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Hey, I'm going to start this week.

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We're continuing our series, "Unforced." I'm going to start this week with a confession.

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Anybody who's worked with me at this church already knows this. You can see this group

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right here. Already is going to be trouble. I'm not good with grief. You don't have to

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laugh. I'm not good with grief. Not mine. Not yours. Give me almost any other hard conversation

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and I'm fine. Doubt, deconstruction, hell, politics, questions. The questions you were

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told not to ask anyone, sit down. Let's go. I'm in. But tell me somebody your life is really

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sick or has died and I can say I'm sorry and I mean it. I truly do care. Then if you want

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to sit down and start talking about those feelings, I'm like a fish out of water. I'm

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like looking for the door. Not because I don't love you, but because something in me doesn't

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know what to do in that room. I've thought about where that comes from for quite a while.

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I think there's a few things. Some of it is just wiring. It's personality in me. I don't

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like negative feelings. I'm like no, we're happy. Let's, on the Enneagram, I'm a seven,

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which just means I won the Enneagram. But also that I don't know how to deal with negative

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emotions. Some of it's experience. You've heard me talk about Iraq and my time in service

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and a nervous system that's learned over these deployments and this time to like shut shut

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a door fast. It doesn't love leaving one open that has to talk about those type of emotions.

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But a lot of it as I've kind of dug into this more, probably most of it is how I was raised.

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What I mean, including and maybe, maybe especially in church. Because nobody ever taught me to

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grieve. I was taught to get past things, trust God, be strong for everybody else. Men don't

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cry. Everything happens for a reason. They're in a better place. God needed another angel.

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I would reach for those sentences the way that like you reach for like a light switch

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in a dark room during a better place. All right. We're happy now, right? Fast, not thinking

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about it. Flip the light on. Because the dark was uncomfortable and the switch was right

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there. Just I had the line. And here's why I'm telling you this on a Sunday. I don't

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think I'm the only one in this room here that was built like this. Somebody in your life

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is hurting right now. And you already know what you're going to type on their Facebook

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page. Remember when Facebook added the little emoji that's like the little hug emoji? It's

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like, oh, sweet. Now I got something. I can just do that. I don't love what you posted,

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but I can hug you. You know, like I'm praying for you. Maybe a little heart emoji. Maybe

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the hug emoji. Let me know if you need anything, which we all know means like, please don't.

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I've sent that text. Somebody, like I, I love to scroll through Instagram. I get stuck.

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Mine and I were talking about this the other day. Like I don't see posts a lot of times.

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I see stories and I see reels because I get stuck in a reel and I'm just anybody else.

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And there was a clip that I saw a while back. Do you guys, do you guys save reels and stuff

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on your Instagram? Man, I have so many saved. And I have a folder that's like, say something

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about this that I never say anything about or like, hey, remember this or hey, look this

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up. And the other day, I was like, I don't ever go back to these. Let me go look. And

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I went into the folder. It was like, hey, remember this. And I found this clip from a

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lady. Her name is Dr. Oka Joshy Hanson. Joshy Joshy. I think she's a futurist. She works

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on this idea of like, how kids learn. She started out as a public school teacher. She's

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a first generation American, first in her family to finish college. And she didn't just

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finish college. Like she went and got a doctorate from Oxford in philosophy and neuroscience.

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And then went and got a law degree from Harvard. Because who doesn't do that? I short a book,

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a book called The Future of Smart. And when I was listening to like, how she talked about,

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I went through a ton of her reels, but how she talked about how kids learn and how our

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education system is not set up well for kids to learn or that it is set up well for kids

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to learn a specific way. But I was watching her, this real talk that she gave in. I've

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got a clip that I want to show you. I want to preface something. She's going to say something

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at the beginning of this, where she says the left. I know it's political. You're going

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to be okay. Because I think what she says and she's quoting Trevor Noah, what she says

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is I feel like a really good profound statement. And I think it could broad swath around everyone.

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But also, I do believe that this affects exactly what Trevor Noah is talking about. So we're

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going to play this clip. It's like a minute long. So watch this real quick.

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[Dr. Ulcca Joshi Hansen] Yeah, so Trevor Noah said something recently that I've just been sitting with, I haven't

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been able to stop thinking about it.

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He said the left lost its imagination when it lost its connection to faith.

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And I don't think you have to be religious for that to land, because I think what he

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was pointing at is something that I've been watching happen across institutions and communities

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and movements, and it's that we've lost the practice ability to believe that things can

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be genuinely, structurally, actually different, like not just a little better, but transformed.

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And the traditions that sustained people throughout the worst of history, I think they understood

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something that we've largely forgotten, and that's that hope isn't a feeling.

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It's a discipline, it's a muscle, and you build it the way you build any other capacity

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through practice, through practice with community, through repeatedly engaging in this act of

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naming a possible future and moving towards it, even if the evidence isn't on your side

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yet and the reality is the evidence can't be there because it doesn't yet exist.

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So Martin Luther King, for example, he didn't have proof that the beloved community was

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coming, right?

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What he did have is a trained imagination and people who were willing to act as if the

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beloved community were real, and that combination changed the world.

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So I don't think we need more information right now.

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I think we need to rebuild our capacity to believe in what we can't yet see.

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Whether that's in ourselves, in each other, that's a skill.

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And like any skill, it can be learned.

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You're not out of hope. You're out of practice.

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She talks about how hope is a, isn't a feeling that shows up once the evidence finally lines

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up, right? It's a muscle. You build it by using it. And did you catch what she said about

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Martin Luther King? He didn't have proof that the beloved community was coming. What he

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had was a trained imagination and people willing to act as if it were already real. It's a

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practice. And that's what the series is about, this unforced rhythms of grace. And I, I want

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to put one sentence next to this and we're going to spend the next like half hour on it.

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You cannot train imagination on a numbed heart. And most of us were handed a faith that taught

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us to numb. But Martin stood up here last month and he named that gap exactly. In his

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story, he grew up in church. He learned how to do it right. He said it himself. I learned

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how to perform. And then he said the thing I want everyone of us to hear. Nobody ever

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told him what to do with grief, with suffering, with a world falling apart. There was no class

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for that. So when his world actually did fall apart, the good Christian kid had a full toolkit

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for performing. And nothing at all for grieving. Surviving isn't living is what he said. And

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watch what he said happen next. Because it's a whole series in one life story. He didn't

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fix it by finding a better argument. He said, I didn't lose God. I lost a version of God.

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The version that only worked while everything was fine. And when he finally stopped performing

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long enough to actually grieve the thing he found underneath it wasn't absence. His words

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were, love had been holding me all along. That's not a mark problem. That was a curriculum

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problem that he was handed and put into. And for a lot of you, like me, the grief you were

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never allowed to feel is a very specific grief. It's a grief of losing a church, a community,

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a version of God that used to hold you and then didn't. Some of you walked away from

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a whole world, friends, family rhythms, a Sunday that used to feel like home. And nobody threw

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you a funeral. Instead, you got one of two sentences. The people you left told you you

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had backslidden. You walked away from God. You were in the world. As if you hadn't lost

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anything, you'd just gotten lazy. And the people who'd already left told you to be glad. You're

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free now. Congratulations. One side shamed the loss. The other side celebrated it. And

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neither one let you grieve it. So you did the thing that you were trained to do. What

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I was trained to do. You just got past it. And there's a name for what most of us were

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taught instead. A psychologist named John Wellwood coined it back in the 80s. It's called spiritual

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bypassing. Using spiritual language, spiritual practice, even to step around pain instead

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of through it. It sounds holy. It sounds mature. I'm just trusting God. I'm choosing joy today.

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I got this. God's ways are better than mine. And sometimes those are true sentences. But

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a lot of times, in a lot of churches, they're just a trap door. A way to get out of the room

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before the grief finishes its sentence. And you've heard me talk about this all year.

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You don't -- what you feel, what you experience, the feeling you be into experience, it doesn't

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just leave when you go out the trap door. It stores. Marlene went out -- she calls it

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the church version of this religious trauma. And a lot of this room carries it. We carry

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it in our shoulders. It's that weight. Bypassed grief doesn't resolve itself. It just waits.

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The church taught us to resolve grief in one sentence. The body's memory runs much deeper

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than that. So your body still feels it. And here's what's strange. The book that we built

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this curriculum on to bypass, to move on. It never did this. In fact, roughly a third

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of the Psalms, the prayer book of Israel, the songs that Jesus grew up singing Himself,

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a third of them are lament. Complaint, protest. How long, O Lord, why have you forsaken me?

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The Bible gave grief a third of the Psalms, a third of the hymnal that it handed to Israel,

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and church gave it the one sentence to just bypass. And there's one Psalm I've never preached,

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but I think it might be one of the most honest prayers in the whole book of Psalms. Because

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of how it ends. Psalm 88, it's a man in a pit. And listen to how long he's been at this.

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He says, "But I cry to you for help, Lord. In the morning, my prayer comes before you.

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Why, Lord, do you reject me and hide your face from me?" Morning after morning, he says,

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"He's not faithless here. He's praying. Every morning I come to you. He's doing the thing.

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And nothing is happening. No answer, no relief." The Psalm says his friends have pulled back

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to you. They've kind of just left him because he wants to hang around that guy. And here's

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the thing about lament Psalms. If you go through the book of Psalms, almost all of them turn.

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Like you see the Psalmist right through you like, "Why did you do this? What's happening?"

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And then they turn. Somewhere near the end, there's a butt. But I will trust in you. But

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you, O Lord, I used to teach and I still think this is important, but in Scripture, I always

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look for the butt. There's something after. But in Psalm 81, there's no butt. The last verse

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of Psalm, not 81, Psalm 88, the last verse of Psalm 88, "You have taken from me friend

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and neighbor, darkness is my closest friend." In the scene. And I know you're thinking,

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"Yeah, the Bible doesn't..." Like when they wrote it, they don't cut the chapters. Just

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go on to 89. 89 is a whole different thing. This Psalm ends. Darkness is my closest friend.

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It's like a country Psalm. That's the end. There's no turn. No resolution. Lights out

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in scene. And somebody, an editor or community, the spirit, however you want to look at it,

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looked at that prayer and said, "That goes in the book." Psalm 88 ends in the dark and

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it's in the book. Which means there's a place in Scripture for the day you don't have a

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butt. There's a page for the sentence that doesn't get better. Look at Job, right? Job's

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friends knew this. For exactly seven days, they understood this in the story of Job.

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They came, they saw him, they did the best pastoral care in the Old Testament. Job 2,

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verse 13 says this, "Then they sat on the ground with him for seven days and seven nights.

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No one said a word to him because they saw how great his suffering was. Seven days of

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silence, just presence. It was perfect. And then they opened their mouths. And they spent

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the next 30-some chapters bypassing his grief and suffering, explaining, defending God,

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finding the reason. And at the end of the book, God tells them they did not speak rightly.

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The silence was right. The sentences where their sin came in. And if you look at the

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story of Job, you'll get to notice who God does vindicate at the end of the book. Not

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the friends with the explanations. It's a Job. The one who spent the whole book refusing

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to stop asking. There's an author David Gushy who some of you have heard of. He's written

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quite a few books in the kind of post evangelical space. But he wrote a new book on Job and

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it comes out next month. And in a piece previewing it in his sub-stack I was reading, he says

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this about Job. It says Job offers a model for people whose inherited certainties have

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collapsed, but who refuse to surrender either truthfulness or faith. He calls it Job's

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courage to keep asking the questions, to refuse to bite his tongue in order to remain in good

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standing. He says it's not a lack of faith that Job has. According to the end of the

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book, that is the faith, the hard questions, the what is happening, why? The man who wouldn't

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bypass was the one God said spoke correctly. And here's what grief did to him. Read through

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this book and we may go through it, which is going to be a hard one for me, but I'm in it.

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But here's what grief did to him because, and this is the part that I didn't expect from the

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story. Gushy points out that somewhere in the middle of the book, Job stops talking about his

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own suffering and he starts describing other peoples. And Job 24, he talks about the homeless

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driven off the roads, the hungry harvesting food that they can't eat, the widow's animal's

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taken as collateral. Gushy, his line in this, he says, Job went from the penthouse to the

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dung hill outside of town. And from the dung hill, it said that he was sitting on the dung hill,

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he was viewing life from below rather than from above. Things look different from the city dump

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than from the city gate. And Gushy says, Job lifting his gaze from his own pain to everyone

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else's is a sign not just of his integrity, but perhaps also of his growth. Because this is what

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lament does when you let it finish. It doesn't curl you inward, it widens you. Right? Like the

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grief you were never allowed to feel is also the grief that would have let you see people.

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Hold that. It's, it's where we're going to go next week. Last summer, after devastating floods

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in curvil, I stood up here and I said, Jesus doesn't skip grief. Standing outside of Lazarus's

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tomb, knowing, knowing he was about to call the man out of his death. He wept anyway. He didn't

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bypass the ending he already knew. He stood in the grief for the people he loved and he let it

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be what it was. And what happened to Job on the dung hill? Like pain shrinking him until he could

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finally see past himself. It's not just a Bible story. This is where my worlds collide and where I

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love this intersection of faith and theology and psychology. Like this idea that him going through

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this pain shrinks him until he can finally see past himself is the exact thing that all research

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measures. When I talk about this, this emotion of awe, this is it. I've talked about Dacher Keltner a

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lot. He's the, the psych researcher that this whole year of awe has kind of leaned on for his

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research and he's the person whose book awe I read and it like sent me back to school to learn and

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study psychology. In the book, Keltner talks about the fact that his brother, his best friend in

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life got sick and he dies of cancer. And in that the middle of his grief of losing his best friend

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of watching his, his brother dwindle his humanity dwindle from him. He says that he started noticing

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something else moving in him. Small moments of this thing he called awe. Not instead of the grief,

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but inside it. And then when his team said, we're going to go do research and find where people

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experience the emotion of awe. They went to 26 countries and they asked these questions of people

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and they said, we're the most common things that you experience where you experience this emotion of

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awe. And across cultures, 26 countries, it wasn't just this idea of seeing the beautiful stars in the

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sky. One of the eight things, the wonders of life that Keltner says, bring awe to us was death,

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losing someone, facing their own mortality. In his book, he lists those eight wonders of life.

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The things that most reliably produce awe in a human being and life and death is on the list.

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Right there next to the night sky and humans being kind to each other.

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And what that same study found awe does to a person, I believe that's what it did to Joe.

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It shrinks the self, not in a shaming way, but in a proportion way, like you feel small in front

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of something enormous. And the moment you do, you're gaze widens. People who just felt awe

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in all of their studies, they found were more generous, more connected, more aware of the people

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around them. The technical term is small self. The plain version is that awe reminds you you're

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part of something much bigger than your own pain. That's Job's lifting his eyes from the

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dung hill to the people on the road. A year ago, I put it this way, grief breaks our hearts,

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but it also opens them to awe.

00:25:41.360 --> 00:25:46.720
Now, guardrail here, and I mean it like, I'm not saying your pain has a purpose.

00:25:48.720 --> 00:25:54.640
That's not what I'm trying to put across here. I'm not saying God sent it to teach you something.

00:25:56.000 --> 00:26:02.240
I don't believe that that's how God operates. That's bypassing again. That's like, it's okay,

00:26:02.240 --> 00:26:08.080
just stay in it because there's purpose here. What I'm saying is narrower than that. I think

00:26:08.080 --> 00:26:14.480
it's probably a truer idea. That the door grief opens in a person, and the door that

00:26:14.480 --> 00:26:21.600
awe opens are the same door. Both kind of crack you open as a human.

00:26:23.920 --> 00:26:27.120
Both make you small in front of something enormous.

00:26:29.200 --> 00:26:32.480
Both require you to stop managing everything for a second,

00:26:34.400 --> 00:26:42.640
which means the faith that taught you to slam the door on grief. It also shut the door on awe,

00:26:42.640 --> 00:26:50.800
too, because it's the same one. In fact, Brene Brown says it like this,

00:26:51.680 --> 00:26:57.120
we cannot selectively numb emotion. If we numb the dark, we numb the light.

00:26:57.920 --> 00:27:03.840
If we take the edge off pain and discomfort, we are, by default, taking the edge off joy,

00:27:03.840 --> 00:27:08.400
love, belonging, and the other emotions that give meaning to our lives.

00:27:12.320 --> 00:27:15.760
I think she said it better. You can't selectively numb your emotions.

00:27:17.360 --> 00:27:20.880
When you numb painful emotions, you numb the good ones right along with them.

00:27:22.640 --> 00:27:27.520
And this isn't just a nice line from Brene. The lab backs her up.

00:27:27.520 --> 00:27:32.240
The research on this is there. A Stanford researcher named James Gross has spent decades

00:27:32.240 --> 00:27:38.400
studying what happens when people suppress what they feel, and the finding is almost cruel.

00:27:38.400 --> 00:27:44.960
Suppression doesn't actually reduce the pain. People who stuff it report feeling just as bad,

00:27:44.960 --> 00:27:54.880
sometimes worse. What it reliably reduces is joy. The numbing doesn't work on the thing.

00:27:54.880 --> 00:27:58.720
It's aimed at the pain that they're trying to numb. It doesn't actually

00:27:58.720 --> 00:28:02.720
numb that. You can't selectively numb what it does is it reduces joy.

00:28:06.720 --> 00:28:14.880
Past couple of weeks, I've been listening to a book by Rob Bell. It's called "How to Be Here."

00:28:14.880 --> 00:28:20.080
I'm going to quote something from it, but I need to walk you through kind of how he gets there first,

00:28:20.720 --> 00:28:26.400
because the path he uses is the point and that the statement could come across as bypassing.

00:28:28.080 --> 00:28:32.560
He doesn't start with suffering in the story. He starts with a blinking cursor.

00:28:33.200 --> 00:28:38.080
Think about opening a word document in the cursor's blinking on a blank page.

00:28:40.320 --> 00:28:45.440
The first thing a blank page says to every human who has ever faced one is,

00:28:46.800 --> 00:28:53.760
"Who are you to do this?" That's where he begins. The terror and the gift of being

00:28:53.760 --> 00:29:00.240
handed a page at all. He takes the page and he says, "This is what life is. You are handed a page."

00:29:02.320 --> 00:29:04.720
And then he asks, "What gets you out of bed in the morning?"

00:29:06.320 --> 00:29:09.520
He borrows the Japanese word. Have you guys heard this? The Ikigai?

00:29:10.720 --> 00:29:16.640
Ikigai is the reason for being here in the Japanese culture. You find this thing. This is

00:29:16.640 --> 00:29:22.960
your guiding force. And then he takes the Ikigai and he gets real practical. He says,

00:29:22.960 --> 00:29:28.480
"You don't need to see like 17 steps," because that's 16 steps too far.

00:29:30.000 --> 00:29:32.880
Do the one that's right in front of you. Start with number one.

00:29:33.760 --> 00:29:39.280
And it's only after all of that, after he's convinced you that the page is actually yours

00:29:39.280 --> 00:29:44.960
to write, that he then turns to loss. And here's the sentence he says.

00:29:47.040 --> 00:29:56.080
Suffering in loss, have this extraordinary capacity to alert and awaken us to the gift that life is.

00:29:59.280 --> 00:30:03.920
Notice the order he built this in though. He's not saying suffering is a gift.

00:30:05.360 --> 00:30:10.080
He's saying suffering wakes you up to a gift you already had and you had stopped noticing.

00:30:12.720 --> 00:30:19.360
Which is last week we talked about Jacob where he says, "God was in this place and I was not aware of

00:30:19.360 --> 00:30:28.000
it." It's that waking up. It's loss, Bella is saying here that loss is a brutal alarm clock.

00:30:29.200 --> 00:30:35.840
But it's an alarm clock, not a verdict. It's a wake-up call. And then he takes to the last step.

00:30:36.400 --> 00:30:42.400
He says, "You've been given the gift of life." Pause, breathe.

00:30:46.240 --> 00:30:49.760
If you're here breathing in this room,

00:30:52.320 --> 00:30:53.600
you already received the gift.

00:30:57.040 --> 00:31:03.200
Whatever else is or isn't true about your life, the one thing that settled is you're here breathing.

00:31:05.680 --> 00:31:11.040
And the way he lands the whole book, give it away, but it's a good book. You should read it.

00:31:12.240 --> 00:31:16.400
All of us are taking part in this ongoing creation of the world.

00:31:17.920 --> 00:31:20.640
You're not a spectator to your own life. You've got a page.

00:31:23.120 --> 00:31:28.560
This is the through line that he talks about. It's a blank page. It's your page. Do the one thing,

00:31:29.680 --> 00:31:33.920
maybe loss wakes you up to the gift that you already have life and that you get a chance to

00:31:33.920 --> 00:31:41.840
write a page. And then the reminder that you're a partner in what's still being made and created in

00:31:41.840 --> 00:31:49.200
this world. And Bella knows this road from the inside. Like if you don't know who Rob Bella is,

00:31:49.200 --> 00:31:54.400
he's a pastor. He wrote a book called Love Wins. In Love Wins and one of the chapters in this book,

00:31:55.200 --> 00:32:04.640
he just opined that maybe hell doesn't really make sense in a burning pit of throat. I don't

00:32:04.640 --> 00:32:11.440
know what to do with that, he said, as a pastor. And the minute he did that, he lost his church.

00:32:12.480 --> 00:32:16.720
He lost respect. He was kicked out and he was told, "You've got to go."

00:32:18.880 --> 00:32:22.400
So he understands what loss looks like from an entire life

00:32:24.240 --> 00:32:27.440
structure for him. Everything he knew was gone.

00:32:30.080 --> 00:32:37.200
So this blank page wasn't a metaphor for him. In fact, he's the one that in his podcast I listen to

00:32:37.200 --> 00:32:44.400
almost every year where he talks about the story that I've told here about leaving the system and

00:32:44.400 --> 00:32:53.680
going up river. It's this idea of sometimes you're called to something that nobody else is going to

00:32:53.680 --> 00:32:59.280
understand. But they're not supposed to because it's yours. It's your page to write, not theirs.

00:33:02.400 --> 00:33:08.000
Now, watch all these pieces connect because there was one more clip that I was actually sent this

00:33:08.000 --> 00:33:15.520
week on Instagram from a friend. It's a pastor, his name's Joe Smith, and he was teaching on wonder.

00:33:16.880 --> 00:33:22.080
And he said something in it that my friend was like, "Hey, you got to hear this. I think this

00:33:22.080 --> 00:33:27.840
is going to resonate with you." And Joe Smith said this, "Empire wants more than our bodies.

00:33:28.880 --> 00:33:38.800
Empire wants to colonize our imagination." The idea that, look, hold it. Look at this. Put this

00:33:38.800 --> 00:33:44.480
idea. Empire wants your imagination. Take that and go back to Dr. Hansen in the very beginning where

00:33:44.480 --> 00:33:52.640
she said, "Hope is trained imagination." Now, my question is, how does empire take that imagination?

00:33:54.560 --> 00:34:01.040
Go to the next one real quick, Nate. So, hope is trained imagination. Dr. Hansen says,

00:34:01.040 --> 00:34:05.280
"Empire wants your imagination." Joe Smith says, "How does empire take it? Go to the next one?"

00:34:06.320 --> 00:34:13.360
With numbness. Like, think about our lives right now. Are you supposed to have feelings?

00:34:15.440 --> 00:34:20.080
The algorithm is trying to keep you out of feeling things. Like, go to the next thing. Go to the

00:34:20.080 --> 00:34:27.360
next thing. You can't. You can't worry. In fact, the whole idea of enemy creation, which we've

00:34:27.360 --> 00:34:34.720
talked about before, for me to say that someone is an enemy to you, I have to take away their

00:34:34.720 --> 00:34:39.920
humanity. And in order to, when I take away their humanity, what does that do? Well, that numbs

00:34:39.920 --> 00:34:44.800
feelings for another human being because now they're just a label. So, I've numbed your feeling

00:34:44.800 --> 00:34:49.840
towards that human. And I've brought you back inside. What have I brought you back inside to?

00:34:49.840 --> 00:34:56.480
Well, I've used fear to say that, "Hey, this group of people is going to take your jobs."

00:35:00.960 --> 00:35:04.800
And you, "Well, I don't want that to happen. I need to protect myself."

00:35:06.640 --> 00:35:10.240
And no longer is it a human being, it is a group.

00:35:12.480 --> 00:35:20.560
And I can numb you to humanity, and then I can take away your imagination. Because if I can

00:35:20.560 --> 00:35:25.760
keep people either comfortable, distracted, or fearful, I can keep them managed, keep them from

00:35:25.760 --> 00:35:30.800
feeling the thing. And they'll gradually lose the ability to picture anything different. Like,

00:35:30.800 --> 00:35:36.400
think about what Dr. Hansen said. Martin Luther King Jr. hadn't seen the beloved community yet,

00:35:37.120 --> 00:35:42.160
but he could imagine it. But if I take away your ability to imagine the beloved community,

00:35:43.200 --> 00:35:44.800
then you won't even start step one.

00:35:48.800 --> 00:35:52.000
You gradually lose the ability to picture anything different.

00:35:52.720 --> 00:36:02.560
Numbed people are very governable people. Walter Brookman said this 50 years ago, his little book,

00:36:02.560 --> 00:36:07.200
it's called The Prophetic Imagination. He noticed that the prophets of Israel, like Jeremiah,

00:36:07.200 --> 00:36:12.400
they were weepers, they were cryers. He did something strange every time that they would come to

00:36:12.400 --> 00:36:16.400
prophesy. They did something strange as their first act. If you go into the Old Testament,

00:36:16.400 --> 00:36:25.040
before they announced anything new, they grieved out loud in public. Because Pharaoh's whole system,

00:36:25.040 --> 00:36:29.840
the empire that controlled them, the whole system runs on nobody feeling anything.

00:36:31.520 --> 00:36:38.400
And public grief is the crack in it. Brookman's claim, and I'm paraphrasing this,

00:36:39.760 --> 00:36:48.080
is that only grief permits newness. You cannot get to a new thing without grieving the old one

00:36:48.080 --> 00:36:54.560
all the way through. And here's a part people miss, I think about Brookman. The grief isn't

00:36:54.560 --> 00:37:03.360
where the prophet stops. It's where the new song becomes possible. The same tradition that gave

00:37:03.360 --> 00:37:10.640
us Jeremiah weeping gave us Isaiah's comfort, comfort my people. But the comfort only lands on

00:37:10.640 --> 00:37:19.840
people who were allowed to weep first, who knew they needed the comfort. Skip the weeping,

00:37:19.840 --> 00:37:25.040
and the comfort is just another bypassing sentence. Do the weeping and comfort because

00:37:25.040 --> 00:37:34.800
becomes something a body can actually receive. So lament, this idea of like the song, the songs

00:37:34.800 --> 00:37:39.520
having a third of them being lament, we've lost that. There was a study a while back that studied

00:37:39.520 --> 00:37:47.120
all the top songs in the church that we all sing. And I am guilty of this as, I'm like Paul,

00:37:47.120 --> 00:37:50.960
I am the center of centers, right? I am guilty. I don't want to sing these songs.

00:37:52.720 --> 00:37:58.960
But they went through and they did this whole study that like 5% of the top 100 songs that the

00:37:58.960 --> 00:38:08.240
churches sing in the U.S. lament, 95 of them are about victory and triumph. We've lost the ability

00:38:08.240 --> 00:38:17.600
to lament. We didn't lose it. We've been trained not to have it. But when we see that lament isn't

00:38:17.600 --> 00:38:25.360
weakness, it isn't wallowing. We can see that lament is actually resistance. It's the practice

00:38:25.360 --> 00:38:31.840
that keeps your imagination from being uncolonized. The person who can still weep is the person who

00:38:31.840 --> 00:38:40.960
can still picture a different world. I say this all the time when I'm talking about the idea of

00:38:40.960 --> 00:38:46.640
awe that fear narrows us and awe widens us. You know this line, I've said it. Here's the kind of

00:38:46.640 --> 00:38:55.840
addendum to that numbness narrows us to. And the only road back to wide runs through the lament,

00:38:58.480 --> 00:39:02.800
which takes me to the first page of the Bible. And then we're done. In Genesis 1,

00:39:03.360 --> 00:39:08.480
before there is anything, there is darkness over the deep. And look at the first thing God does

00:39:08.480 --> 00:39:15.200
with the dark. He doesn't flee it. He doesn't explain it. He doesn't say at least there's says

00:39:15.200 --> 00:39:19.600
this. Now the earth was formless and empty. Darkness was over the surface of the deep and the spirit

00:39:19.600 --> 00:39:26.080
of God was hovering over the waters and God said, let there be light. He speaks into the darkness.

00:39:27.600 --> 00:39:31.120
Speaking into the darkness is the first creative act in the universe.

00:39:33.680 --> 00:39:41.040
But that's what lament is speaking the true thing into the dark out loud so that nothing new can

00:39:41.600 --> 00:39:45.760
nothing new can start to be made until you're in the darkness and you sit in it for a minute.

00:39:48.160 --> 00:39:52.560
It's not passive. It's the opposite. It's not the opposite of faith. It is literally how creation

00:39:52.560 --> 00:39:59.120
has always started. And if Rob Bell is right that we're partners in this ongoing creation of

00:39:59.120 --> 00:40:05.600
the world, then your lament is you picking up the family trade and saying, I'm going to create

00:40:05.600 --> 00:40:13.440
in this. But in order to create in this, I have to feel the first thing God did with darkness was

00:40:13.440 --> 00:40:19.520
speak into it. So here's the practice that we're going to do this week. Again, these are small

00:40:19.520 --> 00:40:24.320
versions, small practices. I told you last week, go on an awak. I didn't ask anybody if they did it.

00:40:24.320 --> 00:40:28.960
There's no leaderboard. If you did it, amazing. If you didn't, cool. Try it this week. Like,

00:40:28.960 --> 00:40:34.480
there's no, nobody's winning anything here. These are just, these are practices to begin to learn.

00:40:35.680 --> 00:40:39.920
The awak was, hey, go out and walk like you've never seen any of this before. This is all new to you.

00:40:42.160 --> 00:40:45.040
For this one, it's going to be a little different. I want you to write the prayer that you were

00:40:45.040 --> 00:40:56.400
never allowed to pray. The one that got edited out of you, the angry one, the where were you prayer?

00:40:58.160 --> 00:41:04.320
The one with no but at the end, like Psalm 88 with your name on it, write it down, paper,

00:41:04.320 --> 00:41:13.200
notes app, the back of whatever. Here's the rule. Nobody has to read it. Now me, you don't have to

00:41:13.200 --> 00:41:18.480
post this on Instagram. Like God's not going to read it. He'll see it. But you know, you don't have

00:41:18.480 --> 00:41:24.160
to be like, here God, read this. Not your group. Like nobody has to read this. This is your prayer.

00:41:26.880 --> 00:41:32.240
It's private by design because the whole point is a sentence you've never been allowed to say.

00:41:33.920 --> 00:41:39.680
And the only way to practice saying it is to say it. If nothing happens when you write it,

00:41:39.680 --> 00:41:46.160
you know the rule by now like nothing happened and that's perfectly fine. You told the truth in the

00:41:46.160 --> 00:41:54.320
dark and that's how everything starts. You're not out of hope. You're just out of practice.

00:41:56.000 --> 00:42:01.520
And you've got a page and there's a blinking cursor and it's your page and only you can write it.

00:42:04.480 --> 00:42:11.600
You're made to be a conduit and a representation of the love of God. Every single person in here

00:42:11.600 --> 00:42:17.360
is uniquely made to do that in your own unique way. I can't love people the way Māori can.

00:42:19.360 --> 00:42:24.560
And she can't love people the way I can. But that's the beauty of our differences.

00:42:26.640 --> 00:42:35.680
But in order to be that conduit and a representation of the love of God, we're made to practice that

00:42:35.680 --> 00:42:43.040
love. But some weeks love sounds like grief. And I want to invite you into that and give you

00:42:43.040 --> 00:42:49.280
permission to do that just as I've had to give myself permission to do it and still do it.

00:42:49.280 --> 00:42:51.840
This is one of the things that I will probably be learning for the rest of my life.

00:42:54.880 --> 00:43:00.480
But it invites us into creation. And I think for us to be able to love and create and

00:43:00.480 --> 00:43:03.840
help us create that the world that we all want.

00:43:07.120 --> 00:43:15.840
We can't be numb any longer. So Arsenal, do that. Step into it. Write your prayer and then go

00:43:15.840 --> 00:43:20.000
love well. It's who you're made to be. Love you guys. We'll see you next week.

00:43:22.240 --> 00:43:24.240
That's it. That's it. That's it. Love you guys.

00:43:24.880 --> 00:43:25.200
[APPLAUSE]
