179
<v Speaker2>But the focus is not on anything else. I don't care who set the fire.

00:39:47.459 --> 00:39:54.159
<v Speaker2>So when it goes to a military community, as I sense, on any mission, it's the mission.

00:39:55.119 --> 00:40:02.279
<v Speaker2>We're going to get them, which is where Jonathan Grave, when he commits to a

00:40:02.279 --> 00:40:04.559
<v Speaker2>hostage rescue, the hostage is coming home.

00:40:05.339 --> 00:40:10.159
<v Speaker2>Or they're not coming home. That's the mission. The hostage might not come alive,

00:40:10.179 --> 00:40:12.999
<v Speaker2>but the hostage is coming home, and we hope that's alive.

00:40:13.079 --> 00:40:18.179
<v Speaker2>But that is their sole mission, and they move heaven and earth to make it happen.

00:40:19.319 --> 00:40:25.299
<v Speaker2>I just love that. I find that inspiring to write about, and I find it inspiring

00:40:25.299 --> 00:40:29.019
<v Speaker2>to sense that kind of commitment from other people,

00:40:29.199 --> 00:40:36.439
<v Speaker2>which is doing the right thing, doing the right thing, justice over what might be the law.

00:40:37.199 --> 00:40:42.999
<v Speaker2>Jonathan does a lot of extrajudicial dispatching of people, right?

00:40:44.379 --> 00:40:46.499
<v Speaker2>But he sleeps well because they're all bad guys.

00:40:46.719 --> 00:40:47.719
<v John Gilstrap>Yeah, yeah.

00:40:48.799 --> 00:40:51.739
<v John Gilstrap>Well, unfortunately, we're up against the time here.

00:40:51.839 --> 00:40:54.299
<v John Gilstrap>So I think that what you just were talking about there, though,

00:40:54.299 --> 00:40:58.619
<v John Gilstrap>is a great place to sort of sum and wrap it up a little bit.

00:40:58.859 --> 00:41:08.799
<v John Gilstrap>You're just talking about the people and what you had to say about service members

00:41:08.799 --> 00:41:13.879
<v John Gilstrap>and their community and the family and flag.

00:41:14.039 --> 00:41:16.559
<v Speaker2>Let me tell you a story real quick. I know it's short on time.

00:41:16.639 --> 00:41:19.219
<v Speaker2>Let me tell you a story. I was researching Six Minutes to Freedom,

00:41:19.439 --> 00:41:24.299
<v Speaker2>and there was one fellow, James Sutterth, who was a retired operator.

00:41:24.539 --> 00:41:28.099
<v Speaker2>He passed away. He's not with us anymore. And he's more or less kind of Jonathan

00:41:28.099 --> 00:41:30.259
<v Speaker2>Graves, sort of based on him.

00:41:30.919 --> 00:41:34.139
<v Speaker2>And, you know, these guys just won't, they would not talk about the operation.

00:41:34.339 --> 00:41:38.279
<v Speaker2>It was, you know, at that point, 10, 12 years before. and um

00:41:38.279 --> 00:41:41.339
<v Speaker2>but he did get the one

00:41:41.339 --> 00:41:44.859
<v Speaker2>element he talked about in this operation a helicopter

00:41:44.859 --> 00:41:51.959
<v Speaker2>skid little bird skid landed on his foot while he was being shot at and he's

00:41:51.959 --> 00:41:56.759
<v Speaker2>you know i'm not going to die here was so he pulled his foot off just stripped

00:41:56.759 --> 00:42:02.379
<v Speaker2>it out and uh finished the mission and ultimately re-qualified for Delta.

00:42:02.999 --> 00:42:05.919
<v Speaker2>The only one allowed to wear tennis shoes at that point.

00:42:06.639 --> 00:42:13.579
<v Speaker2>And so he's telling this story in the back of an APC being driven out after this big firefight.

00:42:14.039 --> 00:42:19.679
<v Speaker2>And he looked up out of the hatch and he saw somebody waving an American flag.

00:42:20.279 --> 00:42:25.099
<v Speaker2>And he could not get through that. He choked up at the mention of the American

00:42:25.099 --> 00:42:27.919
<v Speaker2>flag. And I found that to be so touching.

00:42:28.359 --> 00:42:34.059
<v Speaker2>You know, all the crap, right? And that's the, that's the, his,

00:42:34.179 --> 00:42:38.239
<v Speaker2>his, seeing the flag on the way out is what got him emotionally.

00:42:39.482 --> 00:42:43.122
<v Speaker2>Low those many years later. He could tell all the violent stuff that he could

00:42:43.122 --> 00:42:44.902
<v Speaker2>tell pretty much without emotion.

00:42:45.462 --> 00:42:48.662
<v Speaker2>But when it came to that, that's when he got teared up.

00:42:49.022 --> 00:42:52.842
<v John Gilstrap>That's kind of what I was getting at is that it's about something bigger and

00:42:52.842 --> 00:42:56.582
<v John Gilstrap>greater than ourselves and believing in that.

00:42:57.002 --> 00:43:02.342
<v John Gilstrap>And what I was going to ask you to do to kind of leave us on,

00:43:02.482 --> 00:43:06.042
<v John Gilstrap>I think, you know, at the end of the podcast here was going to be to our audience,

00:43:06.182 --> 00:43:10.682
<v John Gilstrap>concealed carriers primarily, You know, folks who are passionate about personal

00:43:10.682 --> 00:43:13.882
<v John Gilstrap>defense for a variety of reasons, protecting themselves, obviously,

00:43:13.982 --> 00:43:15.462
<v John Gilstrap>but protecting more than that.

00:43:15.522 --> 00:43:19.342
<v John Gilstrap>Their families in many cases, people that they care about.

00:43:20.042 --> 00:43:25.062
<v John Gilstrap>What would be a piece of advice that you would have to offer to our community?

00:43:26.082 --> 00:43:32.102
<v Speaker2>The full knowledge that once you start carrying, and I typically do,

00:43:32.842 --> 00:43:36.582
<v Speaker2>understand what we were talking about before in terms of learning the training.

00:43:37.362 --> 00:43:38.682
<v Speaker2>Train in learning your mistakes.

