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Beneath the headlines.

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Behind the timelines, there is a
story no one wants you to find.

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Welcome to some unapproved thinking where
forgotten truths, buried patterns, and

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invisible systems rise to the surface.

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You weren't crazy.

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You were just early.

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Let's begin.

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Okay, everyone, hold on, because this
episode might just get me pulled offline.

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They called it the
Happiest Place on Earth.

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For the children who built that
happiness, the magic came with a

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price that no child should ever pay.

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I remember the exact moment I
realized something was deeply

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wrong with the entertainment
industry's treatment of children.

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I was watching an old interview
with a former Disney Star.

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I won't say who, and they were
describing their childhood in terms

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that sounded more like a prison sentence
than a dream come true handlers.

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Controlling every aspect of their life.

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Contracts that owned their
personality, a machine that consumed

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innocence and produced profit.

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That's when I started connecting the dots.

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Britney Spears, Miley Cyrus, Demi Lovato,
Selena Gomez, Lindsey Lowen, different

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faces, different stories, same pattern.

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They all went in as children
and came out broken.

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The mouse trap wasn't
designed to catch mice.

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It was designed to catch children.

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Tonight we ask when childhood becomes
a business model and innocence

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becomes intellectual property.

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Is Disney discovering damaged kids
or are they actually creating them?

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This is some unapproved thinking.

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Thank you to our sponsor, the
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Check them out@darkhorseentrepreneur.com.

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Now back to the show.

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We live in an age where child
exploitation has become systematized,

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corporatized, and normalized
through the entertainment industry.

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What once happened in shadows now happens
under bright lights with contracts,

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lawyers, and corporate oversight.

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That makes it all seem legitimate.

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I've spent years inside corporate
systems where we discuss human

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resources and talent management.

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The language was always clinical
professional, but when that same corporate

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machinery gets applied to children,
when childhood becomes a product to be

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developed and monetized, the results are
highly predictable and sadly devastating.

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The post social media world has made
child exploitation more profitable

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and more visible than ever before
A single Disney star can reach

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more children than all previous
generations of entertainers combined.

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The influence is global.

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The profits are enormous, and the
psychological damage is systematic.

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But Disney isn't just an
entertainment company.

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It's a vertically integrated machine
for processing children into profit

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television networks, streaming
platforms, music labels, merchandising,

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empires, touring infrastructure.

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When a child enters that system,
they're not just acting in a show,

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they're becoming a multi-platform
asset whose personality literally

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becomes corporate property.

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Understanding what Disney does
to children isn't just about

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entertainment industry criticism.

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It's about recognizing how
systematic child exploitation

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operates out there in plain.

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Protected by corporate lawyers and
celebrated by a culture that mistakes

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fame for success and that same
exploitation for opportunity when the

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happiest place on earth is built on the
systematic destruction of the children

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who work hard to create that happiness
that my friends is not entertainment.

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Nope, that's industrial scale child
abuse, disguised as family values.

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Let's take a quick walk through
how Disney transforms children

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into products, then discards them
when they're no longer profitable.

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The Disney machine doesn't just
hire child actors, it creates them.

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The casting process identifies children
with a specific psychological profiles,

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high energy people, pleasing tendencies,
family financial pressures, and most

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importantly, the kind of desperate hunger
for approval that makes them willing to

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do anything to keep the adults happy.

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Some have seen the corporate
documents describing this sad process.

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They don't call it
psychological profiling.

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They call it talent assessment.

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What they're really doing is identifying
children who can be most easily

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controlled, manipulated, and exploited.

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Once selected, these children enter
a system designed to separate them

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from normal childhood development.

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They're pulled out of regular
schools and placed into onset

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tutoring that prioritizes their work
schedules over their real education.

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They're separated from family and
friends who might provide emotional

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support independent of the Disney system.

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This almost sounds like a
cult-like treatment doesn't.

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The contracts are the key to
understanding how this works.

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These aren't acting agreements.

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They're ownership documents.

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Disney doesn't just hire
these children's time.

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They purchase their personality,
their image, their identity.

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The child basically becomes a
trademark owned by the corporation.

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Britney Spears started in the
Mickey Mouse Club at age 11.

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By the time she was an adult, she had
no idea who she was outside of the

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persona Disney had created for her.

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The conservatorship that controlled her
life for 13 years was just the legal

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formalization of a control system that had
been operating since her early childhood.

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Miley Cyrus was transformed from a
normal teenager into Hannah Montana,

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a character so completely artificial
that Miley later described feeling

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like she was living inside a lie, and
in so many ways, she was, wasn't she?

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The psychological pressure of maintaining
a fake identity while your real

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personality is developing creates the kind
of identity fractures that lead to the

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public breakdowns we've all witnessed.

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Here's what's most
disturbing about this system.

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The breakdowns aren't accidents.

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Nope.

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They're profitable.

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When a Disney star has a public
meltdown, it generates massive media

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attention, album sales, streaming
numbers, and social media engagement.

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The very tarnishing of the
star they shined up literally

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becomes a second revenue stream.

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Demi Lovato's struggles with
addiction and mental health weren't

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just simple personal failures.

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They were predictable outcomes of a
system designed to create psychological

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dependency and emotional instability.

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The same pressures that create the
perfect child performer also end up

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creating the perfect adult victim.

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And let's not forget the
handlers in all this.

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They are crucial to understanding how this
system works because these children don't

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have normal relationships with adults.

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Instead, they have professional
relationships with people whose

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job it is to extract the maximum
value from their personality,

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their skills, and their childhood.

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So the handlers aren't there
to protect the children.

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They're there to protect
the Disney's investment.

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Some folks out there have met people
who have worked inside this system.

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They describe it in terms that sound
very akin to human trafficking.

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Children isolated from real family
support, children controlled

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by adults who have a financial
interest in their compliance.

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Children forced to perform emotional
and physical labor that serves adult

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desires rather than given activities
that serve their childhood development.

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The educational neglect is
organized and intentional.

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These children are kept functionally
illiterate about their contracts,

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their finances, and their own rights.

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They're taught that they
should be grateful for their

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exploitation, uh, or I mean fame.

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And some of these children
even start to blame themselves

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when the system damages them.

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The sexual exploitation happens
gradually and routinely.

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It starts with costumes that sexualize
children then, uh, progresses to

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performances that teach children to
use their sexuality for adult approval.

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And finally, it culminates in young
adults who have been trained to see

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their bodies as corporate assets
rather than personal boundaries.

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When these children try to break
free from the system, they face

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methodical character assassination.

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The same media machine that
created their fame turns on them

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and destroys their reputation.

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They're portrayed as ungrateful,
unstable, or dangerous.

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Anything will be put out there in
the media to discredit their ability

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to expose what was done to them.

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The most insidious aspect is how
the system makes the victim's

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complicit in their own exploitation.

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These children are taught to be
grateful for their abuse, to defend

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their abusers, and even to blame
themselves for the psychological damage

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that was inflicted on them by design.

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In this sense, Disney doesn't
just exploit children.

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It creates a assembly line and factory
system for converting childhood innocence

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into corporate profit then discards,
the damaged humans who are left behind

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after their commercial value expires.

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This pattern of systematic
child exploitation through

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entertainment sadly, is not new.

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However, Disney has just perfected and
industrialized techniques that were

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once limited to individual predators.

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The Hollywood studio system of
the 1930s and 1940s provides the

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most direct historical parallel.

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Child stars like Judy Garland were
given amphetamines to keep them working

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and barbiturates to help them sleep.

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They were controlled through contracts
that owned every aspect of their

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lives and were discarded when they
became two damaged to be profitable.

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You can read Garland's accounts
of her treatment by MGM.

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The language she uses to describe
her childhood sounds identical to

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what modern Disney stars describe.

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Complete control, systematic drugging,
sexual exploitation, and psychological

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manipulation, all designed to
create dependency and compliance.

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The difference is that what MGM
did to individual children, Disney

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now does routinely to entire
generations of child performers.

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The scale has increased, but the
methods remain very much the same.

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Vaudeville and traveling shows
historically exploited children

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through similar mechanisms.

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Separation from family control through
economic dependency and the normalization

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of adult exploitation through the promise
of fame and success, the children were

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treated as property rather than people.

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Religious institutions have used similar
techniques for centuries, identifying

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vulnerable children, separating
them from family support, creating

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dependency through institutional
control, and using spiritual

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authority to justify exploitation.

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The Disney system seems to operate
like a secular version of these

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religious exploitation networks.

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The factory system of the Industrial
Revolution provides yet another parallel.

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Children were again, separated from
families, forced into labor that

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served adult economic interests and
systematically damaged by systems that

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prioritized profit over human development.

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Disney now just seem to
represent the entertainment

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industry's version of this child.

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Labor boarding schools and residential
institutions have historically used

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isolation control and systematic
abuse to break children's natural

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resistance to adult authority.

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The Disney system uses the same
techniques but disguises them as

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fame, opportunity and privilege.

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The pattern extends to how child
exploitation gets normalized

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through cultural narratives that
present abuse as opportunity.

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Just as factory work was presented as
character building for poor children,

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Disney exploitation gets presented as
dream fulfillment for talented children.

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These type of historical precedents
show that systematic child exploitation

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requires institutional support, legal
protection, and cultural normalization.

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Disney has achieved all three by
positioning itself as a family friendly

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entertainment company while operating as
a type of child exploitation enterprise.

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Understanding this history
helps explain why questioning

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Disney's treatment of children
triggers such defensive responses.

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The same cultural mechanisms that
protected previous forms of child

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exploitation now seems to protect Disney's
orderly abuse of child performers.

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Now let's examine the recurring mechanisms
of ongoing child exploitation and see

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how the Magic Kingdom has perfected
them into an industrial process.

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The pattern always seems to begin with
identifying vulnerable children whose

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families are desperate enough to surrender
parental authority to corporate interests.

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Disney doesn't randomly select children.

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They target families with financial
pressures, single parents or

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children with psychological profiles
that make them easy to control.

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Many have seen the same targeting
in other industries where vulnerable

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populations get exploited.

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The predators always identify the
most desperate victims because

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desperation creates compliance.

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Then the separation process systematically
isolates children from their normal

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support systems while at the same time
creating artificial dependencies on

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their exploiters onset Tutoring replaces
real education handlers, replace family

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relationships, and corporate approval.

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Replaces natural emotional development.

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This type of identity replacement
process destroys the child's authentic

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personality and replaces it with a
moldable corporate owned persona.

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The child learns that their real self is
unacceptable and that love and approval

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only come when they perform the artificial
identity created by their exploiters.

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This type of psychological
conditioning creates permanent damage

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that serves corporate interests.

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Children who are trained to seek approval
from authority figures, trained to

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blame themselves for adult failures,
and trained to see their bodies as

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corporate assets become adults who can't
function independently or even speak out

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in order to expose their exploitation.

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Add to that, the financial control
that ensures even the most successful

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child stars remain dependent on the
very system that exploited them.

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00:14:14,895 --> 00:14:21,045
Complex contracts, trust funds controlled
by others, and financial illiteracy keeps

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00:14:21,045 --> 00:14:25,995
the victims economically dependent on
their abusers even well into adulthood.

241
00:14:26,415 --> 00:14:31,455
The most insidious aspect is how
the system makes exploitation

242
00:14:31,575 --> 00:14:33,225
seem like opportunity.

243
00:14:33,555 --> 00:14:37,125
Children and families are taught to
be grateful for the abuse, taught

244
00:14:37,125 --> 00:14:40,845
to see exploitation as a privilege,
and taught to blame themselves

245
00:14:40,935 --> 00:14:42,190
when the system damages them.

246
00:14:42,765 --> 00:14:45,795
The media management ensures
that any attempt to expose the

247
00:14:45,795 --> 00:14:49,995
exploitation gets reframed as mental
illness, as in gratitude, or as

248
00:14:49,995 --> 00:14:51,675
just attention seeking behavior.

249
00:14:52,035 --> 00:14:55,545
The same machine that creates
those shining stars we all hold in

250
00:14:55,545 --> 00:14:59,535
such high regard, turns around and
destroys them When they try to tell

251
00:14:59,535 --> 00:15:02,564
the truth about their treatment,
then the pattern cycles through and

252
00:15:02,564 --> 00:15:06,495
extends to how the system creates
new victims to replace damaged ones.

253
00:15:06,870 --> 00:15:09,990
There's always another desperate
family willing to sacrifice their child

254
00:15:09,990 --> 00:15:11,610
for the promise of fame and fortune.

255
00:15:11,880 --> 00:15:15,240
This desperation ensures a
constant supply of fresh victims

256
00:15:15,360 --> 00:15:16,829
for the exploitation machine.

257
00:15:17,219 --> 00:15:20,760
The legal protection of the machine
ensures that the exploitation remains

258
00:15:21,060 --> 00:15:26,430
technically legal, even when it's
morally deplorable and obviously harmful

259
00:15:26,760 --> 00:15:31,260
contracts written by corporate lawyers
and approved by courts create a framework

260
00:15:31,410 --> 00:15:36,209
where systematic child abuse becomes
a legally protected business practice.

261
00:15:36,585 --> 00:15:41,025
The most concerning pattern in all
of this is how the system has become

262
00:15:41,025 --> 00:15:46,305
normalized and even celebrated by a
culture that mistakes fame for success

263
00:15:46,515 --> 00:15:48,585
and exploitation for opportunity.

264
00:15:48,825 --> 00:15:53,715
The victims become complicit in recruiting
new victims by serving as examples of

265
00:15:53,715 --> 00:15:59,235
Disney quote unquote success, even as
they're being systematically destroyed.

266
00:15:59,625 --> 00:16:01,455
The pattern seems to reveal that.

267
00:16:02,355 --> 00:16:06,915
The house of the mouse operates more like
a human trafficking organization than

268
00:16:06,915 --> 00:16:12,075
an entertainment company, but with legal
protection, with cultural celebration,

269
00:16:12,555 --> 00:16:16,635
and with corporate respectability,
that makes the exploitation effectively

270
00:16:16,635 --> 00:16:18,440
invisible to most casual observers.

271
00:16:19,350 --> 00:16:22,560
Now, not everyone in the entertainment
industry has participated in

272
00:16:22,560 --> 00:16:27,449
or accepted Disney's seemingly
systematic exploitation of children.

273
00:16:27,720 --> 00:16:30,870
Throughout the industry's history,
individuals have chosen child

274
00:16:30,870 --> 00:16:33,000
protection over corporate profit.

275
00:16:33,449 --> 00:16:38,250
Some parents have recognized the dangers
of the Disney system and have refused

276
00:16:38,250 --> 00:16:43,230
to allow their children to participate
despite enormous financial incentives.

277
00:16:43,650 --> 00:16:48,480
They understood that no amount of money
or fame is worth sacrificing their child's

278
00:16:48,480 --> 00:16:50,370
psychological development and safety.

279
00:16:50,730 --> 00:16:53,819
There are families who walked away
from Disney contracts after seeing

280
00:16:53,819 --> 00:16:55,620
what the system does to children.

281
00:16:55,890 --> 00:17:00,300
They chose their child's wellbeing over
the promise of wealth and celebrity, even

282
00:17:00,300 --> 00:17:02,189
when that choice meant financial hardship.

283
00:17:02,564 --> 00:17:06,825
Some former Disney employees have spoken
out about the systematic exploitation

284
00:17:06,825 --> 00:17:11,504
they witnessed, despite facing legal
retaliation and career destruction.

285
00:17:11,714 --> 00:17:15,764
Their accounts provide insider
confirmation of the abusive practices

286
00:17:15,764 --> 00:17:17,625
that Disney works hard to keep.

287
00:17:17,625 --> 00:17:17,925
Hidden.

288
00:17:18,285 --> 00:17:21,974
Child advocacy organizations have
documented the patterns of exploitation

289
00:17:21,974 --> 00:17:26,145
in the entertainment industry and
have pushed for stronger legal

290
00:17:26,145 --> 00:17:28,185
protections for child performers.

291
00:17:28,605 --> 00:17:31,845
Their work faces ongoing
resistance from industry lobbying.

292
00:17:32,294 --> 00:17:34,274
They continue fighting
for children's rights.

293
00:17:34,665 --> 00:17:39,075
Some former child stars have broken their
silence about the abuse they experienced

294
00:17:39,105 --> 00:17:44,205
and did so despite facing character
assassination and legal threats, their

295
00:17:44,205 --> 00:17:48,284
courage in speaking out helps expose the
systematic nature of Disney's exploitation

296
00:17:48,345 --> 00:17:50,534
and provides support for other victims.

297
00:17:50,909 --> 00:17:54,030
Legal advocates have challenged
Disney's exploitative contracts

298
00:17:54,030 --> 00:17:57,060
and business practices in court,
arguing that the systematic abuse

299
00:17:57,060 --> 00:18:00,960
of children should not be legally
protected just because it's profitable.

300
00:18:01,290 --> 00:18:05,970
Their cases face enormous resistance,
but establish very important precedents.

301
00:18:06,300 --> 00:18:09,419
Some celebrities have used their
platforms to expose the entertainment

302
00:18:09,419 --> 00:18:13,500
industry's treatment of children
despite facing professional retaliation.

303
00:18:13,815 --> 00:18:16,875
Their willingness to sacrifice
their careers for child protection

304
00:18:16,875 --> 00:18:21,165
demonstrates that resistance is
possible even within the system.

305
00:18:21,465 --> 00:18:25,875
But as always, the most important
resistance comes from people like

306
00:18:25,875 --> 00:18:30,795
you and me who refuse to support any
entertainment platform that exploits

307
00:18:30,795 --> 00:18:36,315
children, even when that entertainment
is popular and culturally celebrated.

308
00:18:37,004 --> 00:18:40,725
We understand that consuming the
products of child exploitation makes

309
00:18:40,725 --> 00:18:43,185
us effectively complicit in the abuse.

310
00:18:43,455 --> 00:18:46,905
All these outliers demonstrate
that Disney's exploitation of

311
00:18:46,905 --> 00:18:50,745
children isn't inevitable or even
necessary for entertainment success.

312
00:18:51,105 --> 00:18:56,475
Every person who chooses child protection
over corporate profit helps maintain

313
00:18:56,475 --> 00:19:00,075
the possibility that the entertainment
industry could serve children's

314
00:19:00,075 --> 00:19:02,024
interests rather than exploit them.

315
00:19:02,355 --> 00:19:05,355
While all this is for informational
and entertainment purposes.

316
00:19:06,090 --> 00:19:10,920
I think that understanding Disney's
systematic exploitation of children

317
00:19:11,129 --> 00:19:15,690
should change how you consume your
entertainment, how you evaluate celebrity

318
00:19:15,690 --> 00:19:20,790
culture and help you recognize when child
abuse is being disguised as opportunity.

319
00:19:21,210 --> 00:19:25,500
Every single Disney production
should become a question worth

320
00:19:25,500 --> 00:19:26,805
examining more carefully.

321
00:19:27,419 --> 00:19:30,929
When you see child performers, you
should start asking about their

322
00:19:30,929 --> 00:19:35,730
working conditions, asking about their
educational opportunities, and ask about

323
00:19:35,730 --> 00:19:41,310
their family relationships as well as
their psychological wellbeing rather

324
00:19:41,310 --> 00:19:43,080
than just enjoying their performances.

325
00:19:43,500 --> 00:19:47,639
The phrase child star should
take on an entirely new meaning.

326
00:19:47,639 --> 00:19:51,720
When you understand that it often
describes a victim of methodical

327
00:19:51,750 --> 00:19:56,129
exploitation rather than a
beneficiary of an opportunity.

328
00:19:56,879 --> 00:20:01,320
I truly feel that real success
for children, any children, should

329
00:20:01,320 --> 00:20:05,879
involve healthy development, ongoing
education, and deep loving family

330
00:20:05,879 --> 00:20:09,810
relationships, not just fame,
celebrity, and corporate control.

331
00:20:10,169 --> 00:20:14,040
The celebrity culture becomes recognizable
as a system that normalizes and

332
00:20:14,040 --> 00:20:18,240
celebrates exploitation as a whole
and even normalizes and celebrates

333
00:20:18,240 --> 00:20:19,860
the exploitation of children.

334
00:20:20,430 --> 00:20:23,790
When our society treats those famous
children as role models rather than

335
00:20:23,790 --> 00:20:28,320
victims, it too becomes complicit
in the systematic abuse that creates

336
00:20:28,320 --> 00:20:30,360
and maintains that celebrity status.

337
00:20:30,750 --> 00:20:33,930
The importance of real family protection
becomes clear when you understand

338
00:20:33,930 --> 00:20:37,110
how the entertainment industry
systematically separates children

339
00:20:37,230 --> 00:20:38,970
from their natural support systems.

340
00:20:39,330 --> 00:20:42,780
Parents who prioritize their
children's wellbeing over financial

341
00:20:42,780 --> 00:20:46,625
opportunity become essential barriers
to this type of exploitation.

342
00:20:47,235 --> 00:20:50,774
Educational choices take on new
significance when you recognize

343
00:20:50,774 --> 00:20:54,945
how the entertainment industry uses
educational neglect as a tool of control.

344
00:20:55,185 --> 00:20:59,865
Children who receive real education,
emphasis on real, they develop the

345
00:20:59,865 --> 00:21:04,004
critical thinking skills that make them
harder to exploit and harder to control.

346
00:21:04,245 --> 00:21:07,095
Once again, pattern recognition
becomes more important than

347
00:21:07,095 --> 00:21:08,730
just individual case analysis.

348
00:21:09,330 --> 00:21:14,760
When similar psychological damage appears
across multiple child stars from the same

349
00:21:14,760 --> 00:21:18,120
company, recognizing the pattern helps
you understand that you're witnessing

350
00:21:18,120 --> 00:21:22,080
systematic abuse rather than just
individual, personal or mental problems.

351
00:21:22,470 --> 00:21:27,300
Most importantly, you begin to realize
that supporting entertainment platforms

352
00:21:27,300 --> 00:21:32,280
that exploits children makes you
effectively complicit in their abuse.

353
00:21:32,685 --> 00:21:36,255
Every ticket purchased, every
product bought, and every show

354
00:21:36,255 --> 00:21:40,005
watched that involves exploited
children, provides financial support

355
00:21:40,125 --> 00:21:42,015
for their continued exploitation.

356
00:21:42,315 --> 00:21:46,815
Look, the goal here isn't to eliminate
all entertainment involving children,

357
00:21:46,845 --> 00:21:51,465
not at all, but it is to demand that
children's wellbeing be prioritized over

358
00:21:51,465 --> 00:21:56,985
just corporate profit and that systematic
exploitation be recognized and stopped

359
00:21:57,255 --> 00:21:59,595
rather than celebrated and normalized.

360
00:21:59,985 --> 00:22:02,955
When you understand that Disney's
treatment of children can constitute

361
00:22:02,955 --> 00:22:08,085
systematic abuse disguised as fame
and opportunity, you can then begin

362
00:22:08,085 --> 00:22:11,175
to make more informed decisions
about what entertainment to support

363
00:22:11,175 --> 00:22:12,915
and what exploitation to reject.

364
00:22:13,305 --> 00:22:17,385
They turned childhood into a commodity
and they called it entertainment.

365
00:22:17,895 --> 00:22:20,565
They transformed innocence
into intellectual property,

366
00:22:20,955 --> 00:22:22,425
and they called it opportunity.

367
00:22:22,695 --> 00:22:27,105
They created an assembly line factory
system for converting children into profit

368
00:22:27,165 --> 00:22:28,935
and called it the happiest place on earth.

369
00:22:29,850 --> 00:22:33,090
Some have traced this story from
corporate boardrooms to broken lives,

370
00:22:33,360 --> 00:22:36,810
from legal contracts to psychological
damage that lasts lifetimes.

371
00:22:37,200 --> 00:22:39,420
The mouse trap wasn't
designed to catch mice.

372
00:22:39,600 --> 00:22:43,710
It was designed to catch children, process
them into products, and discard them

373
00:22:43,710 --> 00:22:45,510
when their commercial value expired.

374
00:22:45,870 --> 00:22:50,909
Britney Spears, Miley Cyrus, Demi
Lovato, Selena Gomez, Lindsay

375
00:22:50,909 --> 00:22:56,189
Lohan, different faces, different
stories, same systematic destruction.

376
00:22:56,460 --> 00:22:59,669
They all went in as children with
hopes and dreams and came out as

377
00:22:59,669 --> 00:23:01,950
adults with heartbreak and trauma.

378
00:23:02,310 --> 00:23:06,810
The pattern isn't just coincidental,
it seems more operational.

379
00:23:07,080 --> 00:23:09,360
Disney doesn't just hire child actors.

380
00:23:09,885 --> 00:23:14,655
It creates them through psychological
profiling that identifies the most

381
00:23:14,655 --> 00:23:16,815
vulnerable and controllable children.

382
00:23:17,145 --> 00:23:18,885
It doesn't just employ them.

383
00:23:19,185 --> 00:23:23,955
It owns them through contracts
that purchase their personality,

384
00:23:24,135 --> 00:23:26,325
their image, and their identity.

385
00:23:26,715 --> 00:23:27,975
It doesn't just use them.

386
00:23:27,975 --> 00:23:32,355
It systematically damages them
through isolation, control and

387
00:23:32,355 --> 00:23:36,615
exploitation that serves corporate
profit over child development.

388
00:23:36,915 --> 00:23:39,180
Do you think all those publicized
breakdowns or accidents.

389
00:23:39,570 --> 00:23:41,909
It doesn't matter either way
because they're profitable.

390
00:23:42,330 --> 00:23:45,270
When a Disney Star has a public
meltdown, it generates massive

391
00:23:45,270 --> 00:23:46,860
media attention and revenue streams.

392
00:23:47,370 --> 00:23:50,700
Their very destruction then
becomes yet another product line

393
00:23:50,850 --> 00:23:54,540
that monetizes the psychological
damage that the system created.

394
00:23:54,899 --> 00:23:57,455
But here's what they can't
monetize your awareness.

395
00:23:58,304 --> 00:24:02,024
Once you understand and see that
Disney operates a well ordered child

396
00:24:02,024 --> 00:24:06,675
exploitation enterprise disguised as
family entertainment, you can't unsee it.

397
00:24:07,064 --> 00:24:10,635
Once you recognize that the happiest
place on earth is built on the

398
00:24:10,635 --> 00:24:14,145
routine destruction of children's
lives, you can't support it.

399
00:24:14,385 --> 00:24:17,235
While the official story is
that Disney creates dreams and

400
00:24:17,235 --> 00:24:18,840
opportunities for talented children.

401
00:24:19,590 --> 00:24:24,060
The real story is that Disney creates a
standardized misuse machine that converts

402
00:24:24,060 --> 00:24:27,780
childhood innocence into corporate
profit while basically destroying the

403
00:24:27,780 --> 00:24:29,820
very children who generate that profit.

404
00:24:30,090 --> 00:24:31,410
The mouse trap is real.

405
00:24:31,650 --> 00:24:36,540
It's operating right now, and it's
catching children whose only crime

406
00:24:36,690 --> 00:24:40,020
was being talented enough and
vulnerable enough to attract the

407
00:24:40,020 --> 00:24:43,740
attention of a system that sees
them as products rather than people.

408
00:24:44,264 --> 00:24:47,564
When childhood becomes a business model
and innocence becomes intellectual

409
00:24:47,564 --> 00:24:51,794
property, that's not entertainment,
that's industrial scale child abuse

410
00:24:51,885 --> 00:24:54,074
with a corporate logo and a theme song.

411
00:24:54,345 --> 00:24:57,195
I do not think this is the land
that Walt dreamed of and built.

412
00:24:57,615 --> 00:24:57,945
Nope.

413
00:24:58,185 --> 00:25:00,254
That land has been paved over and redone.

414
00:25:01,155 --> 00:25:04,155
The happiest place on earth now
seems to be built on the systematic

415
00:25:04,155 --> 00:25:06,705
destruction of the children
who create that very happiness.

416
00:25:07,064 --> 00:25:10,629
The question is, uh, are you gonna keep
paying for tickets to watch it happen?

417
00:25:11,910 --> 00:25:13,260
Tracy out

418
00:25:13,650 --> 00:25:15,720
if this story didn't sit right with you.

419
00:25:16,140 --> 00:25:16,530
Good.

420
00:25:17,010 --> 00:25:18,450
You are not here to be comforted.

421
00:25:18,870 --> 00:25:21,390
You are here to see what others overlook.

422
00:25:21,780 --> 00:25:24,360
Thanks for exploring
some unapproved thinking.

423
00:25:24,840 --> 00:25:28,260
Learn more@someunapprovedthinking.com.

424
00:25:28,770 --> 00:25:30,300
New episodes, drop weekly.

425
00:25:31,425 --> 00:25:36,750
Subscribe, share, and keep questioning
because the pattern's still playing out.

426
00:25:37,170 --> 00:25:39,210
And next time we're going deeper.