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♪ Opening theme music ♪

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Hello, and welcome to this episode
of ArtsAbly in Conversation.

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My name is Diane Kolin.

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This series presents artists, academics,
and project leaders who dedicate their

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time and energy to a better accessibility
for people with disabilities in the arts.

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You can find more of these conversations
on our website, artsably.com,

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which is spelled A-R-T-S-A-B-L-Y dot com.

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♪ Theme music ♪

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Today, ArtsAbly has some conversation with

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Erman Türkili, a musician and assistant professor 

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at Bahcesehir University in
Istanbul, Turkey, and the founder 

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of the House of Arts and Science in Istanbul.

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You can find the resources mentioned
by Erman Türkili during this episode

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on ArtsAbly's website in the blog section.

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♪ Jazz piano music ♪
Excerpt of the introduction video of First Steps of a Little Artist

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Hi, this is Erman.

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I'm the author of First Steps
of a Little Artist.

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Today, I will be talking about the details
of the book, how it works, our goal,

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and what we aim with this book.

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First of all, I need to mention
that it's been 12 years since

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I have been working on this book.

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I wanted to make sure that this book
will enable all the children

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in the world to play the piano easily.

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The most important detail of this book is: 
instead of using musical notes, we are using

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symbols for right-hand and left hand, 
as well as the notes.

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So, now, instead of trying to find the note
on the piano, now we have the circle

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for the right-hand notes, and we have
the triangle for the left hand notes.

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Now that we covered the right-hand
and the left hand with triangle

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and circles, now we are going to find out

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how we know what the C, D, E, F is.

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So instead of C on the piano,
now we have the black circle.

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Instead of D, now we have the yellow
circle, and instead of E,

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now we have the green circle.

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So if you look at the book very carefully,
you will understand that

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everything is going to be symbolized in this book,

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so this is going to make it very easy for
kids to learn it at their first glance.

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Welcome to this new episode
of ArtsAbly in Conversation.

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Today, I am with Erman Türkili,
who is a musician and assistant professor

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at Bahcesehir University in Istanbul in
Turkey, and also the founder of 

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the House of Arts and Science in Istanbul.

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We're going to talk about that.

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Welcome, Erman.

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Welcome to Turkey.

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Thanks for doing this, and thanks
for having me on your podcast.

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Thank you for being here.

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I'm interested in your work because
you're doing a lot of work in teaching,

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but you are also yourself a teacher.

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Can you tell us where music
started in your life and

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what you did yourself as a student
in music and what you're doing today?

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Back in the Mediterranean part of Turkey,

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I was a kid, at the age of...

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I remember all the way
down to five years of age, and

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I loved nothing outside of music.

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Even still now, I have been a violinist
for the last 30 years, I'm still

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very excited to be a musician, to be

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a student of music on a daily basis.

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I was in a city called Adana,
in the Mediterranean part

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of the country, Turkey.

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Every semester, I would talk to my dad and mom 

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and say that I want to buy a piano.

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Coming from a middle-class family,
it's not all that easy to just

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buy an instrument just because your kid
wants to have one because it's expensive.

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Every year they would say, Okay, so let's
see your grades at the end of the year,

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and then we will think I have that.

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There's the first year in elementary
school, second year, third year,

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fourth year, and fifth year.

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Unfortunately, I never had it.

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And we moved to a different location in the
city and in the environment, my brother

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had a friend who was a student 
at the conservatory at the time 

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because I never knew what 
conservatory is at the time.

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We met with him, and one day
we went to his house 

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and I saw this big piano at his house.

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And I said, What is this?

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Because at that time, I had only

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seen just the keyboard, the digital

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keyboard, the small one.

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He said, Well, that's the piano.

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That's the upright piano

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and you don't even need
to have an electric cable to work this.

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This is just an upright piano.

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It works manually and acoustically.

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I said, Can I just press the buttons?

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I pressed the buttons
and he saw me doing this.

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Later on, I didn't know that, but he

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went to my dad and said, Erman is really

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interested to play an instrument, so
how about I introduce one of my teachers

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at the Conservatory to you, and maybe
you can arrange some lessons for Erman.

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My father was like, Yes, of course.

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We went to this teacher's house and,
before any instrumental education

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in Turkey, and unfortunately, they still
do it, they check your ear, they say.

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They push some buttons and they ask you
to just imitate the sound of the note

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that you hear from the piano.

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That just never works for me
because he would say, Give me

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the sound of this note.

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And I didn't understand even
what he was talking about.

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So I was laughing.

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And he thought I was not
able to hear the note.

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But I was just laughing for the fact that
he was asking me to give the note to him.

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And I didn't understand
what he was talking about.

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So then he explained.

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But first he explained to my father
that I would never be a musician.

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I don't have the talent.

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I don't hear the notes.

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My father said, Can we
try it again tomorrow?

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We went there again tomorrow,
the next day, and he said, No,

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I will not teach him.

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My wife can teach him. So his wife came, 
and she did the same thing, 

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and I was laughing again.

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She said, This guy will never
become anything in music.

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She said, I will have
my daughter teach him.

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Their daughter came in and they were like,
Erman, I am going to play a note

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on the piano and I will imitate it
just like a flute with my mouth.

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Then I understood what
she was talking about.

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She was asking me to imitate
the sound of the piano.

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Then I started doing it.

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Then she was like, Mom, dad, come and see
this guy is actually able to do this.

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Then later they figured out
that actually I have a perfect pitch.

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But at first it was very funny.

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They said - There was a very famous
was sentenced that he said, he said,

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If this guy enters the conservatory, I will
become a shepherd at the conservatory.

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That was the sentence
that the professor said.

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Then they said, Okay, well, now you 
understand how we are doing this.

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So they started putting multiple voices
on the piano, and I was able

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to divide them and give them back.

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And so they said, Okay, now,
if this guy doesn't win the exam, then

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I will become I will become a shepherd at the 
conservatory because now I have a perfect pitch.

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And so later on, I entered the exams,
the auditions at the conservatory,

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and I became a conservatory student,
and I was actually the first one

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to enter it, and they asked me 
eight notes at the same time.

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So they basically press down eight
notes, and I was able to identify them.

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Then I started becoming
a conservatory student at the age of 10.

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In Turkey, that was
the earliest you can start.

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Now it starts at elementary school.

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So I became a student,
and I'm still a student of music,

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and I still have perfect pitch.
That's what I do.

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That's how my music journey started.

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But you're a violinist, right?
You're not a pianist.

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I'm a violinist.

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At the entrance exam, they decide
what instrument you can play

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based on your finger length,
and they check your finger and they

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see how you can do and they said,
Okay, you can choose two instruments.

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I said, Okay, either
the piano or the violin.

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I was dying to do the piano.

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They said, No, you can do the violin
because your fingers are not that long

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for the piano, which is funny now.

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My wife is a piano professor,
and I can actually play the piano.

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Well, actually, at the time, probably
they had teachers with no students,

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and they wanted to fill up their studio.

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They put me in a violin. 
I'm lucky to be a violinist.

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I'm married to a pianist, but I'm lucky to
be a violinist, and we play together now.

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So your studies were in Istanbul,
but you didn't stay in Istanbul

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for your higher education, did you?

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No.

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At first, I started actually
in the Mediterranean part

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of the country, not in Istanbul.

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I did my middle school there,
high school there, and the university,

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the undergraduate there.

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From Adana, I flew out to America
to do my master's and doctorate.

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I did my master's
at Pittsburgh State University and

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my doctorate at Florida State University.

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At the age of 26, I heard the same thing.

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They said, You became the doctor of music.

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And I said, What is this?

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I was just making music.

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So I was very young because
I enjoyed what I was doing.

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So starting with the elementary school
until finishing up doctorate,

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I never had a gap year or a gap month.

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At the age of 26, I had my DMA

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license, Doctor of Music and Arts license

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from Florida State University.

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And I think that I'm still a lifetime
student of music, and that's what I do.

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So How long did you stay in the States?

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About seven years.

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After that, I had about two, three music

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teaching studios in Florida, in Alabama.

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Then I decided to travel back to Turkey.

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I moved to this historic,
beautiful city of Istanbul.

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I'm not from Istanbul, but I moved back
to Istanbul, and I have been

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living in Istanbul since then.

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It's been 12, 13 years
since I moved back from States.

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When you came back, did you become a

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teacher immediately, or what did you do?

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At first, in America, I was an orchestra
player in the symphony orchestras,

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and I had music teaching studios.

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I had a lot of students, private
students, and then I was also a member

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of the orchestras in the violin section.

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When I came back, I wanted to have
a six months off to see how Istanbul

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works, how Istanbul lives the day.

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And so when does the day
start in Istanbul?

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When does it end?

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And then I figured out early enough
that Istanbul never ends.

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Istanbul is a 24-hour
city just like New York.

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And so then I started teaching some.

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I never became an orchestral
player in Turkey.

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I'm still not.

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I do recitals with my wife throughout

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many countries in Europe and also in Turkey.

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Now I have two different education centers

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in Istanbul, and I'm also a university

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teacher at Bahcesehir University,
where I teach violin and chamber music,

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but outside of the university, I start 
teaching kids at the age of two, 

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 to kids, and also I work in special education.

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I work with autistic
kids using my methods.

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That's at the House of Arts, right?

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That's the House of Arts and Sciences.

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What is the story behind
the House of Arts and Science?

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Well, I couldn't find a job,
so I had to find my own.

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That was the story,
actually, because I had music

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teaching studios back in America.

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When I came back here,
I wanted to do the same here.

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At first, I wanted to become a university
teacher, but I was so young.

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I was at the age of 26.

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Nobody hired me
as an assistant professor at that age.

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And so I started having private students.

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And later on, I formed my first education
center that was named House of Music.

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Then I wanted to always have
science classes and art classes

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in the same place at a young age.

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Students would come in and they
can do chess and they can do physics,

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and they can do violin and piano
and guitar at the same time.

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So that was the goal because I believe art
and science It should always be together.

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And so that was the story behind it.

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So from House of Music, we turned that
into House of Arts and Sciences, and at

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a very historic building in Istanbul.

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And that's what we still do.

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We have the second location now.

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Istanbul has two different sides.

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One is on a Torian side, the Asian
side, and there's the European side, too.

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We have one center in the Asian side
and one in the European side.

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That's what we do.

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But mainly, our education centers are now
working only in the field of music.

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What made you start working
with children with learning disabilities?

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Back in US, I had a student.

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00:15:03,269 --> 00:15:10,042
One day, one family came and said,
We have a student who is mildly autistic.

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00:15:10,042 --> 00:15:13,779
Well, up until that time,
that was probably the first time

235
00:15:13,779 --> 00:15:16,148
I heard that term.

236
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I said, What is autism?

237
00:15:18,817 --> 00:15:24,490
And his mom explained what it is.

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00:15:24,890 --> 00:15:30,029
She said, he just learns
everything normal, but then

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00:15:30,029 --> 00:15:32,731
he can act different sometimes.

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00:15:33,132 --> 00:15:36,535
He came into my class,
and so I started working with him.

241
00:15:36,568 --> 00:15:38,804
But the first class was very interesting.

242
00:15:38,837 --> 00:15:41,173
He just, like a shark.

243
00:15:41,640 --> 00:15:45,210
He would just travel around me.

244
00:15:45,210 --> 00:15:48,647
He would just walk around me
as I was telling him how to do

245
00:15:48,681 --> 00:15:52,451
this song, how to play this song.

246
00:15:52,484 --> 00:15:57,189
He would stop, play, and then
he would start circling again.

247
00:15:57,690 --> 00:16:04,596
After two classes,
I called his mom and I said,

248
00:16:04,596 --> 00:16:09,468
It seems like I'm unable to teach him
because he is just circling around me,

249
00:16:09,468 --> 00:16:13,038
and I feel like he's not listening to me.

250
00:16:13,038 --> 00:16:16,475
So it might be better to maybe
find a different teacher

251
00:16:16,475 --> 00:16:18,610
who knows what this is all about.

252
00:16:18,610 --> 00:16:23,482
She was like, How about in the third
lesson, you ask him what

253
00:16:23,515 --> 00:16:26,352
he learned in the first two lessons?

254
00:16:26,352 --> 00:16:28,988
I didn't know that he's
a recording machine.

255
00:16:29,755 --> 00:16:33,892
The third lesson came by
and I said, Hey, can you tell me

256
00:16:33,926 --> 00:16:36,862
what I taught you in the first lesson?
He was like, Yes.

257
00:16:37,830 --> 00:16:44,003
For 45 minutes lesson, he talked
about the entire class, minute by minute,

258
00:16:44,436 --> 00:16:46,872
second by second, with every detail.

259
00:16:47,072 --> 00:16:52,644
I learned that actually he's listening
to me as he was circling around me.

260
00:16:52,678 --> 00:16:56,315
It was quite an experience.
He was a great violinist.

261
00:16:56,348 --> 00:16:57,716
He was a great pianist, too.

262
00:16:58,717 --> 00:17:03,188
We had great two years together
with him, and he would not

263
00:17:03,288 --> 00:17:08,193
talk to me too much in the lesson,
but he would always listen 

264
00:17:08,193 --> 00:17:11,397
and do what I tell him to do on the violin.

265
00:17:11,430 --> 00:17:13,432
It was very interesting.

266
00:17:13,599 --> 00:17:17,069
Then when I came back here -

267
00:17:17,469 --> 00:17:21,306
Back in US, I had started working with kids

268
00:17:21,306 --> 00:17:25,744
using symbols and colors, not
with that autistic kid, specifically,

269
00:17:25,744 --> 00:17:28,914
but with the early-age students.

270
00:17:28,947 --> 00:17:34,586
The reason was, I had a student,
I still talk to them, Avery,

271
00:17:34,586 --> 00:17:39,358
she was at the age of 10, and
she would come into my violin lessons.

272
00:17:39,525 --> 00:17:43,929
She had a sister who was at
the age of three or two

273
00:17:43,962 --> 00:17:45,964
and a half at the time, Edison.

274
00:17:46,465 --> 00:17:51,003
Edison would be at the end of 
each class that we do with Avery, 

275
00:17:51,003 --> 00:17:53,071
and Edison would be like, Can I also play?

276
00:17:53,105 --> 00:17:55,741
I would be like, No, you can't play.

277
00:17:55,941 --> 00:17:58,610
It's too early.

278
00:17:58,610 --> 00:18:01,413
She would be so devastated.

279
00:18:02,047 --> 00:18:05,184
One day, her mom came to me and said,

280
00:18:05,184 --> 00:18:08,220
Erman, can you maybe try with her?

281
00:18:08,220 --> 00:18:11,156
I said, no, she's too young.

282
00:18:11,223 --> 00:18:14,793
She cannot learn the notes.

283
00:18:15,327 --> 00:18:16,962
So I denied that.

284
00:18:16,995 --> 00:18:21,967
Later on, she came into my class
for about six months.

285
00:18:22,501 --> 00:18:27,573
I tried very hard to teach her

286
00:18:27,573 --> 00:18:30,642
how to read the notes.

287
00:18:31,043 --> 00:18:33,145
The first month, she loved the violin.

288
00:18:33,145 --> 00:18:36,882
At the end of six months, she hated
the violin because it's just so difficult

289
00:18:37,082 --> 00:18:41,186
to learn with the traditional methods.

290
00:18:41,186 --> 00:18:47,359
And slowly, one by one, one day, 
I was driving on Interstate 10

291
00:18:47,359 --> 00:18:52,731
in Florida and I said, How can I
do something different to teach her?

292
00:18:52,731 --> 00:18:57,803
Because she's unable
to understand everything I say.

293
00:18:57,836 --> 00:19:04,209
All of a sudden, as I was driving,
on I10, I said, How about instead

294
00:19:04,243 --> 00:19:07,513
of saying the note names, I say colors?

295
00:19:07,513 --> 00:19:14,553
Instead of saying C or Do
in Europe, I say yellow.

296
00:19:14,553 --> 00:19:19,825
Instead of the violin strings,
I say, instead of saying GDAE string, 

297
00:19:19,825 --> 00:19:22,728
how about I say circle?

298
00:19:23,095 --> 00:19:24,496
So I tried.

299
00:19:25,931 --> 00:19:30,702
In the next two lessons,
she learned about five songs.

300
00:19:30,702 --> 00:19:34,239
For six months, it was
a struggle of nothing.

301
00:19:34,806 --> 00:19:41,346
We started using symbols and colors
to learn, and that later turned into

302
00:19:41,446 --> 00:19:44,049
a method that I worked on.

303
00:19:44,082 --> 00:19:48,287
For about 12 years, I worked on the method
before I published The First Steps

304
00:19:48,287 --> 00:19:49,988
of a Little Artist book.

305
00:19:50,088 --> 00:19:53,692
With the book, we work
in special education.

306
00:19:53,892 --> 00:19:56,595
We teach autistic kids
how to play the piano.

307
00:19:56,628 --> 00:20:00,299
The first book came out on piano
because it's an educational approach.

308
00:20:00,332 --> 00:20:04,803
The publication was easier on the piano.

309
00:20:04,836 --> 00:20:07,906
Now we are working on the violin
book, the violin book, and the xylophone

310
00:20:07,940 --> 00:20:12,377
will come out, and there's the ukulele
will come out, and there is going

311
00:20:12,411 --> 00:20:18,617
to be a rhythm book for autistic kids
and also the early childhood kids.

312
00:20:18,650 --> 00:20:21,486
We are using symbols
and colors to teach the kids.

313
00:20:21,587 --> 00:20:24,122
That's how it all started,
and that's what we do now.

314
00:20:24,389 --> 00:20:25,290
Okay.

315
00:20:25,557 --> 00:20:30,796
If we are a little bit more
detailed, right now, your book.

316
00:20:30,829 --> 00:20:36,501
You also have an introduction video
that we will post,

317
00:20:36,501 --> 00:20:38,070
we will share with ArtsAbly.

318
00:20:38,103 --> 00:20:43,241
But basically, it's about now teaching

319
00:20:43,308 --> 00:20:46,578
some teachers to acquire this method

320
00:20:46,612 --> 00:20:51,083
so that they can also share
this method with their own children.

321
00:20:52,117 --> 00:20:54,586
Well, yeah, we do teach students, and we

322
00:20:54,586 --> 00:20:59,358
also teach teachers to show them how they

323
00:20:59,391 --> 00:21:03,929
can use this book in their education,
especially at the age of two, three,

324
00:21:04,062 --> 00:21:07,432
and four, they use the book until five.

325
00:21:07,566 --> 00:21:13,839
With the five, kids slowly
start learning the alphabet.

326
00:21:13,839 --> 00:21:18,477
And alphabet is also - 
The letters are also symbols, basically.

327
00:21:18,477 --> 00:21:21,880
Once they start learning
the letters, they can easily

328
00:21:21,913 --> 00:21:24,783
learn the notes, in my opinion.
That's what we do.

329
00:21:24,783 --> 00:21:27,719
At the age of five,
we do a little transition

330
00:21:27,753 --> 00:21:31,857
to learn the notes, but at first
we start with only colors and symbols.

331
00:21:31,890 --> 00:21:35,294
We have colors on the keyboard of piano.

332
00:21:35,327 --> 00:21:40,999
The C is black and D is
yellow and E is green.

333
00:21:41,033 --> 00:21:43,001
There's orange for the F.

334
00:21:43,101 --> 00:21:44,836
We have the colors on the piano.

335
00:21:44,870 --> 00:21:47,406
We have stickers at the end of the book.

336
00:21:47,439 --> 00:21:50,075
We have stickers that they
put on the keyboard.

337
00:21:50,308 --> 00:21:54,479
Also, symbols are identifying our hands.

338
00:21:54,713 --> 00:21:58,750
We have the circle hand
and we have the triangle hand.

339
00:21:58,750 --> 00:22:03,155
Because at the age of three,
who knows what right is, 

340
00:22:03,155 --> 00:22:05,691
what left is, and it's so difficult.

341
00:22:05,724 --> 00:22:10,195
What we do is we have these
kids friendly markers.

342
00:22:10,228 --> 00:22:13,298
We drove a little circle here
and a little triangle here.

343
00:22:13,332 --> 00:22:15,967
Now they have the triangle
hand and circle hand.

344
00:22:16,034 --> 00:22:18,003
It's a lot easier for them
to identify that way.

345
00:22:18,303 --> 00:22:24,643
What they do is they look at the book and
see the symbols, and then they just found

346
00:22:24,710 --> 00:22:28,980
that very same symbol on the keyboard,
and they just play the note.

347
00:22:29,314 --> 00:22:33,151
So easily, they can start playing
the melodies using this method.

348
00:22:34,119 --> 00:22:39,591
Also the different notes length

349
00:22:39,691 --> 00:22:41,626
are represented by symbols too, right?

350
00:22:42,127 --> 00:22:43,829
Yeah, the size of the symbol changes.

351
00:22:44,129 --> 00:22:46,965
If it's a little longer note,
like a two beat long,

352
00:22:46,998 --> 00:22:51,570
then the size of the symbol doubles.

353
00:22:52,104 --> 00:22:56,775
If it's a dotted quarter,
then it's a different size.

354
00:22:56,808 --> 00:23:00,746
They can see this in the book clearly.

355
00:23:01,113 --> 00:23:03,782
We also teach them how
to compose with colors.

356
00:23:03,782 --> 00:23:05,484
Oh, that's nice.

357
00:23:05,484 --> 00:23:07,486
That's very important for me.

358
00:23:07,519 --> 00:23:13,158
We have composition pages for the kids
because I do believe that it is very,

359
00:23:13,191 --> 00:23:18,196
very important to compose an idea.

360
00:23:18,663 --> 00:23:20,565
It doesn't have to be a melody.

361
00:23:20,565 --> 00:23:26,805
They can compose anything
and that can help in their later life

362
00:23:26,805 --> 00:23:30,742
to create something different.

363
00:23:30,742 --> 00:23:33,678
The idea of creation is
quite important for me.

364
00:23:33,712 --> 00:23:37,949
What they have is they
have symbols without the colors.

365
00:23:37,949 --> 00:23:41,686
We ask them to color them,
the symbols, and they can create

366
00:23:41,720 --> 00:23:45,957
their own melodies based on the colors
that they put on the blank symbols

367
00:23:45,991 --> 00:23:47,392
that we provide.

368
00:23:47,526 --> 00:23:50,162
How do you work with the children on that?

369
00:23:50,162 --> 00:23:53,131
They first have to 

370
00:23:53,131 --> 00:23:56,701
acquire this method first as a player, 

371
00:23:56,701 --> 00:24:01,006
and then you sit with them and you say,
Now it's your turn, compose a melody?

372
00:24:01,006 --> 00:24:02,808
How do you do that?

373
00:24:02,841 --> 00:24:05,577
Well, first of all, we start with just
finding the notes on the piano,

374
00:24:05,610 --> 00:24:09,448
well, the colors and the symbols.

375
00:24:09,481 --> 00:24:13,518
The first 26 pages of the piano,
we have free fingering.

376
00:24:13,552 --> 00:24:19,024
They can look at the symbol, 
play the symbol with any finger that they like.

377
00:24:19,024 --> 00:24:23,195
Later on, we ask them
to have designed fingers.

378
00:24:23,195 --> 00:24:27,465
What we do is C has to be played
with the first finger.

379
00:24:27,465 --> 00:24:29,568
But what is first finger
for a two years old?

380
00:24:29,601 --> 00:24:34,272
What we say is, So Now you have the circle
hand, and now you have the black finger,

381
00:24:34,840 --> 00:24:38,243
the yellow finger, that's the D,
and there's the green finger,

382
00:24:38,276 --> 00:24:43,982
that's the E, there's the F,
there's the pinky as being the note G.

383
00:24:44,749 --> 00:24:50,622
With the A and be later on, we ask them to
decide on their own because I like giving

384
00:24:51,022 --> 00:24:54,626
children to decide what they want to do.

385
00:24:54,626 --> 00:25:01,266
With two notes, we give them
the decision, and they can just play them

386
00:25:01,266 --> 00:25:03,168
if they even want with their nose.

387
00:25:03,168 --> 00:25:07,806
Because at the age of two,
we do 20 minutes lessons.

388
00:25:07,839 --> 00:25:13,845
We want to give them the idea
of freedom, creating something

389
00:25:14,079 --> 00:25:18,016
and learning something different.

390
00:25:18,049 --> 00:25:19,885
That's how we do it.

391
00:25:19,918 --> 00:25:25,223
Then when the composition pages come,
we give them the markers 

392
00:25:25,223 --> 00:25:30,862
with the blank circles, and we 
ask them, What notes

393
00:25:30,862 --> 00:25:34,833
do you want to give to this white circle?

394
00:25:34,833 --> 00:25:39,571
They say, Okay, this is going
to be the green, the note E.

395
00:25:39,571 --> 00:25:43,608
The other one is going to be the red,
the note G.

396
00:25:43,608 --> 00:25:46,945
We have a page,
the harmony page, I like to call.

397
00:25:46,945 --> 00:25:50,448
I took counterpoint lessons
for years and harmony lessons

398
00:25:50,482 --> 00:25:52,584
for years, composition lessons.

399
00:25:52,584 --> 00:25:57,489
But we asked them to look
at the Colorful Friends page.

400
00:25:57,489 --> 00:26:01,960
What Colorful Friends page is,
how in music we have the C, E, G.

401
00:26:01,993 --> 00:26:04,829
When you play them together,
that's a C major chord.

402
00:26:04,829 --> 00:26:07,232
We say, these are good friends.

403
00:26:07,232 --> 00:26:11,636
The black and the green and the red,
if you put them together,

404
00:26:11,670 --> 00:26:13,138
they're going to sound better.

405
00:26:13,238 --> 00:26:16,875
What they do is, okay, so
I have a black note here

406
00:26:16,908 --> 00:26:21,913
that I colored, and now it's better
to use either green or the red.

407
00:26:21,913 --> 00:26:24,449
That's basically a counterpoint class.

408
00:26:24,449 --> 00:26:27,619
Then they say, okay,
so I will play the green.

409
00:26:27,619 --> 00:26:31,790
Now they have the C and E, and when
they play together, they sound better.

410
00:26:31,790 --> 00:26:36,328
We asked them to learn
the counterpoint in one page.

411
00:26:36,728 --> 00:26:37,729
How does it work?

412
00:26:37,729 --> 00:26:41,599
It works similarly for the other
instruments, but something

413
00:26:41,599 --> 00:26:45,403
like the xylophone or the ukulele.

414
00:26:46,605 --> 00:26:51,142
One hand is the fourth hands
and one hand is the melody hand.

415
00:26:51,876 --> 00:26:58,450
Yeah. With the piano, we have two
hands, circle and triangle.

416
00:26:58,483 --> 00:27:01,419
With the violin,
those symbols are different.

417
00:27:01,619 --> 00:27:05,657
With the violin, the strings
are the symbols and the notes

418
00:27:05,690 --> 00:27:07,892
are the colors on your finger.

419
00:27:07,926 --> 00:27:09,394
With the ukulele, the same thing.

420
00:27:09,728 --> 00:27:13,465
The different strings are different
symbols, and we draw those symbols on

421
00:27:13,465 --> 00:27:15,667
the backside of the bridge on the violin.

422
00:27:15,667 --> 00:27:18,536
When they hold the violin,
they see the colors and symbols.

423
00:27:18,570 --> 00:27:21,006
What they do is, okay,
so now we have, 

424
00:27:21,006 --> 00:27:23,141
let's say, the Twinkle Twinkle Little Star.

425
00:27:23,141 --> 00:27:28,146
They play circle, circle, star,
star, and the yellow star, yellow star,

426
00:27:28,146 --> 00:27:31,216
the first finger, and the black star.

427
00:27:31,249 --> 00:27:34,586
So that's A, E, E, F sharp, F sharp, E.

428
00:27:35,320 --> 00:27:38,490
Instead of saying that, we have circles.

429
00:27:38,523 --> 00:27:43,161
The circles are the things that they start
seeing when they are born, the first day.

430
00:27:43,428 --> 00:27:47,932
It's a lot easier for them to
identify and understand with this.

431
00:27:47,932 --> 00:27:49,667
With the xylophone,
it's just like the piano.

432
00:27:49,667 --> 00:27:55,206
So you have the colors for the notes
and the symbols for the hands.

433
00:27:55,206 --> 00:27:56,307
I see.

434
00:27:56,307 --> 00:27:59,611
Right now, there is one book, 
there's going to be several different books

435
00:27:59,678 --> 00:28:01,913
about this method.

436
00:28:01,980 --> 00:28:09,621
Any plans for other projects
related to your school or your method?

437
00:28:09,954 --> 00:28:15,326
Yes, we want to work with elderly

438
00:28:15,326 --> 00:28:18,763
because what happens is at the age of two

439
00:28:18,797 --> 00:28:22,033
and three, the biggest struggle
is learning the notes.

440
00:28:22,701 --> 00:28:27,572
At the age of 62, 63, it is the same
thing, learning the notes.

441
00:28:27,872 --> 00:28:32,110
Because with the staff,
it's very difficult to identify

442
00:28:33,044 --> 00:28:37,949
the G, the E, the F, the A,
and then the different sizes,

443
00:28:38,383 --> 00:28:42,487
and identify them there,
and then find them on the piano or

444
00:28:42,520 --> 00:28:45,957
the violin, whatever you play,
and then playing one note, even

445
00:28:46,424 --> 00:28:50,395
Even the Twinkle Twinkle Little Star,
you have tens of notes.

446
00:28:50,428 --> 00:28:55,166
It is very difficult
with the elderly to play an instrument

447
00:28:55,266 --> 00:28:57,102
or start an instrument.

448
00:28:57,102 --> 00:28:59,604
What we do is we also
teach them with the color.

449
00:28:59,604 --> 00:29:05,710
At the first class, they start playing the
melodies other than learning the notes

450
00:29:05,844 --> 00:29:09,447
for about six months, finding them
on the keyboard for another three months, 

451
00:29:09,447 --> 00:29:11,816
and then playing one song.

452
00:29:11,850 --> 00:29:15,820
We teach elderly using the book again.

453
00:29:15,820 --> 00:29:17,922
But we just change the repertoire.

454
00:29:17,922 --> 00:29:21,659
We teach them songs that
they like to hear, and we basically

455
00:29:21,659 --> 00:29:28,600
apply that system to a regular song.

456
00:29:28,633 --> 00:29:30,635
They also do it.

457
00:29:30,668 --> 00:29:32,504
Now we are working on that, on the violin

458
00:29:32,537 --> 00:29:38,676
and on the piano, because at a late age,

459
00:29:38,676 --> 00:29:42,147
it is quite important
to use your fingers, use your eyesight,

460
00:29:42,247 --> 00:29:44,249
and use your hearing.

461
00:29:44,516 --> 00:29:51,055
If you use this on a daily basis,
it is believed that the process

462
00:29:51,089 --> 00:29:55,994
of dementia comes back to you way later.

463
00:29:55,994 --> 00:29:59,264
It won't come back, but it slows

464
00:29:59,264 --> 00:30:03,168
the process of dementia.

465
00:30:03,201 --> 00:30:07,372
It doesn't remove
the dementia of your life.

466
00:30:07,372 --> 00:30:09,374
I hope one day it will, 

467
00:30:09,374 --> 00:30:15,747
but it helps elderly to do a different activity.

468
00:30:16,281 --> 00:30:20,618
Am I mistaken or you also
have a project for blind people?

469
00:30:20,618 --> 00:30:22,020
Yeah.

470
00:30:22,086 --> 00:30:23,388
What is that?

471
00:30:23,388 --> 00:30:29,427
Well, actually, it is one of the goals
in life that I want to do.

472
00:30:29,427 --> 00:30:35,834
I'm working on that for about,
I don't know, five, six years.

473
00:30:36,634 --> 00:30:40,638
One day, I went to a museum in Istanbul.

474
00:30:40,838 --> 00:30:46,411
That was a museum called
Dialogue in the Dark.

475
00:30:46,444 --> 00:30:50,882
And in the museum, nine people

476
00:30:50,882 --> 00:30:55,320
become a team, and then they travel with you

477
00:30:55,320 --> 00:31:01,159
in a pitch-black environment,
and they introduce Istanbul to you.

478
00:31:01,226 --> 00:31:06,764
This museum, I hear that in about 60
countries, they have this museum.

479
00:31:07,031 --> 00:31:11,903
And in Turkey, in Istanbul,
we have a museum that is here forever

480
00:31:11,903 --> 00:31:13,805
because they sometimes do it.

481
00:31:13,838 --> 00:31:17,041
This museum goes to a different country
and they stay there for about two years

482
00:31:17,075 --> 00:31:19,043
in the country for one year.

483
00:31:19,077 --> 00:31:21,546
But in Istanbul, it's for a lifetime.

484
00:31:21,546 --> 00:31:23,915
When I went to that museum,

485
00:31:23,915 --> 00:31:30,088
we were traveling in pitch-black, Istanbul.

486
00:31:30,088 --> 00:31:33,558
They would take you to grocery store,

487
00:31:33,558 --> 00:31:37,395
you hop on the ferry, and they basically

488
00:31:37,629 --> 00:31:42,300
make you feel like, yes,
you don't see it, but you can feel it

489
00:31:42,300 --> 00:31:45,703
and you can hear it and you can touch it.

490
00:31:45,703 --> 00:31:50,241
You would to the grocery store
and they would ask you, Find apples

491
00:31:50,241 --> 00:31:53,177
and buy one kilo of apples.

492
00:31:53,211 --> 00:31:55,413
You'd be like, How?

493
00:31:55,446 --> 00:32:01,219
And be like, Okay, well, 
hold the apple and smell it 

494
00:32:01,219 --> 00:32:03,187
so that you will know that it's an apple.

495
00:32:03,321 --> 00:32:05,757
It was quite an experience.

496
00:32:05,757 --> 00:32:11,729
When I got out of that museum,
our tour guide was a blind person.

497
00:32:12,096 --> 00:32:16,234
His name was Ingen,
and he inspired me very much.

498
00:32:16,634 --> 00:32:18,703
I said, Can I have
coffee with you one day?

499
00:32:18,803 --> 00:32:20,605
He's like, Yes, of course.

500
00:32:20,638 --> 00:32:23,074
He's such a funny guy.

501
00:32:23,107 --> 00:32:26,077
He's like, So one day we had 
coffee with him, and I said, 

502
00:32:26,077 --> 00:32:29,047
What does music mean for a blind person?

503
00:32:29,147 --> 00:32:31,616
He said, Music is life.

504
00:32:31,749 --> 00:32:36,587
I said, Okay, and we are going
to be friends for a lifetime now

505
00:32:36,587 --> 00:32:39,457
because music is life for me too.

506
00:32:39,991 --> 00:32:43,561
I started writing a musical journey

507
00:32:43,561 --> 00:32:46,564
where all the blind people people

508
00:32:46,564 --> 00:32:49,167
come into an auditorium.

509
00:32:49,467 --> 00:32:53,104
There's a chamber orchestra
on stage playing with candles.

510
00:32:53,104 --> 00:32:57,208
The auditorium is pitch black dark,
only the musicians see.

511
00:32:57,208 --> 00:33:03,481
They're going to play songs, compositions
from seven different countries.

512
00:33:03,548 --> 00:33:10,088
Two theater artists
will talk about a story

513
00:33:10,088 --> 00:33:13,091
that goes through those seven countries.

514
00:33:13,157 --> 00:33:17,996
Each time they travel to
a different country in in their journey,

515
00:33:18,629 --> 00:33:24,602
they talk about Egypt, and the orchestra
starts playing Egyptian composers.

516
00:33:24,602 --> 00:33:32,944
In that auditorium, they're going to smell 
something different when the Egypt comes

517
00:33:32,944 --> 00:33:39,117
When they go to India, the fragrance
changes in the auditorium and the songs

518
00:33:39,150 --> 00:33:45,022
change in the chamber music orchestra
and the storyline changes also.

519
00:33:45,022 --> 00:33:48,860
That's going to be an experience
concert, I like to call.

520
00:33:48,860 --> 00:33:50,495
They will go to the stage.

521
00:33:50,528 --> 00:33:55,266
Also, people with eyesight
can also come in, 

522
00:33:55,266 --> 00:33:59,237
but they will be blind in the auditorium
because it's going to be pitch black.

523
00:33:59,270 --> 00:34:03,441
I want them to close their eyes

524
00:34:03,441 --> 00:34:06,377
and be in an auditorium where they won't

525
00:34:06,411 --> 00:34:11,582
see anything,
but they will listen to the music,

526
00:34:11,582 --> 00:34:16,821
they will hear the stories of those seven
countries, they will smell smell different

527
00:34:16,821 --> 00:34:19,757
fragrances of those seven countries.

528
00:34:19,757 --> 00:34:24,862
Hopefully, I'd like to add something else.

529
00:34:24,862 --> 00:34:27,331
I want them to also touch something.

530
00:34:27,865 --> 00:34:34,739
When the story goes to Africa,
I want them to find that banana

531
00:34:34,739 --> 00:34:36,741
tied somewhere on their chair.

532
00:34:36,741 --> 00:34:39,677
I want them to find it on their chair.

533
00:34:39,710 --> 00:34:42,847
So I want them to experience
something different.

534
00:34:42,847 --> 00:34:44,549
And I have been working on this storyline.

535
00:34:44,549 --> 00:34:49,020
I'm writing this story, and I'm also
finding the compositions 

536
00:34:49,020 --> 00:34:53,224
for those seven countries, and hopefully, 
one day, we'll be able to do it.

537
00:34:53,357 --> 00:34:55,660
Wow. It's a very interesting project.

538
00:34:55,660 --> 00:34:59,063
The mix of feeling and smelling and

539
00:34:59,063 --> 00:35:03,668
all the senses that you can really think of 

540
00:35:03,668 --> 00:35:08,039
when you don't consider sight, right?

541
00:35:08,272 --> 00:35:11,108
That's what I want to do,
and that's what I have been working on.

542
00:35:11,142 --> 00:35:13,878
I'm almost done with the storyline.

543
00:35:13,911 --> 00:35:20,751
The story starts in 1500s in Istanbul,
and it goes to Egypt,

544
00:35:20,751 --> 00:35:24,188
it goes to India, and there's no...

545
00:35:24,188 --> 00:35:30,328
It's a fiction story. It goes to America and 
listen to jazz and comes to France and 

546
00:35:30,328 --> 00:35:34,031
smell different fragrances in the history of Paris.

547
00:35:34,599 --> 00:35:37,635
We play French music there, and

548
00:35:37,668 --> 00:35:42,707
the theater artist will be talking about

549
00:35:42,707 --> 00:35:45,109
these stories in a very theatrical way.

550
00:35:45,243 --> 00:35:52,150
There will different sound examples
in the concert.

551
00:35:52,283 --> 00:35:56,287
They will be hearing the birds, and
they will be hearing the fairies, they

552
00:35:56,320 --> 00:36:00,558
will be hearing the arrows being shot at.

553
00:36:00,591 --> 00:36:04,862
It's a story, and it's going
to be an exciting story.

554
00:36:05,263 --> 00:36:08,566
With all these experiences and projects

555
00:36:08,599 --> 00:36:12,670
that you have with thinking of another

556
00:36:12,670 --> 00:36:19,043
way of playing music or developing
accessible ways of performing music.

557
00:36:19,610 --> 00:36:23,247
I always have this question
that I really like, and it's about

558
00:36:23,281 --> 00:36:27,752
accessibility in the arts, or sometimes
we talk about disability culture

559
00:36:27,752 --> 00:36:29,720
because it's really what it is.

560
00:36:29,754 --> 00:36:34,325
What does it mean for you to work in
an environment where you promote

561
00:36:34,325 --> 00:36:36,427
accessibility in the arts?

562
00:36:37,562 --> 00:36:40,264
It means many things, and 
especially this last project 

563
00:36:40,264 --> 00:36:43,367
that I'm talking about, the musical journey.

564
00:36:44,702 --> 00:36:49,073
When people go to a concert,

565
00:36:49,073 --> 00:36:55,580
they experience a music that was composed

566
00:36:55,580 --> 00:36:57,782
hundreds and hundreds of years ago.

567
00:36:57,782 --> 00:37:05,423
But when I go to concerts,
I see less and less people

568
00:37:05,423 --> 00:37:09,527
that are blind, that are autistic.

569
00:37:09,560 --> 00:37:12,063
In my concert, in my recitals,
there's a rule.

570
00:37:12,563 --> 00:37:16,834
If there's an autistic kid, and if 
the concert hall doesn't let 

571
00:37:16,834 --> 00:37:22,974
kids with autism, then
I'm not going on stage because art

572
00:37:22,974 --> 00:37:27,044
should be accessible for everyone.

573
00:37:27,545 --> 00:37:29,580
If...

574
00:37:30,548 --> 00:37:32,984
I did special concerts

575
00:37:32,984 --> 00:37:36,654
for kids with Down syndrome.

576
00:37:36,687 --> 00:37:42,693
And some of those concerts were 

577
00:37:42,693 --> 00:37:46,130
some of the memories, I will never forget them.

578
00:37:46,530 --> 00:37:50,401
I want all the artists, all the
concert artists, and musicians,

579
00:37:50,434 --> 00:37:54,438
and theater artists to experience this.

580
00:37:54,672 --> 00:38:00,544
That's why accessibility in arts should be

581
00:38:00,544 --> 00:38:04,282
worked on even more every day,

582
00:38:04,348 --> 00:38:08,352
but I see less and less every day.

583
00:38:09,320 --> 00:38:12,823
Unfortunately, in Turkey, in Istanbul,
there was a restaurant, for instance.

584
00:38:12,823 --> 00:38:15,026
It was the dinner in the dark.

585
00:38:15,026 --> 00:38:21,332
That was the concept. You would only say
what you have allergies, your allergies,

586
00:38:21,365 --> 00:38:26,704
and then they would serve you food
that you would never know what it is.

587
00:38:26,704 --> 00:38:30,875
But unfortunately,
they closed the restaurant.

588
00:38:30,908 --> 00:38:36,714
But I want to be able to promote concerts

589
00:38:36,714 --> 00:38:39,784
and give concerts for children, especially, 

590
00:38:39,784 --> 00:38:41,185
who are blind.

591
00:38:41,185 --> 00:38:44,522
My wife, we are very lucky
that we have a student

592
00:38:44,522 --> 00:38:51,295
who is living in a a very different part
of the country, and we teach her online.

593
00:38:51,962 --> 00:38:55,299
She is an incredible pianist.

594
00:38:55,299 --> 00:39:01,405
But if we just say, Oh, she's blind,
she cannot play the piano, 

595
00:39:01,405 --> 00:39:04,342
that would be such a loss 
because she plays incredible.

596
00:39:04,342 --> 00:39:07,211
I will send you videos,
and it's incredible.

597
00:39:07,211 --> 00:39:13,984
Therefore, all of these examples tells us
that we should be more accessible

598
00:39:13,984 --> 00:39:19,623
for everyone, and we should 
not limit our educations,

599
00:39:19,757 --> 00:39:24,195
our teachings in also one area.

600
00:39:24,195 --> 00:39:26,530
We shouldn't have an age limit.

601
00:39:26,530 --> 00:39:30,434
We shouldn't have a student-type limit.

602
00:39:31,302 --> 00:39:35,706
In my opinion, and every day
we're working on that more.

603
00:39:36,006 --> 00:39:43,848
Yes. I mean, the preconceived notion of 
disability and music being so opposite

604
00:39:43,881 --> 00:39:46,984
is so stupid in a way. It is not.

605
00:39:46,984 --> 00:39:48,986
Very much so.

606
00:39:49,420 --> 00:39:56,127
I'm happy to find people from all over
the world who are defending this.

607
00:39:56,160 --> 00:39:57,962
Let's find a way.

608
00:39:57,995 --> 00:40:02,933
There is no reason for
these students not to play music.

609
00:40:03,400 --> 00:40:07,037
That's really nonsense.

610
00:40:07,037 --> 00:40:11,208
Actually, Braille himself
was a pianist, too.

611
00:40:11,208 --> 00:40:13,677
And he has a piano method.

612
00:40:13,711 --> 00:40:14,945
Yes, of course.

613
00:40:15,112 --> 00:40:20,418
We found the book,
and he actually worked on that.

614
00:40:20,451 --> 00:40:24,422
Unfortunately, that is not
talked about quite as much.

615
00:40:24,555 --> 00:40:30,094
We traveled to the different city just
because in that city, there was a library

616
00:40:30,127 --> 00:40:36,801
that we could find the books, and we can
find different ways of printing music.

617
00:40:37,668 --> 00:40:40,838
We have all the audiobooks now,

618
00:40:40,838 --> 00:40:45,276
and we can also have different printer
systems, which you do now.

619
00:40:45,276 --> 00:40:50,881
We just need to implement the different
music notation software so that actually

620
00:40:50,981 --> 00:40:56,320
we can print out the Beethoven Sonata
with just a different

621
00:40:56,353 --> 00:40:57,855
system, different notation.

622
00:40:57,888 --> 00:41:01,525
We can think outside of the box,
it's 21st century.

623
00:41:01,725 --> 00:41:02,393
Exactly.

624
00:41:02,426 --> 00:41:08,866
With new technology - in ArtsAbly,
there has been a few musicians

625
00:41:08,866 --> 00:41:14,138
who identify as blind and who have
shown that with the new technologies

626
00:41:14,138 --> 00:41:19,710
that are developed today, we can easily 
use a device and have some

627
00:41:19,710 --> 00:41:26,150
guidance or some audio voice
system that they're used to.

628
00:41:26,150 --> 00:41:29,119
With that, they can do anything.

629
00:41:29,587 --> 00:41:35,759
My wife teaches every Saturday
at 9: 00 AM to our little student

630
00:41:35,860 --> 00:41:41,398
who is blind, Ipek, and she's incredible.

631
00:41:41,398 --> 00:41:44,635
Every Saturday morning is so much fun

632
00:41:44,668 --> 00:41:49,874
for us because every day she practices.

633
00:41:49,874 --> 00:41:56,480
And every week my wife gives a different song
and plays that different song for her.

634
00:41:56,480 --> 00:41:58,649
She records that.

635
00:41:58,649 --> 00:42:03,821
Then the following week,
it's a concert performance.

636
00:42:03,821 --> 00:42:07,057
Normally, if she goes to
a different education center,

637
00:42:07,091 --> 00:42:13,864
it'll be like, I'm sorry, we can't
do this because she cannot see the staff.

638
00:42:13,864 --> 00:42:15,799
That's just nonsense now.

639
00:42:15,799 --> 00:42:18,202
There's so many
different technologies.

640
00:42:18,202 --> 00:42:23,440
Most of those people, if they don't
see, then they hear better.

641
00:42:23,440 --> 00:42:24,942
And they memorize better.

642
00:42:24,942 --> 00:42:30,848
Yes. She has a perfect pitch, and
she memorizes so many different songs.

643
00:42:30,881 --> 00:42:32,650
They are pianistic songs now.

644
00:42:32,683 --> 00:42:34,585
They're not only kids' songs.

645
00:42:34,585 --> 00:42:37,755
They are pianistic
repertoire now she memorizes.

646
00:42:37,755 --> 00:42:40,724
My wife has another university student,

647
00:42:40,724 --> 00:42:45,729
and he's able to see, but very difficult

648
00:42:45,729 --> 00:42:46,864
for him to see anything.

649
00:42:46,897 --> 00:42:53,804
What he does is he takes the photo
of the song and then zoom in

650
00:42:54,238 --> 00:42:55,639
and memorize everything.

651
00:42:55,673 --> 00:42:59,343
She plays Chopin's and Beethoven sonatas.

652
00:42:59,677 --> 00:43:04,114
It shouldn't be that easy to say no.

653
00:43:05,382 --> 00:43:10,621
Yeah, and it's a good segue
to what I'm going to ask next,

654
00:43:10,621 --> 00:43:17,161
which is about - I believe that our life
is full of encounters and people who

655
00:43:17,161 --> 00:43:21,799
might have come to a part of your life
and then it changes something.

656
00:43:21,799 --> 00:43:25,836
Then you think in another way
and say that that's brilliant.

657
00:43:25,836 --> 00:43:32,109
I was wondering if you had two or three
people to think of, or maybe one,

658
00:43:32,109 --> 00:43:37,114
to think of who really came to a part
of your life where it motivated you

659
00:43:37,147 --> 00:43:42,686
to think otherwise, or taught you a 
lesson that you're still

660
00:43:42,720 --> 00:43:45,589
teaching today as a teacher, maybe.

661
00:43:45,589 --> 00:43:47,891
Who would it be and why?

662
00:43:49,393 --> 00:43:50,961
I have two people.

663
00:43:51,028 --> 00:43:55,432
I have so many people, but lately,
I want to say especially two

664
00:43:55,432 --> 00:43:58,635
people, and they're both blind.

665
00:43:59,236 --> 00:44:01,805
One is Ipek.

666
00:44:01,805 --> 00:44:03,807
She's at the age of nine.

667
00:44:03,807 --> 00:44:08,345
That's Saturday, 9: 00 AM lessons for us,
for my wife, and I'm a guest

668
00:44:08,345 --> 00:44:12,116
of that lesson that I listened to them.

669
00:44:12,149 --> 00:44:17,755
Also, our tour guide in
the Dialogue in the Dark museum.

670
00:44:17,755 --> 00:44:20,124
He changed my life.

671
00:44:20,157 --> 00:44:23,460
I think so differently after him.

672
00:44:23,627 --> 00:44:31,802
He is almost at a talent
level of an opera singer.

673
00:44:31,902 --> 00:44:35,739
He has this baritone
voice that is so colorful.

674
00:44:35,806 --> 00:44:39,410
I'm very sorry that I didn't meet with him

675
00:44:39,443 --> 00:44:44,248
earlier, but every time I talk with him,

676
00:44:44,248 --> 00:44:48,318
he makes me laugh It's just incredible.

677
00:44:48,485 --> 00:44:55,392
This guy looks at life
in a very, very different way.

678
00:44:55,392 --> 00:45:00,764
He says he became blind later on
in his life because of a sickness.

679
00:45:00,798 --> 00:45:06,570
He says before he was blind,

680
00:45:06,570 --> 00:45:08,405
he was so scared of flying.

681
00:45:08,405 --> 00:45:10,174
He says, Now I don't see.

682
00:45:10,207 --> 00:45:12,376
I can travel anywhere.

683
00:45:12,376 --> 00:45:16,146
He just makes everything so funny.

684
00:45:17,314 --> 00:45:22,286
My way of looking at life has changed.

685
00:45:23,020 --> 00:45:25,823
My way of seeing things has changed.

686
00:45:25,823 --> 00:45:31,829
One day, I said - he uses bus system
in Istanbul and it takes

687
00:45:31,829 --> 00:45:33,731
quite a while for him to go home.

688
00:45:33,731 --> 00:45:35,232
I said, Can I drop you off?

689
00:45:35,766 --> 00:45:38,469
That day, I had the car with me,
and he said, Okay.

690
00:45:38,469 --> 00:45:42,773
So we got out of the parking lot, and

691
00:45:42,773 --> 00:45:50,080
step by step, as if he drove this direction yesterday, 

692
00:45:50,080 --> 00:45:53,250
he told me the directions to his house 

693
00:45:53,250 --> 00:45:57,387
and how I can get out of that neighborhood 
and go on an Interstate.

694
00:45:57,387 --> 00:45:58,522
It was incredible.

695
00:45:58,522 --> 00:46:01,759
The memory that he has
was just incredible.

696
00:46:01,759 --> 00:46:07,464
And when I'm sad and when I feel hopeless,

697
00:46:07,998 --> 00:46:10,601
I think of him, I call him, text him,

698
00:46:10,601 --> 00:46:14,204
and life changes in that minute.

699
00:46:14,204 --> 00:46:22,146
So my goal is our son should look

700
00:46:22,146 --> 00:46:26,183
at things differently at all times, and

701
00:46:26,183 --> 00:46:32,356
he should change his opinion at all times
because opinions can be updated,

702
00:46:32,356 --> 00:46:34,424
and they shouldn't stay still.

703
00:46:34,424 --> 00:46:36,527
I have two people like that.

704
00:46:36,527 --> 00:46:39,496
One is a young little pianist
and the other one is a tour guide,

705
00:46:39,530 --> 00:46:42,166
and they changed my life.

706
00:46:42,166 --> 00:46:43,400
I look at life differently.

707
00:46:43,433 --> 00:46:47,304
Actually, I want to say another one
too, yeah, an autistic kid.

708
00:46:47,671 --> 00:46:54,845
When he came to us,
he was unable to actually hold his legs.

709
00:46:55,045 --> 00:46:57,981
His legs would always touch the piano
and it would have hit the piano.

710
00:46:58,015 --> 00:47:03,387
For about two years, I held his legs
in order to teach him a note.

711
00:47:03,387 --> 00:47:07,157
Now he's entering international piano
competitions.

712
00:47:07,624 --> 00:47:11,528
He learned and changed,

713
00:47:11,528 --> 00:47:15,866
transformed his life with the help

714
00:47:15,866 --> 00:47:21,605
of his family, especially mom and dad.

715
00:47:22,372 --> 00:47:25,309
I'm going to have dinner
with him this Friday.

716
00:47:25,742 --> 00:47:29,513
When I want to ask anything
about Mozart, I ask him because he is

717
00:47:29,513 --> 00:47:34,585
this Mozart library in his mind,
and it is so interesting.

718
00:47:34,585 --> 00:47:39,923
He also changed the way I
looked at autistic kids.

719
00:47:39,923 --> 00:47:44,294
Now I think autism is such a talent

720
00:47:44,294 --> 00:47:47,397
because he has a perfect pitch
that I cannot imagine.

721
00:47:48,332 --> 00:47:54,605
He can tell you the note
of a vacuum cleaner.

722
00:47:55,439 --> 00:47:57,207
It's incredible.

723
00:47:57,574 --> 00:48:00,210
Now he's a conservatory student.

724
00:48:00,844 --> 00:48:05,148
He a law student,
and we are just enjoying

725
00:48:05,148 --> 00:48:07,384
listening to him at a concert on stage.

726
00:48:07,751 --> 00:48:09,419
So, yeah, three people like that.

727
00:48:09,987 --> 00:48:14,791
Well, thank you so much
for sharing all these stories with us,

728
00:48:14,791 --> 00:48:21,064
and I wish you a lot of success
with your project, which is amazing.

729
00:48:21,565 --> 00:48:22,699
Thank you.

730
00:48:22,699 --> 00:48:26,903
Have a great day, and I'm pretty sure
we're going to talk to each other.

731
00:48:27,371 --> 00:48:29,406
Thank you very much for doing this, Diane.

732
00:48:29,439 --> 00:48:31,541
I'm very happy to be
a guest of your podcast.

733
00:48:32,109 --> 00:48:33,343
That was lovely.
Thanks a lot.

734
00:48:33,810 --> 00:48:35,345
Thank you.
Have a great day.

735
00:48:35,612 --> 00:48:36,446
Thank you.
You too.

736
00:48:36,680 --> 00:48:37,314
Bye..

737
00:48:38,181 --> 00:48:43,320
♪ Closing theme music ♪
