WEBVTT

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Well, hey, all you wiretappers out there, it's good to be back here in Studio

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Gangland Wires. Colder in hell here in Kansas City today, as you can tell by

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the flannel shirt I'm wearing.

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And I see my guest, Michael Benson, is wearing some more cold weather clothes, too.

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So anyhow, Michael Benson is our guest today.

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I've had him on before. He has written several mob books with Frank DiMatteo.

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I just actually just really read with, in detail, really read through this story

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of Carmine Galante's cigars. It's really, really a good book.

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It was kind of interesting to really sit and go through a book,

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you know, line by line rather than just, you know, going through it real fast

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is really good. Well-written.

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And then we got Mafia Hitman by Frank DiMatteo and Michael Benson.

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That's, that's the story of the guy that really killed Joey Gallo. Not the Irishman.

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So you got a couple more, I believe. We love Scorsese, but he prefers stories that aren't quite true.

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And he tells them really well. Yeah. But it's not history.

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Yeah. And Frank had a kind of a front row seat to a lot of these. You're a co-author.

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He is the authority. Yes. He is. He truly is. He's a good guy too.

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The first book he wrote about his own father and a lot about that.

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It's got to be. Well, you know, the deal that he wrote a book called Lion in the Basement.

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About Joey Gallo and the lion in the basement on President Street.

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And Gary Goldstein at Kensington Books read it and said, this is a diamond in the rough.

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And that's how I got involved with Frank. He came to me and said,

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can you turn this into a book that people in Kansas City will read?

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And I think he actually said Kansas City. He said, Mr. and Mrs. Kansas City will read.

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And I said, sure. And it turned out, Frank, I got along and the rest is history.

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We're writing mafia history like it's never been written before.

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Yeah, no, I agree. I totally agree. So we're going to do some more shows on this with you guys.

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So anyhow, moguls, the life and times of Hollywood film pioneers,

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Nicholas and Joseph Schnick. Is that how you pronounce that?

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Wow. That's the worst pronunciation I've ever heard. That's what I'm famous for.

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You realize that nobody gets it right, but that was special. Oh, no, it's skank.

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Skank, huh? Yes. I don't know how you get that out of S-C-H-E-N-C-K,

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but skank. It's Russian.

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And their descendants pronounce it shank, which is a little easier on the ear.

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Yeah. But I think one of the reasons that the Skank brothers weren't better

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known is because Americans reacted just that way to the sound of their name.

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They were referred to as the Skunk Brothers by their enemy. Oh,

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it's easier to make fun of somebody. They hid behind other people's logos. They ran Lowe's Inc.

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Marcus Lowe was long passed away. And they ran 20th Century Fox.

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Fox no longer had anything to do with it. It was the Skank Brothers. Interesting.

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So how'd you get into this? Well, my friend Craig Singer, who was a film director,

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Good Night to Die, 645, The Dark Ride, about a haunted amusement park,

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came to me and said that he had worked with the great nephew of the Skank brothers.

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And they were wondering why nobody had ever written a biography of them,

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considering they were the most powerful brothers in show business history.

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And Craig said, who? Who?

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And eventually we found out that there were some reasons why they had almost

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slipped off of having a legacy, despite, uh,

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Nick being the eighth richest man in America at one point, the only Jewish man

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in the top 10, uh, his brother, Joe, not far behind.

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They ran three out of the five major studios in Hollywood, um,

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and tremendously powerful, but Nick in particular didn't like publicity,

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paid a publicist to keep his name out of the newspapers.

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His family was trained not to talk about him.

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They don't talk about grandpa. They don't talk about daddy.

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And so they almost lost their legacy, but Craig and I stepped up.

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We went back in time, searched the archives, found everything else to know about

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these men. They had fascinating lives.

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And we don't have to worry about them being forgotten anymore.

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Nick and Joe Skank, three times as powerful as the Warner Brothers.

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And if they had named the company after themselves, they would be just as famous.

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Interesting. I was wondering why I heard of Louis B.

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Mayer and David O. Selznick and names like that are like household words,

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but these guys, I had not heard those names.

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Nick is Louis B. Mayer's boss.

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And sometimes you'll hear in old movies, you'll hear it referred to like the

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studio bosses. We have to check with New York.

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Yeah. And that means the money people who were in their Gatsby mansions on Long

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Island, they're actually calling the shots.

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Interesting. That is really a deep dive into the early foundations and look at the movie industry.

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And you touch on the mob in the movie industry. Assorted and crime-ridden, yes. Oh, it was.

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I mean, there's so many great crime stories in there. It's hard to believe.

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I mean, there's a lot of good just actual history, but there's a lot of great

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crime stories in there, too. You would have to agree with that.

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Joe and Nick faced a lot of big enemies. I mean, as we'll talk about,

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the mafia tried to take a bite out of them. The U.S.

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Government did not like the fact that this was a major industry being run by

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a handful of un-Christian men.

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And in the long run, the thing that got them was television.

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You know, they stayed really, really powerful until TV invaded the living room.

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And they were old men by this time. And I think that younger skanks would have

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seen TV as an opportunity.

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They saw it as competition and they lost.

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But before that, they took on the Chicago outfit and in a weird way,

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created a system where everybody made money, which I think is the forte of really, really rich men.

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What happened was there were these two low lives in Chicago named George Brown and Willie Bia.

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And they were extortionists. They ran a protection. And they went up and down

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Fulton Avenue and they said to everybody with a shop or a restaurant or a bar,

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they said, you pay us and nothing bad will happen to your place.

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If you don't pay, you know, who knows? You can get a firebombing or something.

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And they decided that they were going to take on movie theaters.

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And they had some minimal success. They got payments out of Benny Balaban,

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who's a Chicago magnate of theaters.

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So they decided to hit up on the Skank brothers.

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And, uh, well, actually what happened was they, they, they, first they had,

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they got the money from, from Balaban and went to a casino and started spending it very fast.

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And frank nitty watched this and said where

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a couple little lives like that get all that cash so he

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calls them in they think they're gonna get whacked but he says look you're

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thinking small you're small time what you got to do is you got to think big

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and the do not threaten a fire bombing or or even a brick through the window

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in order to pull off a really classy extortion scheme You have to make it always

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appear as if no crime is being committed.

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So what they did was they took over the projectionist union.

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All the projectionists who showed the movies at all the theaters had a union.

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And the mob saw it as politically weak, went in, bullied their way in, and took over.

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And they come to the Skank brothers and say, you have to pay us or else the

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projectionists go on strike. Nick and what are you going to,

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who's going to show your movies then? Smart guy.

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Well, Joe and Nick put their heads together. At this point, Joe's living in

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Hollywood and Nick's on Long Island.

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They talk three times a day on the phone and they come up with a scheme and

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they say, okay, we're going to pay you.

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And we're going to talk all the other moguls in Hollywood into paying you, but,

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You have to promise us that union is never, ever going to ask for a raise.

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So what happened was the Skank brothers made money on the deal in raises they

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didn't have to pay to the projectionist union.

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Mafia made their little cut. And it all came out in 1941 when Joe Skank went down for tax evasion.

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He never used the word tax in his life without adding BS immediately after. Yeah.

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That's still true today. Yeah, it's typical of the, probably typical of.

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We probably all said that.

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Yeah, they probably still do. I have a question here.

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You're talking about that we're out in Hollywood with studio heads,

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extorting them for projectionists.

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Now, back then did the studios, and now, like AMC owns a lot of theaters.

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Other little companies own theaters. A local company here owns several theaters

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in Kansas City. The studios owned the theaters where all the major pictures

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were shown throughout the whole United States, correct?

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Marcus Lowe, during the vaudeville era, built palace theaters across America

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for his acts that would go from town to town.

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And when movies started, they turned into movie houses.

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And when he passed away, Nick Skank took charge of Lowe's Inc.

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And he was in charge of MGM, which made the movies, and the Lowe's theaters,

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which showed the movies, and took the tickets. He was in charge of the whole, the whole thing.

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And his brother, Joe was the owner of 20th Century Fox.

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He had Daryl F. Zanuck running the studio for him, much like Nick had Louis B.

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Mayer running MGM for him, but they owned everything and they owned stock in

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each other's companies.

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It was a little bit incestuous in that way. So yeah, it was.

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The money stayed with the skanks the whole way.

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The expenditures were paying the talent and paying for the operation and upkeep

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of the theaters, which was relatively cheap considering about 30 million,

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40 million people were going to the movies every week. There was no TV. It's what you did.

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That's how you got your news. And the projectionists got screwed.

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Working guys got screwed. Everybody

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makes money. I'm not counting the projectionists who got screwed.

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Yes. Yeah. Well, that's, you know, I was a projectionist for four years and

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I don't know how it was back in the 1930s, but it wasn't a job I planned on using to raise a family.

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I was 21 at the time. And basically I wanted to buy a six pack of beer on Friday.

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These guys they they're then this you

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know the changing of hollywood they go from the times

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when there was a lot of real sexual innuendo conduct

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on screen and then there's a big crackdown on that right and when you can't

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show that and then you have they had one particular scandal a sex scandal by

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one of their big stars a guy named fatty arbuckle and i think most everybody

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my age has heard of Fatty Arbuckle or a little older,

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heard of Fatty Arbuckle or some big scandal, but I never knew exactly what it

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was. He worked for Skanks, right?

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He was Joe's biggest star during the silent movie era.

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He was a large man, as his name Fatty would imply, 300 pounds or so.

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But like a Jackie Gleason or a John Candy, the joke was never the things he

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couldn't do because he was fat.

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It was the things he could do even though he was fat.

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You know, he was very acrobatic in his physical comedy. And...

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Was a guy who could party and over the Labor Day weekend in 1921,

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very early, goes to a party in the St. Francis Hotel in San Francisco.

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There's a lot of starlets in there. A woman named Virginia Rape,

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R-A-P-P-E, kind of an unfortunate spelling considering how she ended up dying.

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She's a 30-year-old woman. She's been a bit player in Hollywood.

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She's probably best known as the cover girl on the sheet music for beautiful

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lady or the, some, some song that was a big hit at the time.

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She's a nobody. And she is in the hotel room alone with Fatty Arbuckle.

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Other people are partying outside, but the door's locked.

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When Arbuckle emerges after the pounding on the door, he's obviously very, very drunk.

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He's wearing Virginia's hat at a weird angle. and she is lying in the,

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in the room with a broken bed, dying.

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And she goes to the hospital. They find out she has a ruptured bladder.

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So the immediate assumption is that, uh, that there's a horrible sexual attack has taken place here.

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This is inflamed by the Hearst newspapers that when they report,

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uh, anything about the Fatty Arbuckle case, always would put an uncaptioned

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photo of a long necked beer bottle, which apparently was what Fatty was supposed

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to have used to violate the poor woman.

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It gets complicated from that point because the witnesses, Virginia's friends,

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turned out to be extortionists in their own right and had held up rich men in

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the past for sexual improprieties.

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So the tendency was to not fully believe them.

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Joe Skank crosses the country because he's still living in Bayside Queens in

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1921, goes out to California, talks to Fatty Arbuckle.

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Roscoe says, it was an accident, Joe.

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Which implies that it was something happened. There was an incident that involved her being injured.

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Joe pays for all three of Arbuckle's trials.

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He is convicted at the first trial, but that's overturned by the judge because

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of jury impropriety. Second trial is a hung jury.

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Third one, he is acquitted, and the jury makes a public statement about the

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horrible dishonor that's been done to this poor man because there's absolutely

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no evidence connecting him with any crime. A little bit overboard.

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And by this time, of course, Joe Skank's money is fully behind Arbuckle.

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Trouble is, Arbuckle has been acquitted. He now wants to go back to work.

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And Joe has to tell him that, okay, you're innocent in the eyes of the law,

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but you have been rendered forever unfunny by all of this scandal.

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Nobody's ever going to laugh at you, the situations we used to put you in with,

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with, you know, skinny women and dancing around and doing pratfalls,

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you know, because it's all going to remind them of that thing that happened.

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They're going to go see your movies for the wrong reasons.

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And our buckles life falls apart at that point.

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I've heard talk that, you know, he was making a comeback near the time of his

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death, but not really. He was doing roadside nightclub acts with song and dance

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girls, completely deaf to what people were saying about him behind his back.

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So yeah. And, uh, and it cost Joe a lot of money and he ended up,

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uh, taking our Buckles house as payment.

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And he and his wife lived there for a long time.

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Uh, but he put a system in place after that involving a guy we'll talk about

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named Eddie Mannix, uh, called the fixer system.

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And from then on, if anything happened in Hollywood, there was going to,

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uh, reflect badly on the studio system, on any of the stars who all had squeaky clean reputations,

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Eddie Mannix, who was a skank henchman, would go in and work the crime scene to be confusing.

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And then the police would show up, which is why, you know, I don't know if you've

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ever read a book called Hollywood Babylon, but every murder in Hollywood is

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completely bizarre and makes no sense whatsoever.

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You know, they make a little more sense than the John Bonet case, but not really.

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There's always, well, gee, it had to have been murdered, but no,

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it couldn't have been murdered.

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And like Thelma Todd, even George Reeves, the TV Superman. Yeah.

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He committed suicide, but he committed suicide right after ticking off Eddie Mannix.

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Eddie Mannix, he was kind of, he's like a story in himself, it sounds like.

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But he is. Well, I don't know if you've seen the movie Hail Caesar by the Coen brothers.

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Eddie Mannix is the hero of that movie.

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He starts out as a juvenile delinquent who's stealing stuff from Palisades Amusement

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Park, which is owned by the skanks. Nick catches him.

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Instead of calling the cops, he says, you work for me now.

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The old saying, it's better to have them steal for you than from you.

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Yes. And Eddie turns into the amusement park bouncer.

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He's in charge of security. He's also pretty good with the books.

00:16:59.660 --> 00:17:05.400
He can do two sets of books in his head. stuff that people that don't believe in tax BS enjoy.

00:17:06.220 --> 00:17:12.660
And years later, when Nick becomes the head of Lowe's Inc., he sends Eddie Mannix to MGM.

00:17:13.040 --> 00:17:18.260
Eddie Mannix is a rough kind of guy. You know, completely sociopathic.

00:17:18.720 --> 00:17:23.940
Sends him to MGM to keep an eye on Louis B. Mayer and Irving Thalbert,

00:17:24.080 --> 00:17:25.820
make sure they do whatever Nick says.

00:17:26.420 --> 00:17:30.000
Plus be a spy, read every telegram that goes in and out.

00:17:31.320 --> 00:17:35.240
And if anything untoward happens, get in there and fix it.

00:17:36.460 --> 00:17:40.180
So Eddie Maddox becomes this hugely powerful man in Hollywood. He's a thug.

00:17:42.070 --> 00:17:45.010
His first wife dies in a horrible accident.

00:17:45.050 --> 00:17:47.850
I don't know if it's Mulholland Drive, but it's one of the, she,

00:17:47.870 --> 00:17:50.990
she goes off the side of the road and down the cliff, like you've seen in a

00:17:50.990 --> 00:17:54.470
thousand movies after being sideswiped by another car.

00:17:54.710 --> 00:18:00.830
Ah, this allows, this, this allows Eddie to marry, uh, the million dollar legs,

00:18:00.830 --> 00:18:02.650
uh, girl from the Ziegfeld Follies.

00:18:02.830 --> 00:18:05.430
Her first name is Tony, T-O-N-I.

00:18:05.690 --> 00:18:09.610
And she becomes the, uh, the, the, the second wife after years of being the

00:18:09.610 --> 00:18:15.150
mistress. mistress, and they grow old together. They have an arrangement.

00:18:16.350 --> 00:18:19.730
Eddie has an affair going with the maid, who is a young, beautiful woman.

00:18:20.150 --> 00:18:26.650
And Tony has an affair going with George Reeves, who is TV Superman on the Adventures of Superman.

00:18:27.010 --> 00:18:32.630
George Reeves commits suicide. The common theory is that Eddie was a jealous husband.

00:18:32.930 --> 00:18:35.830
But that wasn't the case. It was not the case. They had an arrangement.

00:18:36.030 --> 00:18:39.610
They used to all go on vacation together. The maid and George was sitting in the back of the plane.

00:18:39.870 --> 00:18:42.910
Playing Tony and Eddie would sit in the front and then they do whatever they

00:18:42.910 --> 00:18:44.070
did on their vacation and come back.

00:18:44.390 --> 00:18:49.070
What happened was George Reeves broke up with Tony Mannix and started in with

00:18:49.070 --> 00:18:55.790
another woman in the house on Benedict drive that Tony had bought George with Eddie's money.

00:18:56.370 --> 00:19:01.050
So she goes to Eddie, he's cheating on me in your house.

00:19:01.670 --> 00:19:03.430
Eddie says, I'll take care of it.

00:19:04.210 --> 00:19:10.270
And we know he did because one thing, Tony Mannix confesses on her deathbed.

00:19:10.450 --> 00:19:13.310
She's afraid of going to hell. Eddie and I did it. We did it.

00:19:14.610 --> 00:19:21.610
Yeah. And Eddie himself, of course, you know, used to wink when ever anybody suggested such things.

00:19:22.270 --> 00:19:24.550
He was, he never denied.

00:19:26.050 --> 00:19:30.290
I'll tell you what, Michael, you have given me a great story as I meet my different

00:19:30.290 --> 00:19:37.330
friends center of my age about the death of Superman because everybody at a certain age, you know,

00:19:37.490 --> 00:19:42.490
will go back and forth about how did Superman commit suicide, you know, and all that.

00:19:42.650 --> 00:19:45.590
Now I've got the real story and she confessed on her deathbed.

00:19:45.730 --> 00:19:47.350
That's a great story. Thank you.

00:19:48.150 --> 00:19:51.930
Yeah. And that comes from Beverly Hills Publicity.

00:19:53.800 --> 00:19:59.500
Ed Lotzey, who apparently was, you know, Tony, Ed Lotzey was there when Tony

00:19:59.500 --> 00:20:04.740
made a deathbed confession that she and Eddie did it. He did it. I'll be darned.

00:20:05.280 --> 00:20:08.560
And Eddie knew how to mess up a crime scene pretty well. Well,

00:20:08.660 --> 00:20:13.440
you know, there was a party going on downstairs and the, what the witnesses

00:20:13.440 --> 00:20:18.300
said was so bizarre that you had to believe that it couldn't possibly be the truth.

00:20:18.300 --> 00:20:22.400
Like one woman says according to

00:20:22.400 --> 00:20:25.140
the story you know she says in a moment you're going

00:20:25.140 --> 00:20:28.380
to hear a gun and then seconds later gun went

00:20:28.380 --> 00:20:31.800
off upstairs and it was george reeves committing suicide

00:20:31.800 --> 00:20:36.080
and they found him naked with the gun between his legs the bullet went through

00:20:36.080 --> 00:20:44.080
his temple and ended up in the ceiling so i don't know maybe lying down um and

00:20:44.080 --> 00:20:49.340
there are two bullet holes also in the bedroom them that went forever unexplained.

00:20:49.460 --> 00:20:52.460
They just threw a throw rug over them. They were in the floor.

00:20:53.860 --> 00:20:59.720
Huh. Interesting. That's really interesting. Yeah. Um, the other case that,

00:20:59.720 --> 00:21:05.380
uh, the skanks or Joe in particular was, was involved in was the death of Thelma Todd.

00:21:06.100 --> 00:21:09.360
I don't know. She was nicknamed Hot Toddy. She was a comedian,

00:21:10.220 --> 00:21:16.020
kind of a, a Lucille Ball type from the early thirties. She made movies with the Marx brothers.

00:21:17.020 --> 00:21:23.280
Um, she with Zazu Pitts and Thelma Todd made a bunch of shorts together or,

00:21:23.300 --> 00:21:26.020
you know, one being a kind of a tomboy, the other one being a beautiful blonde.

00:21:26.120 --> 00:21:27.060
And this was the beautiful blonde.

00:21:27.400 --> 00:21:30.700
And she was also the mistress of the very married Roland West,

00:21:30.700 --> 00:21:33.980
who was one of Joe Skank's best friends.

00:21:34.940 --> 00:21:40.300
And Roland West invented the haunted house movie with the.

00:21:41.560 --> 00:21:46.000
Bookcase that turns around and leads to a secret passageway and the paintings

00:21:46.000 --> 00:21:48.220
that have the eyes cut out for real eyeballs.

00:21:48.560 --> 00:21:50.440
Oh my God. He was the first guy with that.

00:21:51.060 --> 00:21:54.880
And he got it from Joe's mansion in Hollywood, Owlwood.

00:21:55.320 --> 00:22:02.360
And Joe got it from his backyard neighbor, Bugsy Siegel, who put in all of those

00:22:02.360 --> 00:22:04.560
things in case he was raided by the cops.

00:22:04.600 --> 00:22:06.880
He could sneak down into a secret passageway.

00:22:07.120 --> 00:22:12.620
Joe used his secret passageway for starlets rather than for escaping the police.

00:22:13.640 --> 00:22:18.300
And he, he was a mentor of your early Marilyn Monroe and she was still normal.

00:22:18.900 --> 00:22:22.940
Oh, really? So she came up in that system under her when she was young.

00:22:23.280 --> 00:22:27.580
Yeah, and she became a star for 20th Century Fox for Joe. And Joe was her first mentor.

00:22:27.880 --> 00:22:34.020
But he had, he liked her the best out of all the starlets he had visiting him

00:22:34.020 --> 00:22:36.340
and moved her into a bungalow in the back,

00:22:36.520 --> 00:22:39.960
but then he was worried about Confidential Magazine, which had paparazzi,

00:22:40.100 --> 00:22:42.880
the very first paparazzi for a scandal sheet magazine.

00:22:42.880 --> 00:22:48.320
So he built a tunnel from his house to the back bungalow so Marilyn could come

00:22:48.320 --> 00:22:53.140
in to his casting room behind the bookcase without being seen from the outside.

00:22:54.940 --> 00:23:01.320
The old casting couch. Thelma Todd ends up being dead in her car,

00:23:01.620 --> 00:23:03.060
died of carbon monoxide.

00:23:04.000 --> 00:23:08.160
Coroner conveniently didn't seem to notice that she'd been beat up and that her face was all bloody.

00:23:08.640 --> 00:23:12.540
Yeah. And Roland West was one of the primary suspects.

00:23:12.840 --> 00:23:17.760
But crime scene was confused and the coroner said it was suicide.

00:23:18.960 --> 00:23:24.560
And those studios, they must have dominated the police and the politics and

00:23:24.560 --> 00:23:29.000
everybody because they had so much money. They were like the drug cartels can do today.

00:23:29.260 --> 00:23:32.360
That's right. The police served the studios. Yeah.

00:23:33.830 --> 00:23:38.230
I mean, corruption in LA, I mean, it really was the old West.

00:23:38.410 --> 00:23:41.550
They're making these movies about what it was like in the old West because they

00:23:41.550 --> 00:23:47.130
knew, I mean, that the sheriff of LA County, you know, was nicknamed two guns.

00:23:48.010 --> 00:23:51.730
And we're talking about the, you know, during prohibition. So it's.

00:23:51.790 --> 00:23:55.110
Yeah. And even today, everybody wants to be in the movies and they want to have

00:23:55.110 --> 00:23:58.170
some, some connection to the movies.

00:23:58.350 --> 00:24:03.150
Right. And it went, and you know, the, the criticisms that Hollywood was,

00:24:03.270 --> 00:24:05.970
was played with sexual excesses were largely true.

00:24:06.070 --> 00:24:11.170
And it occurred to me while we're working on mobiles that Hollywood was a very

00:24:11.170 --> 00:24:13.730
strange social experiment.

00:24:13.910 --> 00:24:17.790
I think it's the first time in human history where you have a colony of really,

00:24:17.990 --> 00:24:19.210
really good looking people.

00:24:20.490 --> 00:24:25.250
Everybody. And with, you know, lots of labor, very few jobs.

00:24:26.130 --> 00:24:29.710
I think it was Joe Skank once said, getting starlets for a mogul's like,

00:24:29.710 --> 00:24:32.750
you know, drawing deer to a salt lick. Yeah.

00:24:34.750 --> 00:24:37.650
Slightly unpleasant analogy, but a good one. Yeah.

00:24:38.050 --> 00:24:45.010
And I think Marilyn Monroe herself once called Hollywood a, an overcrowded brothel.

00:24:47.850 --> 00:24:53.970
So, so it was largely true. And that, that was why untoward things kept happening.

00:24:53.970 --> 00:24:58.650
And William Desmond Taylor was murdered during a Fatty Arbuckle trial.

00:24:58.850 --> 00:25:02.390
Uh, maybe he was killed by a starlet who was trying to outrage.

00:25:02.530 --> 00:25:06.690
Maybe he was killed by the starlet's mother because he had outraged her.

00:25:07.010 --> 00:25:08.890
Outrage was the word for rape at the time.

00:25:10.790 --> 00:25:12.870
Interesting. Well, I'll tell

00:25:12.870 --> 00:25:16.710
you what, this is a heck of a book and it's got a lot of great stories.

00:25:16.910 --> 00:25:22.790
It's kind of punctured the balloon, the veneer, if you will, of Hollywood.

00:25:23.250 --> 00:25:29.550
And, you know, even today, now you just recently had Kevin Spacey and different stars.

00:25:29.910 --> 00:25:34.570
Harvey Weinstein's case. Harvey Weinstein, he's still in jail. Can you believe that?

00:25:34.690 --> 00:25:38.170
That dude was like the king of Hollywood and he's been in jail for,

00:25:38.310 --> 00:25:39.830
I don't know, seven or eight years now.

00:25:39.830 --> 00:25:44.150
I mean, one of the things I do in the book, I think, is I put shades of gray

00:25:44.150 --> 00:25:50.490
in the Me Too movement because Joe Skank had a casting couch, but he was not a rapist.

00:25:50.930 --> 00:25:54.190
We know from Maureen O'Sullivan, who was a virgin and was afraid of him.

00:25:54.330 --> 00:25:58.410
He patted her hand and said, everybody tries to bother you. You tell me and let her go.

00:25:58.570 --> 00:26:01.670
She didn't get the fur coat. You had to go into the casting room to get the fur coat.

00:26:02.590 --> 00:26:05.870
But he wasn't threatening anybody with, you know, you'll never work in this

00:26:05.870 --> 00:26:08.390
business unless you do what I want you to do right now.

00:26:08.610 --> 00:26:11.890
It never ain't there. They were like sweet little dates he had with these women.

00:26:12.010 --> 00:26:17.110
He would feed them and then light some candles and take them to bed.

00:26:17.410 --> 00:26:20.450
Maybe it would happen. Maybe it didn't have to happen is what you're saying.

00:26:20.510 --> 00:26:21.650
It didn't have to happen.

00:26:21.930 --> 00:26:27.970
And the women it did happen with always liked him afterwards. Like he was a favorite.

00:26:28.510 --> 00:26:30.710
And he really did call him Uncle Joe, like the cliche.

00:26:33.010 --> 00:26:37.290
Well, I've learned that when you get down to actual history,

00:26:37.290 --> 00:26:41.610
it's always shades of gray. It's never black and white. That's right. That's right.

00:26:41.910 --> 00:26:46.390
And this is a lot, there's a lot of shades of gray. Yeah, I have issues with me too.

00:26:46.490 --> 00:26:51.330
My daughter once said that Joe Namath should be on the Me Too movement list. And I said, what?

00:26:52.070 --> 00:26:55.430
Everybody left. Because of the thing with Susie when he was drunk?

00:26:55.570 --> 00:26:57.950
No, there was no victim. Yeah.

00:26:59.690 --> 00:27:03.830
We don't want to go too far down that path. But obviously Harvey Weinstein's

00:27:03.830 --> 00:27:06.670
a real creep and is probably deserving what he gets.

00:27:06.990 --> 00:27:10.830
Yeah. Everything I read, and of course, I say what I read, but he was actually

00:27:10.830 --> 00:27:13.970
adjudicated in a court of law, which goes a long ways for me.

00:27:14.150 --> 00:27:20.970
I mean, there's all the rules at place in a court of law to get to the truth. So it's a deal.

00:27:21.410 --> 00:27:25.770
But this early Hollywood, there's just so much history, the history of our country,

00:27:25.770 --> 00:27:28.770
you know, is encapsulated out there in Hollywood.

00:27:28.970 --> 00:27:35.170
You know, the moguls, the making the money, the creating monopolies and then breaking them up.

00:27:35.170 --> 00:27:42.130
And it just, you know, it's really It really has the roaring 20s it has the

00:27:42.130 --> 00:27:47.610
depression it's got World War II with the morale boosting oh,

00:27:47.690 --> 00:27:49.350
we didn't even mention Nazis I mean,

00:27:49.490 --> 00:27:54.230
the Nazis tried to take over Hollywood and the skanks helped finance a spy system

00:27:54.230 --> 00:27:57.730
that infiltrates the German American Bund and gets them out of that,

00:27:57.850 --> 00:28:02.850
so that's a chapter in the book so if you like Nazi stories, that's.

00:28:04.710 --> 00:28:09.410
We all love Nazi stories. They bit off more than they chew when they took on the skanks. Yeah.

00:28:10.130 --> 00:28:14.130
Well, you know, Mayor Lansky, he, in New York, he organized a bunch of Jewish

00:28:14.130 --> 00:28:20.410
guys to attack these German-American supporters, the German-American people. I wrote that book, Gary.

00:28:20.770 --> 00:28:25.050
Oh, you did? Oh. Gangsters versus Nazis by Michael Benson. Oh, you did. Okay.

00:28:25.310 --> 00:28:29.590
I don't know if I actually read it. Well, I always wanted to do that. We need to do that one.

00:28:29.890 --> 00:28:33.750
Yeah. Oh, absolutely. If Mayor Lansky and the Skank brothers ever got together,

00:28:33.770 --> 00:28:35.930
they would, they would get along so well.

00:28:36.310 --> 00:28:40.490
And, you know, because they just wouldn't say, well, you're filmmakers and I'm a gangster.

00:28:40.630 --> 00:28:46.210
They would all be, we're Jewish men who came to this country and we did good. Interesting.

00:28:48.810 --> 00:28:53.210
Well, Michael Benson and Craig Singer wrote this book, guys.

00:28:53.430 --> 00:28:59.250
Moguls, the life and times of Hollywood film pioneers, Nicholas and Joseph Skank.

00:28:59.730 --> 00:29:02.810
Skank. Got that right? Very good, Gary.

00:29:03.770 --> 00:29:05.730
Appreciate it. I'm a quick learner, man.

00:29:08.410 --> 00:29:11.730
Especially when it's easy to pronounce. You just figure out the right way to pronounce it.

00:29:11.870 --> 00:29:13.690
It doesn't look like skank. Well, yeah, thank you so much, Gary,

00:29:13.770 --> 00:29:15.510
for giving me an opportunity to talk about them.

00:29:15.630 --> 00:29:21.010
We really do enjoy letting the world know who the skanks are because they deserve it.

00:29:21.450 --> 00:29:26.510
I think so. Like I said, it reflects social movements in the United States.

00:29:26.510 --> 00:29:28.970
It really helps us make more sense of our own history.

00:29:29.250 --> 00:29:32.170
I think it's all reflected via bar movies.

00:29:33.070 --> 00:29:37.890
It's the best U S history I ever had a part in. I believe it.

00:29:38.390 --> 00:29:43.750
All right. Michael Benson. Thanks a lot. Thank you so much. All right. Have a good one. You too.

00:29:44.130 --> 00:29:46.870
Okay. I'm going to do another little stick. So thanks a lot for coming on.

00:29:47.010 --> 00:29:49.250
I'll get in touch with you about some of these other books.

00:29:49.270 --> 00:29:52.710
I just have gotten into you guys and, and I had appreciate it.

00:29:52.830 --> 00:29:54.870
All right. Have a good one. Bye.

00:29:58.260 --> 00:30:00.420
Well, hey, guys, that was a heck

00:30:00.420 --> 00:30:03.680
of an interview, and he's a really interesting guy and a great writer.

00:30:03.840 --> 00:30:07.480
I'll tell you what, this guy is really a good writer, and he does those other

00:30:07.480 --> 00:30:11.400
books, True Crime, about the mob in New York with Frank DiMatteo,

00:30:11.400 --> 00:30:14.880
whose dad was a mob guy with the Gallo brothers.

00:30:15.340 --> 00:30:20.040
So we're going to do some more of that. I did one recently, and this story had

00:30:20.040 --> 00:30:23.900
a little bit of mob stuff in it, had a lot of really interesting Hollywood history

00:30:23.900 --> 00:30:26.540
that I've heard about but didn't know that much about.

00:30:26.540 --> 00:30:29.200
We learned a real story guys we were

00:30:29.200 --> 00:30:31.980
in the real story about the death of

00:30:31.980 --> 00:30:34.880
superman george reeves which i thought was fascinating because

00:30:34.880 --> 00:30:38.420
i've been discussing that with friends ever since we were kids i

00:30:38.420 --> 00:30:43.640
guess whenever he died i was probably in early teens so don't forget i like

00:30:43.640 --> 00:30:46.700
to ride motorcycles so watch out for motorcycles when you're out there on the

00:30:46.700 --> 00:30:51.400
street and if you have a problem with ptsd be sure and go to the va website

00:30:51.400 --> 00:30:55.400
and get that hotline number and if you got a problem with drugs or alcohol.

00:30:55.800 --> 00:30:59.100
Angelo Ruggiano is down in Florida. He's a drug and alcohol counselor,

00:30:59.100 --> 00:31:02.020
and he has a hotline, I believe, on his website.

00:31:02.880 --> 00:31:06.000
And if you have a problem with gambling, there's 1-800-BETS-OFF.

00:31:06.940 --> 00:31:10.360
And I have stuff for sale, and I've always got stuff for sale.

00:31:10.380 --> 00:31:15.500
I just finished my second book from the podcast stories. The first one is out there now.

00:31:15.660 --> 00:31:18.920
Actually, the second one's out there now by the time this gets released.

00:31:19.080 --> 00:31:24.720
The first one is the Windy City Mafia, the Chicago Outfit, the second one,

00:31:24.860 --> 00:31:28.200
Stories from the Five Families, the New York Big Apple Mafia,

00:31:28.300 --> 00:31:29.660
the Stories from the Five Families.

00:31:30.360 --> 00:31:36.820
And so they're both out there on Amazon. They're both out there as Kindles and paperbacks.

00:31:36.960 --> 00:31:39.860
And I even made a hardback out of the Chicago book.

00:31:40.980 --> 00:31:43.900
And I'm now trying to work on my life story.

00:31:44.160 --> 00:31:48.820
It's really difficult to do. So many of the things that might be interesting,

00:31:48.820 --> 00:31:51.680
I don't really want to tell anybody. I don't want my kids to read it.

00:31:51.720 --> 00:31:53.120
And so I don't know. We'll see.

00:31:53.600 --> 00:31:58.100
And I got movies and stuff. So just go to Amazon and run my name or go to my

00:31:58.100 --> 00:31:59.400
website, Gangland Wire.

00:31:59.760 --> 00:32:03.860
If you're on YouTube, be sure and like and subscribe, but also be sure and share

00:32:03.860 --> 00:32:06.820
it on your YouTube channels. Thanks a lot, guys.

