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Aloysius J. Pig: Oh, fun music I
like this a lot. Great job

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00:00:09,180 --> 00:00:13,020
producer Alex is jpg let's get
to my loop because that's what I

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like to do I go up and down and
all around I move ahead and move

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I'm going to do a little bit

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Rufus T. Rufus: do I'm singing
the song Oh, okay, I am singing

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along

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Aloysius J. Pig: please stop
it's not good it's not

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Rufus T. Rufus: come on you know
I don't know what I'm doing here

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I'm a lawyer I

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Aloysius J. Pig: like to
continue a lawyer because I'm

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pretty sure somebody's gonna sue
you for killing this beat

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Producer: sorry sir everybody
should I keep recording should I

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stop the year sucker what what
are we trying to do here because

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we started up pretty good I done
but then within a couple of

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seconds did this right it wasn't
so great and not pointing any

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fingers cuz everybody's trying
but

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Rufus T. Rufus: now hold on can
you cut that music? Can you cut

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it? Is that something that what
they say? Can you cut it cut

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that music? Because I need a
question something I can you

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please cut the muse

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Producer: or your guard the
music has been cut what do you

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want this

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Rufus T. Rufus: I want to say
thank you very much for doing so

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00:01:29,790 --> 00:01:32,310
for doing such great producing
cutting that music you know I

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took you a second but you know I
understand is a lot of buttons

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and knobs you got over there
behind the board. But I also I

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wanted to bring it back to a
little something that our wishes

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00:01:41,310 --> 00:01:42,060
just soon

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Aloysius J. Pig: what it was it
to the up and down all around

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dance tan whatever thing like
that. Nope. Don't go I don't go

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up with that. I

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Rufus T. Rufus: just I just kind
of stand there and I bobbin a

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week but I make it look like
I've done going up and down. You

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know you're an excellent dance
everybody. I think everybody

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would agree to that now but I
what I wanted to actually refer

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00:02:01,590 --> 00:02:05,190
to is there's a point where you
said that I killed the beat now

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I don't need that on my record
because I don't want to get in

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trouble. You know, as a lawyer
if I start killing things, I'm

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gonna I'm not gonna be able to
be a lawyer no more and I can't

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this is my career. This is my
calling. This is my path in

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life. And so if I need to tell
me if I've done something wrong,

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00:02:25,230 --> 00:02:28,230
because I didn t need to
duplicate it.

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Aloysius J. Pig: I got the music
back. Let's see if we can do it

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00:02:31,080 --> 00:02:38,640
this way. Wow. So why so take a
real face? If he's on a beat you

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00:02:38,640 --> 00:02:44,100
know, your shoe is harder than I
thought I should try to explain

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00:02:44,100 --> 00:02:52,050
things to a beat you. But I
guess I'll try again. Who do you

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00:02:52,050 --> 00:02:57,720
did not kill the beat the beat
is the music. Everything is okay

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if he had just move it or use it
or do it? All of these things

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00:03:03,330 --> 00:03:08,730
right? Up and down. All the
time. Girl you understand what

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00:03:08,730 --> 00:03:12,090
I'm saying? Do you understand
what I'm putting down? I'm not

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actually putting anything down.
Okay, I'm just saying words to

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00:03:18,030 --> 00:03:23,100
the back feet. But not all of it
is gonna make a lot of sense.

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For instance,

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00:03:25,440 --> 00:03:26,160
Mama Mama

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00:03:27,419 --> 00:03:28,289
Yeah, I said it

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Producer: should be caused by
Bella Bella. Or Bangor anything

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Baba Labriola I'm in the park.
It's in the dark and I am

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thinking Hello, how are you? I
didn't didn't even know that I

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00:03:45,540 --> 00:03:47,610
was going to be in this song.

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Rufus T. Rufus: Okay, I feel
like I finally understand. All I

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00:03:56,040 --> 00:04:00,480
gotta do is stand up here and
listen to the music and see if I

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00:04:00,480 --> 00:04:05,820
can make things that go with the
drum. Okay, let's see hold on

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00:04:05,820 --> 00:04:10,080
delete dumb. That's all I got.
Oh, can down the street. What

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00:04:10,080 --> 00:04:15,840
rhymes with street? My feet.
Hey, guy, I go I got it. I'm,

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I'm cutting. I'm cutting the
group. Okay, but I'm not really

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cutting nothing because it's a
musical term. Yeah,

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Aloysius J. Pig: that was you
know, I'm not gonna that was

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much better. That was honestly
been much from where we were. I

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put OSHA you can go ahead and I
think we're gonna drop the beat

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right here. Go.

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Producer: Okay, so the beat has
been dropped, but it's a little

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00:04:42,300 --> 00:04:45,030
bit too quiet for me if you
don't mind just gonna put in a

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little background music. A
little bit calmer so we can

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figure this whole thing out?

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Rufus T. Rufus: Yes, good idea.
I don't like it when there's no

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backing music back because I
cannot. At that point. I'm just

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00:05:00,000 --> 00:05:04,200
sitting there with my thoughts.
And that's the last thing I want

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00:05:04,200 --> 00:05:08,340
to do if I'm be honest, the
music at least let it distract

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00:05:08,340 --> 00:05:12,930
me a little bit, you know, I
feel like people should just

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have little, some sort of music
that they can just walk around

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00:05:17,130 --> 00:05:20,310
the world with. I don't know how
we would accomplish that, or how

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00:05:20,310 --> 00:05:26,190
we would manage it. But let's
say I'm walking to the flea

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00:05:26,190 --> 00:05:31,020
market or wherever I am, and I'm
looking at things. And is this

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00:05:31,020 --> 00:05:34,410
too much noise? People are
talking to me. Maybe I just want

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00:05:34,410 --> 00:05:39,510
to have a little soft phone.
Right? I can listen. I can cut

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00:05:39,510 --> 00:05:44,550
up the rest of the noise and I
can just pass it along to this

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00:05:44,550 --> 00:05:50,100
and look at Oh, what do we have
here? Is this an old robot? How

88
00:05:50,100 --> 00:05:56,250
much you want for you know? Oh,
oh, look, this is Zetta is that

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00:05:56,250 --> 00:06:00,540
a jar full of buttons? All
right. All right. What are we

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00:06:00,540 --> 00:06:06,780
doing? Small pleasant
experience. So I am a Joe

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00:06:09,089 --> 00:06:14,369
Aloysius J. Pig: I in my humble
opinion, I got it. I got it. Oh,

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00:06:14,369 --> 00:06:15,779
what is? What is that noise?

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00:06:15,779 --> 00:06:19,019
Rufus T. Rufus: I don't want to
step on a goose or something.

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00:06:19,500 --> 00:06:22,470
Producer: And second thing I
found let me let me look around

95
00:06:22,470 --> 00:06:28,110
here. Okay. Is snappy is snappy.
He seems like it's kind of up in

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00:06:28,110 --> 00:06:29,220
the corner here.

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00:06:29,250 --> 00:06:34,230
Rufus T. Rufus: Wait. Bumpercar
Wait a minute. He wasn't here

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00:06:34,230 --> 00:06:35,370
the whole time.

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00:06:35,400 --> 00:06:37,710
Aloysius J. Pig: I was kind of
wondering why everything seemed

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00:06:37,710 --> 00:06:40,770
to be going so smoothly. Like
everything seemed like

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00:06:40,770 --> 00:06:42,720
everything was very Antoine

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00:06:43,440 --> 00:06:45,930
Producer: going to agree or
disagree, but I totally agree

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00:06:45,930 --> 00:06:48,480
that everything gets pick up
pretty easily today.

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00:07:02,010 --> 00:07:05,730
Aloysius J. Pig: Is my day.
Okay, and I was hoping

105
00:07:05,729 --> 00:07:10,289
Natty Bumpercar: to have this
vodcast back. I'm sick of this

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00:07:11,519 --> 00:07:12,389
guy's leg

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00:07:16,860 --> 00:07:20,520
Aloysius J. Pig: you can stop
talking. You just take up you

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00:07:20,520 --> 00:07:25,260
Brad. quick huddle over you
guys. Yeah, I

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00:07:25,260 --> 00:07:27,330
Rufus T. Rufus: thought we'd
kind of given up on the podcast

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00:07:27,330 --> 00:07:30,240
at this point. I mean, he
didn't. I never saw it's getting

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00:07:30,240 --> 00:07:33,780
that equipment back from
whatever so resident knows, I

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00:07:33,780 --> 00:07:36,000
guess his name? Well, you know,
I thought we were just gonna

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00:07:36,000 --> 00:07:39,120
start hanging out in
conversationalist with a lot of

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00:07:39,120 --> 00:07:41,940
sales and not having to put it
out in the world. Like, Oh,

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00:07:41,940 --> 00:07:46,020
listen to us. We haven't gotten
a podcast.

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00:07:46,290 --> 00:07:48,690
Producer: Come on. Well, yeah,
well, I kind of do agree with

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00:07:48,690 --> 00:07:53,940
that. I am a producer and so I
kind of exude like I really like

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00:07:53,940 --> 00:07:58,020
you're a lawyer. I'm a producer
and kind of like to do the

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00:07:58,020 --> 00:08:00,270
podcast if we could do the
podcast but

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00:08:00,300 --> 00:08:02,430
Rufus T. Rufus: glue you guys
are both making excellent

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00:08:02,430 --> 00:08:06,120
points. Here's what I'm gonna
do. Really quick. I'm gonna call

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00:08:06,120 --> 00:08:09,510
up the private I see if I can
get any information on that

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00:08:09,510 --> 00:08:16,290
salting okay all right. Let's
see here. Why is it not dialing?

124
00:08:16,710 --> 00:08:19,500
Does anybody know how to dial
How does it How to Say When are

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00:08:19,500 --> 00:08:21,630
you gonna think you're gonna
die? I'm going crazy. I'm

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00:08:21,630 --> 00:08:26,400
actually going to fix it thanks
dial the number on a bond now

127
00:08:26,400 --> 00:08:29,550
you're born in the same hospital
as you just okay

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00:08:41,970 --> 00:08:51,030
Aloysius J. Pig: am ready to
talk hi yes I'm trying to reach

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00:08:51,360 --> 00:09:01,980
the private eye you are free to
voice the voicemail is like to

130
00:09:01,980 --> 00:09:08,700
receive I had somebody answer
but our speaker

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00:09:10,020 --> 00:09:13,410
Rufus T. Rufus: newsletter I
trying to pay your

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00:09:23,850 --> 00:09:24,810
Natty Bumpercar: guys,

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00:09:24,930 --> 00:09:27,630
Rufus T. Rufus: those are the
only options yes so I mean like

134
00:09:27,630 --> 00:09:31,110
what about find out the status
of my case? No, I've

135
00:09:31,110 --> 00:09:34,110
Natty Bumpercar: been calling it
should be one two, right? Yes.

136
00:09:34,170 --> 00:09:37,860
I've been calling this I've
heard that recordings already

137
00:09:37,860 --> 00:09:41,100
times. Sometimes it changes a
little bit but I've that does it

138
00:09:41,100 --> 00:09:45,480
but it never gives you like the
option to talk to anybody or the

139
00:09:45,480 --> 00:09:51,660
option to like find out where
how my case is doing that. We've

140
00:09:51,930 --> 00:09:56,670
paid a lot of money for we get
stuck. Guys, did you not even

141
00:09:56,670 --> 00:09:59,340
hear me? It's my birthday.

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00:09:59,370 --> 00:10:03,150
Producer: Right? actually did
hear but I thought kind of that

143
00:10:03,150 --> 00:10:05,370
this getting in touch with the
private eye for the whole

144
00:10:05,370 --> 00:10:07,980
podcast thing which is the thing
that seemed to be making you cry

145
00:10:08,100 --> 00:10:10,620
was going to be a little bit
more important but you know,

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00:10:11,010 --> 00:10:15,450
Rufus T. Rufus: yeah, Natty I
also heard but I also agree. I

147
00:10:15,450 --> 00:10:20,700
mean, you're a grown man. You're
celebrating crying about your

148
00:10:20,700 --> 00:10:24,960
birthday or something and I made
me feel like uncomfortable. You

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00:10:24,960 --> 00:10:30,450
know you have your emotions you
live in them, but I I was I was

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00:10:30,450 --> 00:10:33,780
just like, all right, I cease
crying. I'm just gonna see if I

151
00:10:33,780 --> 00:10:35,970
can rectify the situation. Yeah.

152
00:10:36,450 --> 00:10:40,200
Aloysius J. Pig: Natty Happy
Birthday. Seriously. Superduper

153
00:10:40,200 --> 00:10:43,440
Happy Birthday. Sorry, we didn't
even realize that you weren't on

154
00:10:43,440 --> 00:10:48,600
the show. But I'm just gonna
call that number again to see if

155
00:10:48,600 --> 00:10:51,180
I can. Maybe Maybe I didn't do
it right.

156
00:10:51,209 --> 00:10:52,889
Oh, hold on. Okay.

157
00:10:55,380 --> 00:10:56,100
Like I could got it

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00:11:00,900 --> 00:11:06,930
Natty Bumpercar: all right.
Bring it right to the voicemail

159
00:11:06,930 --> 00:11:10,650
Rufus T. Rufus: service, man.
Same thing

160
00:11:11,160 --> 00:11:13,500
Natty Bumpercar: is totally
full. Fully full.

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00:11:13,530 --> 00:11:15,300
Aloysius J. Pig: No, no, that
was fishy. That was fishy. Hold

162
00:11:15,300 --> 00:11:18,330
on. Private Eye. Is this
actually you pretending to be a

163
00:11:18,330 --> 00:11:19,530
voice service?

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00:11:20,310 --> 00:11:23,760
Rufus T. Rufus: You have caught
man caught me in my own snare.

165
00:11:24,720 --> 00:11:26,940
Always use mocks when I lose.
Are you?

166
00:11:27,180 --> 00:11:32,280
Are you kidding me? I've been
calling for weeks. And only my

167
00:11:32,310 --> 00:11:36,450
first carry around. Where do you
did you find our stuff? Did you

168
00:11:36,450 --> 00:11:40,110
find our equipment? Calm down
that I found your equipment

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00:11:40,140 --> 00:11:42,810
weeks ago. box in the corner.

170
00:11:44,370 --> 00:11:48,480
underneath? He looked through a
bunch of junk. He doesn't even

171
00:11:48,480 --> 00:11:51,720
want you should have called me.

172
00:11:54,330 --> 00:11:57,840
Natty Bumpercar: But I did call
I've called several times. And

173
00:11:58,200 --> 00:12:02,040
evidently that was I was talking
to you, but you were doing a

174
00:12:02,040 --> 00:12:05,430
silly voice like an answering
machine service.

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00:12:05,550 --> 00:12:08,160
Rufus T. Rufus: Can you please
drop our equipment off? Or can I

176
00:12:08,160 --> 00:12:12,780
come and get it? Because I'm
really annoyed. And here's the

177
00:12:12,780 --> 00:12:15,480
thing I'm really annoyed too
because you haven't paid your

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00:12:15,570 --> 00:12:18,840
bill. All right now that's gonna
be my ticket or nothing. I will

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00:12:18,840 --> 00:12:23,160
handle this. I will go and I
will end in juncture this

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00:12:23,160 --> 00:12:25,830
private time we will get our
equipment back. We're gonna do

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00:12:26,010 --> 00:12:27,480
the podcast next week.

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00:12:27,750 --> 00:12:30,450
Natty Bumpercar: Uh huh. It's a
birthday miracle.

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00:12:42,210 --> 00:12:45,690
Outro: The bumper podcast is an
oftentimes hilarious weekly romp

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00:12:45,690 --> 00:12:49,590
with Natty Bumpercar and some of
his pals. It is family friendly,

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00:12:49,590 --> 00:12:54,570
clean and ridiculous. Thanks a
bundle for listening. If you

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00:12:54,570 --> 00:12:57,840
love our show, and you'd like to
help support the podcast, check

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00:12:57,840 --> 00:13:01,950
out our Patreon page at https
colon forward slash forward

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00:13:01,950 --> 00:13:08,190
slash www.patreon.com forward
slash Natty Bumpercar also

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00:13:08,220 --> 00:13:11,490
pretty please subscribe wherever
you get your podcasts, share it

190
00:13:11,490 --> 00:13:14,700
with everyone everywhere. post
about it on all of the social

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00:13:14,700 --> 00:13:19,530
medias or leave a rating and
review. The bumper podcast is

192
00:13:19,530 --> 00:13:23,760
produced at headquarters in
coffee Ken alley. It's recorded

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00:13:23,790 --> 00:13:28,170
mixed and produced by producer.
The bumper podcast features

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00:13:28,170 --> 00:13:33,210
contributions from Aloysius jpg
Rufus T Rufus doodle poodle,

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00:13:33,270 --> 00:13:38,250
robot trunks and a gaggle of
other silly rascals. Our head

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00:13:38,250 --> 00:13:42,270
talker is probably Natty
Bumpercar. We also have an

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00:13:42,270 --> 00:13:46,020
absurd newsletter. Check it out
and subscribe at Natty

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00:13:46,020 --> 00:13:51,000
bumpercar.com/subscribe Also,
you can follow me on Instagram

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00:13:51,000 --> 00:13:55,650
and Twitter at Natty Bumpercar
Hugs and hire. See you soon.

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00:14:01,710 --> 00:14:04,050
NonPro: This has been a non
productive media presentation,

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00:14:04,350 --> 00:14:07,620
executive producer Frank Blaue.
This program and many others

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00:14:07,620 --> 00:14:10,410
like it on the nonproductive
network is distributed under a

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00:14:10,410 --> 00:14:13,410
Creative Commons Attribution non
commercial no derivatives

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00:14:13,410 --> 00:14:16,410
license, please share it but ask
before trying to change it or

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00:14:16,410 --> 00:14:20,010
sell it. For more information
visit non dash productive.com