1 00:00:00,820 --> 00:00:03,520 Announcer: This is a Getty podcast. 2 00:00:03,520 --> 00:00:05,549 [Rising, meditative music] 3 00:00:05,549 --> 00:00:07,880 Lilit Sadoyan: Today we’re exploring The Laundress, a 4 00:00:07,880 --> 00:00:14,779 painting about cleaning and much more by Jean-Baptiste Greuze. 5 00:00:14,779 --> 00:00:14,779 6 00:00:14,780 --> 00:00:17,594 [Theme music begins] 7 00:00:17,594 --> 00:00:20,130 Welcome to Our Museum Mindfulness Meditation 8 00:00:20,170 --> 00:00:21,550 podcast, or OMMM. 9 00:00:22,490 --> 00:00:26,139 Part art history and part meditation, we use works of 10 00:00:26,139 --> 00:00:29,520 art from the Getty collection as inspiration for mindfulness 11 00:00:29,619 --> 00:00:30,789 and deep reflection. 12 00:00:31,750 --> 00:00:33,679 Hi—-I’m Lilit Sadoyan. 13 00:00:34,139 --> 00:00:37,329 I’m a longtime meditation practitioner and museum 14 00:00:37,380 --> 00:00:38,680 educator at Getty. 15 00:00:39,489 --> 00:00:41,689 Thanks for joining me as we bring mindfulness 16 00:00:41,790 --> 00:00:44,670 out of the gallery and into our daily lives. 17 00:00:45,709 --> 00:00:49,399 Today, we’re discussing The Laundress, or La Blanchisseuse, 18 00:00:50,129 --> 00:00:54,209 a painting made in 1761 by French artist Jean-Baptiste 19 00:00:54,209 --> 00:00:58,420 Greuze, and exploring mindfulness in the mundane. 20 00:00:59,419 --> 00:01:02,549 This episode begins with a breathing exercise to help 21 00:01:02,549 --> 00:01:04,499 relax your body and mind. 22 00:01:05,139 --> 00:01:07,590 We’ll then give a bit of history and context for the 23 00:01:07,590 --> 00:01:10,599 painting, and we’ll close with a meditation that 24 00:01:10,619 --> 00:01:14,599 encourages us to approach our daily tasks mindfully. 25 00:01:15,759 --> 00:01:18,929 This series is also available as an audio podcast. 26 00:01:19,790 --> 00:01:22,019 If you’d like to step away from a screen for a few 27 00:01:22,019 --> 00:01:24,950 minutes, listen on your favorite podcast app. 28 00:01:26,159 --> 00:01:28,369 Now, if you’re ready, let’s jump in. 29 00:01:28,369 --> 00:01:30,369 [Gong chimes] 30 00:01:30,369 --> 00:01:35,536 [Slow, meditative music begins] 31 00:01:35,536 --> 00:01:39,349 Go ahead and find a comfortable meditation posture, whatever 32 00:01:39,349 --> 00:01:40,750 that means for you today. 33 00:01:41,269 --> 00:01:44,820 Maybe you’re sitting, lying down, something that allows 34 00:01:44,820 --> 00:01:46,809 you to feel relaxed yet alert. 35 00:01:48,959 --> 00:01:52,079 Let’s start by taking a few deep breaths together. 36 00:01:52,729 --> 00:01:53,989 In through the nose. [inhales] 37 00:01:53,989 --> 00:01:53,989 38 00:01:56,329 --> 00:01:58,679 Out through the mouth. [exhales] 39 00:01:58,679 --> 00:01:58,679 40 00:02:00,750 --> 00:02:03,339 Deep breath in. [inhales] 41 00:02:03,339 --> 00:02:03,339 42 00:02:05,519 --> 00:02:09,299 Deep breath out. [exhales] 43 00:02:09,299 --> 00:02:09,299 44 00:02:10,069 --> 00:02:12,519 One more inhale. 45 00:02:15,419 --> 00:02:17,329 Exhale. 46 00:02:21,020 --> 00:02:25,159 And now just let your breathing resume its natural rhythm as 47 00:02:25,160 --> 00:02:27,029 we explore today’s work of art. 48 00:02:27,029 --> 00:02:28,819 [Bells chime] 49 00:02:28,819 --> 00:02:31,519 [Slow music plays] 50 00:02:31,529 --> 00:02:34,799 What if a chore could be transformed into a quiet 51 00:02:34,800 --> 00:02:37,109 moment of presence and dignity? 52 00:02:38,199 --> 00:02:41,529 In The Laundress, artist Jean-Baptiste Greuze hasn’t 53 00:02:41,529 --> 00:02:44,349 just focused on what the main figure is doing, 54 00:02:44,809 --> 00:02:46,179 but how she’s doing it. 55 00:02:47,330 --> 00:02:49,239 Try to picture it now in your mind. 56 00:02:50,239 --> 00:02:53,720 A young laundress sits alone in a room on a low 57 00:02:53,729 --> 00:02:55,219 makeshift wooden stool. 58 00:02:56,019 --> 00:03:00,000 She’s in profile, but gently turns her head to the left to 59 00:03:00,000 --> 00:03:03,910 look out at us, challenging us with her blue eyes. 60 00:03:04,930 --> 00:03:08,090 She wrings out the water from a white piece of fabric into 61 00:03:08,090 --> 00:03:10,120 an earthen basin on the floor. 62 00:03:11,049 --> 00:03:14,770 The water squeezes out from the material and her hands. 63 00:03:15,340 --> 00:03:18,559 It drips and trickles into the basin below. 64 00:03:19,350 --> 00:03:20,210 Try to hear it. 65 00:03:20,210 --> 00:03:21,529 [sounds of water lightly dripping] 66 00:03:21,529 --> 00:03:24,760 Even the way the fabric’s been painted evokes a sense 67 00:03:24,760 --> 00:03:26,549 of dampness in my hands. 68 00:03:27,289 --> 00:03:30,369 The details of the water are painted with creamy brush 69 00:03:30,369 --> 00:03:34,379 strokes of white and blue paint that appear wet too. 70 00:03:35,889 --> 00:03:38,179 There’s a lot of fabric in the painting. 71 00:03:38,770 --> 00:03:42,409 The layered drapery of the laundress’s clothing overflows 72 00:03:42,410 --> 00:03:46,649 here, including a pink and yellow striped skirt, likely 73 00:03:46,649 --> 00:03:50,819 over a petticoat, a light blue tailored robe or gown 74 00:03:50,820 --> 00:03:55,709 with layered sleeves, a white apron, a long white kerchief 75 00:03:55,730 --> 00:04:00,029 worn over her shoulders and neckline, and her head topped 76 00:04:00,029 --> 00:04:03,870 with a white mobcap tied with a pink ribbon to cover her hair. 77 00:04:05,580 --> 00:04:08,579 In the bottom left sits a heap of white fabric, 78 00:04:08,900 --> 00:04:10,540 perhaps next to be washed. 79 00:04:11,659 --> 00:04:16,669 In the opposite corner at top right, a couple other items, one 80 00:04:16,669 --> 00:04:20,320 with details of a striped blue trim and the other like a large 81 00:04:20,330 --> 00:04:24,370 sheet, are draped over what appears to be a clothesline. 82 00:04:25,659 --> 00:04:29,919 In fact, the entire setting is rather cluttered with 83 00:04:29,919 --> 00:04:32,819 the tools and materials related to doing laundry. 84 00:04:34,070 --> 00:04:37,489 Behind the figure, a woven basket stuffed with sticks or 85 00:04:37,489 --> 00:04:40,019 tools just about tips over. 86 00:04:41,159 --> 00:04:45,519 A gleaming pear-shaped pewter kettle, or a marabout, used 87 00:04:45,519 --> 00:04:49,809 for boiling water, sits atop a small wooden table on the floor. 88 00:04:51,079 --> 00:04:54,979 Earthenware and copper pots are haphazardly stacked on 89 00:04:54,979 --> 00:04:56,559 the wooden cabinet behind her. 90 00:04:57,549 --> 00:05:01,299 Wooden paddles known as beach beetles, used for beating wet 91 00:05:01,349 --> 00:05:05,999 linen to remove dirt, are strewn across the bottom left corner of 92 00:05:06,000 --> 00:05:07,909 the floor like an afterthought. 93 00:05:09,429 --> 00:05:13,070 Emphasizing the mess, even the stucco on the wall in 94 00:05:13,070 --> 00:05:16,890 the top left corner has worn off, exposing the 95 00:05:16,899 --> 00:05:18,470 brick masonry underneath. 96 00:05:20,459 --> 00:05:24,579 Washing laundry in the 18th century was slow and laborious. 97 00:05:24,669 --> 00:05:28,739 It would take days to fully wash and dry clothing, much of 98 00:05:28,750 --> 00:05:32,359 that time spent doing repetitive and very physical tasks. 99 00:05:33,149 --> 00:05:36,949 Eight hours filling and draining a pot with soda ash and hot 100 00:05:36,949 --> 00:05:42,279 water, nine hours of soaking it in clean hot water, hours 101 00:05:42,300 --> 00:05:46,309 at the riverside beating out the dirt, three days hanging 102 00:05:46,309 --> 00:05:51,069 to dry—a far cry from our automated washer dryers today. 103 00:05:52,190 --> 00:05:54,580 Those who could afford it would send their clothing and 104 00:05:54,589 --> 00:05:57,789 bedding to be cleaned by a laundress, like the fictional 105 00:05:57,800 --> 00:05:59,320 character in our painting. 106 00:06:00,270 --> 00:06:03,260 Although an invented scene, this painting is based on 107 00:06:03,350 --> 00:06:08,030 everyday life, a style known as genre painting, and Greuze 108 00:06:08,050 --> 00:06:11,179 was the most famous and successful painter of this 109 00:06:11,179 --> 00:06:12,880 style in France at the time. 110 00:06:13,809 --> 00:06:16,249 He was inspired by Dutch and Flemish artists 111 00:06:16,279 --> 00:06:17,570 from the century prior. 112 00:06:18,480 --> 00:06:21,859 Greuze sought to elevate these mundane subjects to the same 113 00:06:21,859 --> 00:06:25,389 level of historical themes, which were deemed the highest 114 00:06:25,389 --> 00:06:27,469 form of painting by academics. 115 00:06:28,419 --> 00:06:31,770 The dramatic lighting and composition and Greuze’s 116 00:06:31,770 --> 00:06:36,260 attention to the subject in this painting valorized the laundress 117 00:06:36,559 --> 00:06:38,369 and perhaps even her chore. 118 00:06:39,899 --> 00:06:43,179 And just as Greuze gave this humdrum, quotidian subject 119 00:06:43,180 --> 00:06:46,589 matter his focused and sustained attention, this 120 00:06:46,590 --> 00:06:48,530 meditation aims to do the same. 121 00:06:49,430 --> 00:06:51,440 We’ll be trying something a little different here. 122 00:06:51,969 --> 00:06:55,739 Rather than sit in quiet meditation, we will begin with 123 00:06:55,739 --> 00:06:59,430 a brief grounding exercise, then practice mindfulness while 124 00:06:59,459 --> 00:07:01,449 engaged with a small chore. 125 00:07:01,449 --> 00:07:05,539 Interweaving mindfulness into the mundane allows us 126 00:07:05,540 --> 00:07:10,369 to bring curiosity, presence, and a non-judgmental attitude 127 00:07:10,439 --> 00:07:12,219 to daily routine tasks. 128 00:07:13,389 --> 00:07:18,199 Washing dishes, doing laundry, cleaning, showering, these 129 00:07:18,199 --> 00:07:22,709 are perfect opportunities to slow down and really focus 130 00:07:22,750 --> 00:07:27,259 on the task at hand, thereby transforming autopilot chores 131 00:07:27,549 --> 00:07:29,319 into restorative moments. 132 00:07:30,299 --> 00:07:34,279 So if you have some dishes to wash, some tidying to do, or 133 00:07:34,290 --> 00:07:38,269 laundry to fold, feel free to hit pause and return when you’re 134 00:07:38,269 --> 00:07:40,250 ready to dive into your chores. 135 00:07:41,350 --> 00:07:46,492 [Gong rings and meditative music begins] 136 00:07:46,493 --> 00:07:46,493 137 00:07:46,493 --> 00:07:49,309 Let’s begin with a few brief moments to center 138 00:07:49,369 --> 00:07:50,719 and ground our practice. 139 00:07:51,939 --> 00:07:54,609 If you feel comfortable, you can close your eyes. 140 00:07:55,509 --> 00:07:58,580 But if you’d prefer to keep your eyes open, that’s okay too. 141 00:07:59,279 --> 00:08:01,909 Try to lower your gaze and lower your lids to 142 00:08:01,919 --> 00:08:04,069 minimize visual distraction. 143 00:08:05,279 --> 00:08:07,310 Use this time to go inward. 144 00:08:10,259 --> 00:08:14,240 Adopt a posture that feels both relaxed, yet alert. 145 00:08:14,460 --> 00:08:14,490 146 00:08:17,110 --> 00:08:20,149 And let’s open our practice with a few deep breaths. 147 00:08:21,319 --> 00:08:25,559 In through the nose. [inhales] 148 00:08:25,559 --> 00:08:25,559 149 00:08:25,559 --> 00:08:26,489 Out through the mouth. [exhales] 150 00:08:26,489 --> 00:08:26,489 151 00:08:30,440 --> 00:08:31,389 Deep breath in. [inhales] 152 00:08:31,389 --> 00:08:31,389 153 00:08:34,940 --> 00:08:35,909 Deep breath out. [exhales] 154 00:08:35,909 --> 00:08:35,909 155 00:08:39,410 --> 00:08:40,900 One more inhale. 156 00:08:44,069 --> 00:08:45,369 And exhale. 157 00:08:49,360 --> 00:08:52,549 And just let your breathing resume its natural rhythm. 158 00:08:55,600 --> 00:08:59,530 So there’s no need to force or extend anything here, 159 00:09:02,040 --> 00:09:05,499 let your body do what it does very naturally on its own. 160 00:09:10,230 --> 00:09:11,160 Just breathing. 161 00:09:15,859 --> 00:09:19,119 And if your mind wanders, that’s okay. 162 00:09:22,670 --> 00:09:25,879 The objective is never to clear or empty the mind, 163 00:09:26,739 --> 00:09:28,909 but just notice those thoughts as they arise. 164 00:09:33,590 --> 00:09:34,849 And come back to your breath, 165 00:09:37,480 --> 00:09:40,740 using your breath as your anchor to the present moment. 166 00:09:46,649 --> 00:09:50,219 And if your eyes are closed, now I invite you to gently open them 167 00:09:50,639 --> 00:09:52,839 and arrive at the task at hand. 168 00:09:54,289 --> 00:09:58,400 First, even before you begin, notice any thoughts 169 00:09:58,400 --> 00:10:02,550 or emotions that arise when you look at what awaits you. 170 00:10:03,610 --> 00:10:06,689 Are there any judgments or expectations? 171 00:10:08,059 --> 00:10:11,500 Notice any urges you may feel to just jump right in. 172 00:10:14,269 --> 00:10:18,439 Take a moment to reframe the task by viewing the chore 173 00:10:18,449 --> 00:10:23,270 before you as an opportunity for reflection, or as an 174 00:10:23,299 --> 00:10:27,379 act of care, either for yourself or for your home. 175 00:10:28,809 --> 00:10:30,149 It is not a burden. 176 00:10:32,400 --> 00:10:34,919 You may even offer yourself a simple reframe. 177 00:10:35,839 --> 00:10:39,629 Instead of, “I have to clean this,” for example, 178 00:10:40,089 --> 00:10:42,059 you may say, “I get to”. 179 00:10:45,040 --> 00:10:48,220 This may not only reduce potential stress associated 180 00:10:48,220 --> 00:10:52,609 with the chore, but also enhance gratitude for this moment. 181 00:10:55,229 --> 00:10:57,449 Take a moment now to set an intention. 182 00:10:58,579 --> 00:11:02,630 Pause and ask yourself, “What do I wanna feel as 183 00:11:02,630 --> 00:11:05,130 I do this chore?” Calm? 184 00:11:05,739 --> 00:11:06,459 Presence? 185 00:11:07,250 --> 00:11:08,030 Gratitude? 186 00:11:11,000 --> 00:11:13,619 Now let’s focus on the sensory experience. 187 00:11:14,589 --> 00:11:19,870 Go ahead and begin your task, and pay attention 188 00:11:19,870 --> 00:11:22,039 to the sensation of touch. 189 00:11:24,160 --> 00:11:27,969 Whatever materials are within reach, notice their 190 00:11:27,979 --> 00:11:33,519 temperature and their texture in your hands and fingertips. 191 00:11:36,169 --> 00:11:39,349 If you’re touching water, for example, what is 192 00:11:39,349 --> 00:11:40,300 the temperature like? 193 00:11:42,199 --> 00:11:44,379 Feel the sensation of its flow. 194 00:11:46,449 --> 00:11:49,959 Or if you’re holding a towel, really feel the texture, 195 00:11:49,970 --> 00:11:51,880 its softness or density. 196 00:11:53,220 --> 00:11:54,040 Notice your grip. 197 00:11:55,530 --> 00:11:56,500 Feel the weight. 198 00:11:59,040 --> 00:12:01,170 Smoothing sheets or fluffing pillows? 199 00:12:02,450 --> 00:12:05,250 Observe and appreciate the neatness here. 200 00:12:07,530 --> 00:12:08,800 How do the objects look? 201 00:12:09,730 --> 00:12:12,879 Notice their colors and shapes or how they 202 00:12:12,879 --> 00:12:14,510 absorb or reflect light. 203 00:12:15,559 --> 00:12:16,690 Get curious. 204 00:12:18,209 --> 00:12:20,600 Maybe you’re folding laundry or putting it away. 205 00:12:21,250 --> 00:12:25,019 Look closely at the creases or how objects lean against 206 00:12:25,020 --> 00:12:26,279 each other for support. 207 00:12:27,829 --> 00:12:30,689 Are there any particular details that you appreciate? 208 00:12:31,840 --> 00:12:36,469 You can get as granular with the details as you allow yourself. 209 00:12:39,379 --> 00:12:42,499 Listen carefully to any sounds associated with 210 00:12:42,500 --> 00:12:43,920 whatever you are doing. 211 00:12:45,239 --> 00:12:48,309 Maybe it’s the faucet or the sound of a spray 212 00:12:48,309 --> 00:12:50,349 bottle or a sweeping broom. 213 00:12:53,169 --> 00:12:56,769 And pay careful attention to how the sound changes 214 00:12:56,799 --> 00:12:58,139 with each action. 215 00:13:00,790 --> 00:13:03,559 Listen to the sound of objects making contact 216 00:13:03,559 --> 00:13:07,440 with each other: stacking dishes, sliding drawers. 217 00:13:11,129 --> 00:13:13,719 Now bring your awareness to movement. 218 00:13:15,489 --> 00:13:18,719 Notice how and when your body moves. 219 00:13:21,629 --> 00:13:26,529 Slow down and really focus on everything you’re doing. 220 00:13:30,029 --> 00:13:33,820 Notice the rhythm of your actions, such as sorting or 221 00:13:33,820 --> 00:13:36,669 scrubbing, sweeping or stacking. 222 00:13:38,309 --> 00:13:41,980 Feel the motion of your arms as you push or pull. 223 00:13:44,279 --> 00:13:47,029 You can even sync your breath with each movement. 224 00:13:49,790 --> 00:13:52,889 Pay attention to how your movement changes 225 00:13:53,129 --> 00:13:55,199 from one task to another. 226 00:13:58,759 --> 00:14:02,489 And if your mind wanders during this time, that’s okay. 227 00:14:03,319 --> 00:14:06,210 It’s completely natural for the brain to do so. 228 00:14:07,619 --> 00:14:10,459 When you notice your mind drifting, gently 229 00:14:10,459 --> 00:14:13,059 bring your attention back to the task at hand. 230 00:14:14,339 --> 00:14:17,090 Take a deep breath and begin again. 231 00:14:21,179 --> 00:14:23,129 Notice the position of your body. 232 00:14:24,989 --> 00:14:28,849 You may scan your body and see if you can relax any points 233 00:14:28,860 --> 00:14:30,669 of tension or tightness. 234 00:14:32,410 --> 00:14:33,800 Soften your shoulders. 235 00:14:34,699 --> 00:14:35,830 Unclench your jaw. 236 00:14:37,190 --> 00:14:39,169 Let something go. 237 00:14:42,149 --> 00:14:45,979 Allow yourself to be curious about each and every bit 238 00:14:45,979 --> 00:14:49,370 of information your body is processing sensorily, 239 00:14:50,119 --> 00:14:53,550 how it’s received through various organs and processed 240 00:14:53,550 --> 00:14:58,370 in the brain, creating your perception of this exact moment. 241 00:15:00,960 --> 00:15:04,339 Finally, take a moment to appreciate the space you’ve 242 00:15:04,340 --> 00:15:08,029 created or the task you’ve completed just now, even if your 243 00:15:08,029 --> 00:15:09,459 work is only partially done. 244 00:15:11,559 --> 00:15:11,867 [Slow, meditative music plays] 245 00:15:11,867 --> 00:15:14,199 Consider how you feel compared to when you started. 246 00:15:17,180 --> 00:15:19,319 Perhaps this approach has brought you a sense of 247 00:15:19,349 --> 00:15:21,269 peace and satisfaction. 248 00:15:23,889 --> 00:15:27,619 I invite you to close your practice by silently thanking 249 00:15:27,619 --> 00:15:31,230 the objects or spaces that you just tended to. 250 00:15:36,139 --> 00:15:39,239 As we return to the world, let’s carry this sense of 251 00:15:39,299 --> 00:15:41,259 presence and awareness with us. 252 00:15:42,199 --> 00:15:45,549 You can consider these prompts as invitations to engage 253 00:15:45,549 --> 00:15:48,289 with the world of chores throughout your day and week. 254 00:15:49,419 --> 00:15:51,789 Look at things around you as if you’re seeing 255 00:15:51,789 --> 00:15:53,839 them for the first time. 256 00:15:55,069 --> 00:16:01,519 Slow down and greet your chores with curiosity and kindness, and 257 00:16:01,519 --> 00:16:03,930 focus entirely on a single task. 258 00:16:04,799 --> 00:16:08,210 Try to bring awareness to habitual mindless routines, 259 00:16:08,750 --> 00:16:12,979 and instead increase your joy in daily living through 260 00:16:12,979 --> 00:16:14,470 sustained attention. 261 00:16:16,239 --> 00:16:19,109 Let’s return to our breath and close our practice by 262 00:16:19,150 --> 00:16:23,189 taking a full deep breath together, the biggest 263 00:16:23,189 --> 00:16:24,369 breath you’ve taken today. 264 00:16:24,930 --> 00:16:25,560 Inhale. 265 00:16:29,239 --> 00:16:29,939 Sigh it out. [exhales] 266 00:16:29,939 --> 00:16:29,939 267 00:16:32,909 --> 00:16:34,899 Thank you so much for joining me. 268 00:16:47,929 --> 00:17:07,549 [Meditative music slowly fades out]